Perspective as practice: Renaissance cultures of optics
This book is about the development of optics and perspective between the fifteenth and seventeenth centuries. The point of departure of this book is the recognition of the polysemy of perspective, that is, the plurality of meanings of perspective. To bring forward the polysemy of perspective, this b...
Gespeichert in:
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Turnhout, Belgium
Brepols
[2019]
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| Schriftenreihe: | Techne
knowledge, technique, and material culture ; 1 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | This book is about the development of optics and perspective between the fifteenth and seventeenth centuries. The point of departure of this book is the recognition of the polysemy of perspective, that is, the plurality of meanings of perspective. To bring forward the polysemy of perspective, this book explores the history of 'perspectiva' in terms of practices, a conglomerate of material, social, literary and reproductive practices, through which knowledge claims in perspective were produced, promoted, legitimated and circulated in and through a variety of sites and institutions. The ways optical knowledge was used by different groups in different places (such as the university classroom, the anatomist's dissection table, the goldsmith's workshop, and the astronomer's observatory) defined the meanings of Renaissance perspective. As this period was characterized by widespread "optical literacy", perspective was defined in different ways in different places and sites by various groups of practitioners. Most interestingly, sites such as the theatre, the instrument maker's workshop and the courtly garden were home to practices of perspective which have remained on the margin, or even completely invisible, in the historiographies of optics and perspective. The book also brings out the differences between codifications of perspectiva and practice. There were a variety of non-Albertian constructions to create the illusion of space, and other types of optical knowledge were as important to artists as the geometry of perspective |
| Beschreibung: | 510 Seiten Illustrationen, Diagramme 26 cm |
| ISBN: | 9782503581071 2503581072 |
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| 520 | 3 | |a This book is about the development of optics and perspective between the fifteenth and seventeenth centuries. The point of departure of this book is the recognition of the polysemy of perspective, that is, the plurality of meanings of perspective. To bring forward the polysemy of perspective, this book explores the history of 'perspectiva' in terms of practices, a conglomerate of material, social, literary and reproductive practices, through which knowledge claims in perspective were produced, promoted, legitimated and circulated in and through a variety of sites and institutions. The ways optical knowledge was used by different groups in different places (such as the university classroom, the anatomist's dissection table, the goldsmith's workshop, and the astronomer's observatory) defined the meanings of Renaissance perspective. As this period was characterized by widespread "optical literacy", perspective was defined in different ways in different places and sites by various groups of practitioners. Most interestingly, sites such as the theatre, the instrument maker's workshop and the courtly garden were home to practices of perspective which have remained on the margin, or even completely invisible, in the historiographies of optics and perspective. The book also brings out the differences between codifications of perspectiva and practice. There were a variety of non-Albertian constructions to create the illusion of space, and other types of optical knowledge were as important to artists as the geometry of perspective | |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents Acknowledgements 7 Introduction Sven Dupré 9 I Sites of Perspective Perspective as Artistic Form. Optical Theory and Visual Culture from Giotto to Alberti Marvin Trachtenberg 19 The Emerald and the Eye. On Sight and Light in the Artisan’s Workshop and the Scholar’s Study MarjolijnBoL 71 The Perspective of the Instrument Maker. The Planispheric Projection with Gemma Prisius and the Arsenius Workshop at Louvain Samuel Gessner 103 Dissection, Instruction, and Debate. Visual Theory at the Anatomy Theatre in the Sixteenth Century Tawrin Baker 12 3 The Princely Viewpoint. Perspectivai Scenery and its Political Meaning in Early Modern Courts Jaime Cuenca 149 The Optical Construction ofJohn Evelyn’s ‘Dyall Garden’ at Sayes Court Juliet Odgers 173
