The Brecht yearbook, 41:
Now published for the International Brecht Society by Camden House, the Brecht Yearbook is the central scholarly forum for discussion of Bertolt Brecht's life and work and of topics of particular interest to Brecht, especially the politics of literature and of theater in a global context. It in...
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English German |
| Veröffentlicht: |
Rochester, New York
Camden House
2017
|
| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 Volltext |
| Zusammenfassung: | Now published for the International Brecht Society by Camden House, the Brecht Yearbook is the central scholarly forum for discussion of Bertolt Brecht's life and work and of topics of particular interest to Brecht, especially the politics of literature and of theater in a global context. It includes a wide variety of perspectives and approaches, and, like Brecht himself, is committed to the concept of the use value of literature, theater, and theory. Volume 41 features an interview with longtime Berliner Ensemble actor Annemone Haase by Margaret Setje-Eilers. A special section on teaching Brecht, guest-edited by Kristopher Imbrigotta and Per Urlaub, includes articles on creative appropriation in the foreign-language classroom (Caroline Weist), satire in Arturo Ui and The Great Dictator (Ari Linden), performative discussion (Cohen Ambrose), Brecht for theater majors (Daniel Smith), teaching performance studies with the Lehrstück model (Ian Maxwell), Verfremdung and ethics (Elena Pnevmonidou), Brecht on the college stage (Julie Klassen and Ruth Weiner), and methods of teaching Brechtian Stückschreiben (Gerd Koch). Other research articles focus on Harry Smith's Mahagonny (Marc Silberman), inhabiting empathy in the contemporary piece Temping (James Ball), Brecht's appropriation of Kurt Lewin's psychology (Ines Langemeyer), and Brecht's collaborations with women, both across his career (Helen Fehervary) and in exile in Skovbostrand (Katherine Hollander). Editor Theodore F. Rippey is Associate Professor of German at Bowling Green State University |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 31 Jul 2019) |
| Beschreibung: | 1 Online-Ressource (xii, 314 Seiten) |
| ISBN: | 9781787441392 |
| DOI: | 10.1017/9781787441392 |
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| dewey-tens | 830 - Literatures of Germanic languages |
| discipline | Germanistik / Niederlandistik / Skandinavistik |
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| indexdate | 2024-07-10T08:35:30Z |
| institution | BVB |
| isbn | 9781787441392 |
| language | English German |
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| spelling | Rippey, Theodore F. ca. 20./21. Jh. (DE-588)1152844733 edt The Brecht yearbook, 41 edited by Theodore F. Rippey; guest editors Per Urlaub and Kristopher Imbrigotta Rochester, New York Camden House 2017 1 Online-Ressource (xii, 314 Seiten) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 31 Jul 2019) Now published for the International Brecht Society by Camden House, the Brecht Yearbook is the central scholarly forum for discussion of Bertolt Brecht's life and work and of topics of particular interest to Brecht, especially the politics of literature and of theater in a global context. It includes a wide variety of perspectives and approaches, and, like Brecht himself, is committed to the concept of the use value of literature, theater, and theory. Volume 41 features an interview with longtime Berliner Ensemble actor Annemone Haase by Margaret Setje-Eilers. A special section on teaching Brecht, guest-edited by Kristopher Imbrigotta and Per Urlaub, includes articles on creative appropriation in the foreign-language classroom (Caroline Weist), satire in Arturo Ui and The Great Dictator (Ari Linden), performative discussion (Cohen Ambrose), Brecht for theater majors (Daniel Smith), teaching performance studies with the Lehrstück model (Ian Maxwell), Verfremdung and ethics (Elena Pnevmonidou), Brecht on the college stage (Julie Klassen and Ruth Weiner), and methods of teaching Brechtian Stückschreiben (Gerd Koch). Other research articles focus on Harry Smith's Mahagonny (Marc Silberman), inhabiting empathy in the contemporary piece Temping (James Ball), Brecht's appropriation of Kurt Lewin's psychology (Ines Langemeyer), and Brecht's collaborations with women, both across his career (Helen Fehervary) and in exile in Skovbostrand (Katherine Hollander). Editor Theodore F. Rippey is Associate Professor of German at Bowling Green State University Brecht, Bertolt / 1898-1956 / Criticism and interpretation Urlaub, Per ca. 20./21. Jh. (DE-588)1193093317 edt Imbrigotta, Kristopher ca. 20./21. Jh. (DE-588)1193093546 edt https://doi.org/10.1017/9781787441392 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | The Brecht yearbook, 41 Brecht, Bertolt / 1898-1956 / Criticism and interpretation |
| title | The Brecht yearbook, 41 |
| title_auth | The Brecht yearbook, 41 |
| title_exact_search | The Brecht yearbook, 41 |
| title_full | The Brecht yearbook, 41 edited by Theodore F. Rippey; guest editors Per Urlaub and Kristopher Imbrigotta |
| title_fullStr | The Brecht yearbook, 41 edited by Theodore F. Rippey; guest editors Per Urlaub and Kristopher Imbrigotta |
| title_full_unstemmed | The Brecht yearbook, 41 edited by Theodore F. Rippey; guest editors Per Urlaub and Kristopher Imbrigotta |
| title_short | The Brecht yearbook, 41 |
| title_sort | the brecht yearbook 41 |
| topic | Brecht, Bertolt / 1898-1956 / Criticism and interpretation |
| topic_facet | Brecht, Bertolt / 1898-1956 / Criticism and interpretation |
| url | https://doi.org/10.1017/9781787441392 |
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