Hegel's aesthetics: the art of idealism
"Hegel is known as "the father of art history," yet recent scholarship has overlooked his contributions. This is the first comprehensive interpretation of Hegel's philosophy of art in English in thirty years. In a new analysis of Hegel's notorious "end of art" thes...
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| Format: | Buch |
| Sprache: | English |
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New York, NY
Oxford University Press
[2019]
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| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Hegel is known as "the father of art history," yet recent scholarship has overlooked his contributions. This is the first comprehensive interpretation of Hegel's philosophy of art in English in thirty years. In a new analysis of Hegel's notorious "end of art" thesis, Hegel's Aesthetics shows the indispensability of Hegel's aesthetics for understanding his philosophical idealism and introduces a new claim about his account of aesthetic experience. 0In a departure from previous interpretations, Lydia Moland argues for considering Hegel's discussion of individual arts-architecture, sculpture, painting, music, and poetry-on their own terms, unlocking new insights about his theories of perception, feeling, selfhood, and freedom. This new approach allows Hegel's philosophy to engage with modern aesthetic theories and opens new possibilities for applying Hegel's aesthetics to contemporary art. Moland further elucidates his controversial0analysis of symbolic, classical, and romantic art through clarifying Hegel's examples of each. By incorporating newly available sources from Hegel's lectures on art, this book widely expands our understanding of the particular artworks Hegel discusses as well as the theories he rejects. Hegel's Aesthetics further situates his arguments in the intense philosophizing about art among his contemporaries, including Kant, Lessing, Herder, Schelling, and the Schlegel brothers. 0Ultimately, the book offers a rich vision of the foundation of his ideas about art and the range of their application, confirming Hegel as one of the most important theorists of art in the history of philosophy."-- |
| Beschreibung: | Rezensiert in: Hegel-Studien 55 (2021), Seite 268-270 (Lucas Amoriello, Freie Universität Berlin) |
| Beschreibung: | xvii, 333 Seiten, 4 ungezählte Seiten Bildtafeln Illustrationen 22 cm |
| ISBN: | 9780190847326 0190847328 |
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Contents List of Illustrations Acknowledgments List ofAbbreviations xi xiii xv Introduction: The Scope and Significance of Hegel’s Aesthetics 1 1. Idealism and Aesthetics 3 2. The End of History and the Ends of Art 6 3. The Predominance of Part II and the Necessity of Part III 12 4. Hegel’s Aesthetics in Historical Context 14 5. A Note on the Sources 18 I. ART AND THE IDEA 1. Truth and Beauty: Art as the Sensuous Appearance of the Idea 1. Foundations of Idealism: From Logic to Spirit 2. From Idea to Ideal to Beauty 3. The Determinacy of Art 4. Idealism and Artistic Process 23 23 27 39 47 II. THE PARTICULAR FORMS OF ART 2. Symbolic Art: The Distant Divine 1. The Particular Forms of Art: Introduction 2. The Origins of Symbolic Art 3. The Battle between Meaning and Shape: Unconscious and Fantastical Symbolism 4. The Egyptian World and Symbolism Proper 5. A God Everywhere or Nowhere: Sublime Art 55 55 58 60 63 67
viii CONTENTS 6. Conscious Symbolism from Fables to Epigrams 7. The Descriptive, the Didactic, and the Prosaic Ends of Symbolic Art 73 3. Classical Art: The Embodied Divine 1. Degraded Animals, Battling Gods: The Emergence of Classical Art 2. Embodied Beauty and the Culmination of Classical Art 3. Subjectivity and the Dissolution of Classical Art 4. Comedy, Satire, and the Prosaic Ends of Classical Art 5. The Historical Transcendence of Art 78 75 81 82 89 93 97 4. Romantic Art: The Human Divine 1. The Divine in History: Christianity 2. The Religious Realm: Christian Painting 3. The Worldly Realm: Chivalric Poetry 4. Formal Subjectivity: Character and Adventure from Shakespeare to Cervantes 5. The Domestication of Knights Errant: The Romantic Novel and the Prosaic Ends of Romantic Art 5. The Dissolution and Future of the Particular Arts 1. The Aesthetics of the Human Heart 2. The Dissolution of Art: Imitation and Subjective Humor 3. The Future of Art: Spiritualized Imitation and Objective Humor 4. The Artist after Art’s End 99 100 104 109 111 122 126 126 128 134 145 III. THE SYSTEM OF THE INDIVIDUAL ARTS 6. Externality as Symbol: Architecture 1. The System of the Individual Arts: Introduction 2. The Origins of Architecture 3. Independent or Symbolic Architecture 4. Architecture Proper: The Classical 5. The End and Future of Architecture: The Romantic 6. Architecture and Idealism 151 151 155 157 161 165 173