6 CONTENTS II Writing on Perspective Optics and Perspective in and beyond the Islamic Middle Ages. A Study of Transmission through Multidisciplinary Sources in Arabic and Persian Elaheh Kheirandish 205 The Roots and Routes of Optical Lore in the Later Middle Ages and Renaissance 241 A. Mark Smith A Hitherto Unknown Treatise on Shadows Referred to by Leonardo da Vinci Dominique Raynaud 259 How-To Optics Sven Dupré 279 Teaching, Creating, and Using Perspective in Sixteenth-Century Spain. The Architectural Notebook of Hernán Ruiz II José Calvo-López 301 III Drawing, Constructing, Painting Masaccio s Elements of Painting. Geometrical Practice in the Trinity Fresco Filippo Camerota 33 5 Divided into Similar Parts. Representation of Distance and Magnitude in Leon Battista Alberti’s De pictura Pietro Roccasecca 361 The Use of Perspective in the Art of Piero della Francesca J.V. Field 391 The Venetian Optics of Light and Geometry of Proportion Paul Hills 409 Topographic Perspective as Constructed Optics. Landscape Design and the Grand Canal at Versailles Georges Farhat 429 Plates
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| spelling | Perspective as practice Renaissance cultures of optics edited by Sven Dupré Turnhout, Belgium Brepols [2019] © 2019 510 Seiten Illustrationen, Diagramme 26 cm txt rdacontent n rdamedia nc rdacarrier Techne : knowledge, technique, and material culture 1 This book is about the development of optics and perspective between the fifteenth and seventeenth centuries. The point of departure of this book is the recognition of the polysemy of perspective, that is, the plurality of meanings of perspective. To bring forward the polysemy of perspective, this book explores the history of 'perspectiva' in terms of practices, a conglomerate of material, social, literary and reproductive practices, through which knowledge claims in perspective were produced, promoted, legitimated and circulated in and through a variety of sites and institutions. The ways optical knowledge was used by different groups in different places (such as the university classroom, the anatomist's dissection table, the goldsmith's workshop, and the astronomer's observatory) defined the meanings of Renaissance perspective. As this period was characterized by widespread "optical literacy", perspective was defined in different ways in different places and sites by various groups of practitioners. Most interestingly, sites such as the theatre, the instrument maker's workshop and the courtly garden were home to practices of perspective which have remained on the margin, or even completely invisible, in the historiographies of optics and perspective. The book also brings out the differences between codifications of perspectiva and practice. There were a variety of non-Albertian constructions to create the illusion of space, and other types of optical knowledge were as important to artists as the geometry of perspective Geschichte 1400-1700 gnd rswk-swf Perspektive (DE-588)4045301-7 gnd rswk-swf Wissenschaft (DE-588)4066562-8 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Optik (DE-588)4043650-0 gnd rswk-swf (DE-588)1071861417 Konferenzschrift Workshop at the Max Planck Institute for the History of Science (MPIWG) 10.2012 Berlin gnd-content (DE-588)1071861417 Konferenzschrift Workshop at the Centre Alexandre Koyré (CAK) 09.2013 Paris gnd-content Perspektive (DE-588)4045301-7 s Optik (DE-588)4043650-0 s Kunst (DE-588)4114333-4 s Wissenschaft (DE-588)4066562-8 s Geschichte 1400-1700 z DE-604 Dupré, Sven 1975- (DE-588)134041666 edt Erscheint auch als Online-Ausgabe 978-2-503-58145-3 Techne knowledge, technique, and material culture ; 1 (DE-604)BV046247160 1 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031493829&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Perspective as practice Renaissance cultures of optics Techne Perspektive (DE-588)4045301-7 gnd Wissenschaft (DE-588)4066562-8 gnd Kunst (DE-588)4114333-4 gnd Optik (DE-588)4043650-0 gnd |
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| title | Perspective as practice Renaissance cultures of optics |
| title_auth | Perspective as practice Renaissance cultures of optics |
| title_exact_search | Perspective as practice Renaissance cultures of optics |
| title_full | Perspective as practice Renaissance cultures of optics edited by Sven Dupré |
| title_fullStr | Perspective as practice Renaissance cultures of optics edited by Sven Dupré |
| title_full_unstemmed | Perspective as practice Renaissance cultures of optics edited by Sven Dupré |
| title_short | Perspective as practice |
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| title_sub | Renaissance cultures of optics |
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