Theatrical reenactment in Pindar and Aeschylus:
What would Pindar and Aeschylus have talked about had they met at some point during their overlapping poetic careers? How do we map the space shared by these two fifth-century choral poets? In the first book-length comparative study of Pindar and Aeschylus in over six decades, Anna S. Uhlig pushes b...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Cambridge
Cambridge University Press
2019
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Schriftenreihe: | Cambridge classical studies
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Schlagworte: | |
Online-Zugang: | BSB01 UBG01 Volltext |
Zusammenfassung: | What would Pindar and Aeschylus have talked about had they met at some point during their overlapping poetic careers? How do we map the space shared by these two fifth-century choral poets? In the first book-length comparative study of Pindar and Aeschylus in over six decades, Anna S. Uhlig pushes back against the prevailing tendency to privilege interpretive frames that highlight the differences in their works. Instead, she adopts a more inclusive category of choral performance, one in which both poets are shown to be grappling to understand how the vivid here and now of their compositions are in fact a reenactment of voices and bodies from elsewhere. Pairing close readings of the ancient texts with insights from modern performance studies, Uhlig offers a novel perspective on the 'song culture' of early fifth-century BC Greece |
Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Jul 2019) Introduction: Pindar and Aeschylus in dialogue -- Voices of others: embedded speech in Pindar and Aeschylus -- Anachronistic harmonies: Agamemnon parodos, Pythian 4 -- Vocal tools: Pythian 12, Olympian 13, Seven against Thebes -- Somatic semblances: Choephoroi, Olympian 8, Pythian 2 -- Locating the revenant: Pythian 8, Persians |
Beschreibung: | 1 Online-Ressource (x, 307 Seiten) |
ISBN: | 9781108693820 |
DOI: | 10.1017/9781108693820 |
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520 | |a What would Pindar and Aeschylus have talked about had they met at some point during their overlapping poetic careers? How do we map the space shared by these two fifth-century choral poets? In the first book-length comparative study of Pindar and Aeschylus in over six decades, Anna S. Uhlig pushes back against the prevailing tendency to privilege interpretive frames that highlight the differences in their works. Instead, she adopts a more inclusive category of choral performance, one in which both poets are shown to be grappling to understand how the vivid here and now of their compositions are in fact a reenactment of voices and bodies from elsewhere. Pairing close readings of the ancient texts with insights from modern performance studies, Uhlig offers a novel perspective on the 'song culture' of early fifth-century BC Greece | ||
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Datensatz im Suchindex
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any_adam_object | |
author | Uhlig, Anna 1978- |
author_GND | (DE-588)1139135120 |
author_facet | Uhlig, Anna 1978- |
author_role | aut |
author_sort | Uhlig, Anna 1978- |
author_variant | a u au |
building | Verbundindex |
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dewey-full | 882/.01 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 882 - Classical Greek dramatic poetry & drama |
dewey-raw | 882/.01 |
dewey-search | 882/.01 |
dewey-sort | 3882 11 |
dewey-tens | 880 - Classical Greek & Hellenic literatures |
discipline | Philologie / Byzantinistik / Neulatein |
doi_str_mv | 10.1017/9781108693820 |
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spelling | Uhlig, Anna 1978- (DE-588)1139135120 aut Theatrical reenactment in Pindar and Aeschylus Anna Uhlig Theatrical Reenactment in Pindar & Aeschylus Cambridge Cambridge University Press 2019 1 Online-Ressource (x, 307 Seiten) txt rdacontent c rdamedia cr rdacarrier Cambridge classical studies Title from publisher's bibliographic system (viewed on 05 Jul 2019) Introduction: Pindar and Aeschylus in dialogue -- Voices of others: embedded speech in Pindar and Aeschylus -- Anachronistic harmonies: Agamemnon parodos, Pythian 4 -- Vocal tools: Pythian 12, Olympian 13, Seven against Thebes -- Somatic semblances: Choephoroi, Olympian 8, Pythian 2 -- Locating the revenant: Pythian 8, Persians What would Pindar and Aeschylus have talked about had they met at some point during their overlapping poetic careers? How do we map the space shared by these two fifth-century choral poets? In the first book-length comparative study of Pindar and Aeschylus in over six decades, Anna S. Uhlig pushes back against the prevailing tendency to privilege interpretive frames that highlight the differences in their works. Instead, she adopts a more inclusive category of choral performance, one in which both poets are shown to be grappling to understand how the vivid here and now of their compositions are in fact a reenactment of voices and bodies from elsewhere. Pairing close readings of the ancient texts with insights from modern performance studies, Uhlig offers a novel perspective on the 'song culture' of early fifth-century BC Greece Pindar / Criticism and interpretation Aeschylus / Criticism and interpretation Aeschylus v525-v456 (DE-588)118500856 gnd rswk-swf Pindarus ca. 522 oder 518 v. Chr.-446 v. Chr. (DE-588)118594427 gnd rswk-swf 1\p (DE-588)4113937-9 Hochschulschrift gnd-content Theaterwesen, griechisch (DE-2581)TH000006364 gbd Pindarus lyr. TLG 0033 (DE-2581)TH000002363 gbd Aeschylus trag. TLG 0085 (DE-2581)TH000000037 gbd Pindarus ca. 522 oder 518 v. Chr.-446 v. Chr. (DE-588)118594427 p Aeschylus v525-v456 (DE-588)118500856 p 2\p DE-604 Erscheint auch als Druck-Ausgabe 978-1-108-48183-0 https://doi.org/10.1017/9781108693820 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Uhlig, Anna 1978- Theatrical reenactment in Pindar and Aeschylus Pindar / Criticism and interpretation Aeschylus / Criticism and interpretation Aeschylus v525-v456 (DE-588)118500856 gnd Pindarus ca. 522 oder 518 v. Chr.-446 v. Chr. (DE-588)118594427 gnd |
subject_GND | (DE-588)118500856 (DE-588)118594427 (DE-588)4113937-9 |
title | Theatrical reenactment in Pindar and Aeschylus |
title_alt | Theatrical Reenactment in Pindar & Aeschylus |
title_auth | Theatrical reenactment in Pindar and Aeschylus |
title_exact_search | Theatrical reenactment in Pindar and Aeschylus |
title_full | Theatrical reenactment in Pindar and Aeschylus Anna Uhlig |
title_fullStr | Theatrical reenactment in Pindar and Aeschylus Anna Uhlig |
title_full_unstemmed | Theatrical reenactment in Pindar and Aeschylus Anna Uhlig |
title_short | Theatrical reenactment in Pindar and Aeschylus |
title_sort | theatrical reenactment in pindar and aeschylus |
topic | Pindar / Criticism and interpretation Aeschylus / Criticism and interpretation Aeschylus v525-v456 (DE-588)118500856 gnd Pindarus ca. 522 oder 518 v. Chr.-446 v. Chr. (DE-588)118594427 gnd |
topic_facet | Pindar / Criticism and interpretation Aeschylus / Criticism and interpretation Aeschylus v525-v456 Pindarus ca. 522 oder 518 v. Chr.-446 v. Chr. Hochschulschrift |
url | https://doi.org/10.1017/9781108693820 |
work_keys_str_mv | AT uhliganna theatricalreenactmentinpindarandaeschylus AT uhliganna theatricalreenactmentinpindaraeschylus |