CONTENTS ІХ 7. Individuality Embodied: Sculpture 1. The Principle of Sculpture Proper 2. Paradigmatic Sculpture: From Arrangement to Materials 3. The Historical Development of Sculpture 4. From Decoration to Action: The Ends of Sculpture 177 179 182 187 189 8. Subjectivity in Retreat: Painting 1. Introduction to the Romantic Arts 2. The Presence of Absence: Painting and Christianity 3. Paintings Content: Love, Bliss, Interiority 4. The Essence of Color 5. Composition, Characterization, and History 6. Alienation and the Insipid: The Ends of Painting 197 197 200 203 208 213 215 9. The Sound of Feeling: Music 1. Subjectivity, Time, Music, Feeling 2. Time, Harmony, and Melody 3. Singing, Playing, and Performing 4. From the Conceptual to the Virtuosic: The Ends of Music 222 225 233 237 10. The Language of Inner Imagination: Poetry 1. Poetry and the Ideal 2. Poetic Origins, Prosaic Endings 3. Poetry after Prose 4. The Ordinary, the Florid, the Natural, and the Rhetorical: The Ends of Poetry 5. Poetry’s Philosophical Ending 11. Embodied Reconciliation: Poetic Genres and the End of the Individual Arts 1. The Poetry of Collective Self-Consciousness: Epic 2. The Poetry of the Self: Lyric 3. Embodied Action: Drama 4. Tragedy as Substance, Comedy as Subject: Ancient Drama 5. The Triumph of Subjectivity: Modern Drama 244 248 251 256 260 265 268 272 274 278 280 288 294
X CONTENTS Conclusion: Aesthetic Experience and the Future of Art 302 Bibliography List of Image Credits Index 307 321 323 |
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| spelling | Moland, Lydia L. Verfasser (DE-588)119556435X aut Hegel's aesthetics the art of idealism Lydia L. Moland Art of idealism New York, NY Oxford University Press [2019] © 2019 xvii, 333 Seiten, 4 ungezählte Seiten Bildtafeln Illustrationen 22 cm txt rdacontent n rdamedia nc rdacarrier Rezensiert in: Hegel-Studien 55 (2021), Seite 268-270 (Lucas Amoriello, Freie Universität Berlin) "Hegel is known as "the father of art history," yet recent scholarship has overlooked his contributions. This is the first comprehensive interpretation of Hegel's philosophy of art in English in thirty years. In a new analysis of Hegel's notorious "end of art" thesis, Hegel's Aesthetics shows the indispensability of Hegel's aesthetics for understanding his philosophical idealism and introduces a new claim about his account of aesthetic experience. 0In a departure from previous interpretations, Lydia Moland argues for considering Hegel's discussion of individual arts-architecture, sculpture, painting, music, and poetry-on their own terms, unlocking new insights about his theories of perception, feeling, selfhood, and freedom. This new approach allows Hegel's philosophy to engage with modern aesthetic theories and opens new possibilities for applying Hegel's aesthetics to contemporary art. Moland further elucidates his controversial0analysis of symbolic, classical, and romantic art through clarifying Hegel's examples of each. By incorporating newly available sources from Hegel's lectures on art, this book widely expands our understanding of the particular artworks Hegel discusses as well as the theories he rejects. Hegel's Aesthetics further situates his arguments in the intense philosophizing about art among his contemporaries, including Kant, Lessing, Herder, Schelling, and the Schlegel brothers. 0Ultimately, the book offers a rich vision of the foundation of his ideas about art and the range of their application, confirming Hegel as one of the most important theorists of art in the history of philosophy."-- Hegel, Georg Wilhelm Friedrich 1770-1831 (DE-588)118547739 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Hegel, Georg Wilhelm Friedrich / 1770-1831 Aesthetics Hegel, Georg Wilhelm Friedrich 1770-1831 (DE-588)118547739 p Ästhetik (DE-588)4000626-8 s DE-604 Online version Moland, Lydia L., author Hegel's aesthetics New York : Oxford University Press, 2019 9780190847333 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031495075&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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