Nomadic theatre: mobilizing theory and practice on the European stage
Fluid stages, morphing theater spaces, ambulant spectators, and occasionally disappearing performers: these are some of the key ingredients of nomadic theater. They are also theater's response to life in the 21st century, which is increasingly marked by the mobility of people, information, tech...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York, NY
Methuen Drama
2019
|
| Schriftenreihe: | Thinking through theatre
|
| Schlagworte: | |
| Zusammenfassung: | Fluid stages, morphing theater spaces, ambulant spectators, and occasionally disappearing performers: these are some of the key ingredients of nomadic theater. They are also theater's response to life in the 21st century, which is increasingly marked by the mobility of people, information, technologies, and services. While examining how contemporary theater exposes and queries this mobile turn in society, the author introduces the concepts of nomadic theater as a vital tool for analyzing how movement and mobility affect and implicate the theater, how this makes way for local operations and lived spaces, and how physical movements are stepping stones for theorizing mobility at large. This book focuses on ambulatory performances and performative installations, asking how they stage movement and in turn mobilize the stage. By analyzing the work of leading European artists including Rimini Protokoll, Dries Verhoeven, Ontroerend Goed, and Signa, this book demonstrates that mobile performances radically rethink the conditions of the stage and alter our understanding of spectatorship. This book instigates connections across disciplinary fields and feeds dramaturgical analysis with insights derived from media theory, urban philosophy, cartography, architecture, and game studies. It illustrates how theater, as a material form of thought, creatively and critically engages with mobile existence both on the stage and in society |
| Beschreibung: | xii, 211 Seiten Illustrationen 23 cm |
| ISBN: | 1350051039 9781350051034 |
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| 505 | 8 | |a List of figures -- Acknowledgments. 1 Introduction: deterritorializing the stage : Primary coordinates -- On the move -- Theatre, technology, mobility -- A note on participation -- Theatre, performance, movement -- Deterritorialization -- Pause -- Deleuze's nomads -- Nomadic theatre: a concept, a toolbox -- Theory as tool: how to do things with Deleuze? -- Spatial dramaturgy -- Points are relays on a trajectory: chapter overview -- Playgrounding. 2 Encounter: meeting multiplicity in Dries Verhoeven's "No Man's Land" : Of horses and wasps -- The rhythms of a smooth stage -- Mind the gap -- Performance installations -- Staging the spectator - Walking with Abderraghman -- Triads and constellations -- A problem of referentiality -- This is not my voice: a problem of referentiality, part 2 -- Fractured reciprocity -- Building performance -- Expanding spectatorship. 3 Displacement: the situated pathways of Rimini Protokoll : Urban moves -- The city as stage -- Theatre goes global -- | |
| 505 | 8 | |a The production of space -- Performing locality -- Navigating representation -- Outsourced performance -- Parallax. 4 Cartographies: "Trail Tracking" and map-making as staging strategy : You are here -- Cartography: fifth principle of the rhizome -- The theatre of cartography -- Performing cartography -- Charting the virtual -- Navigational spaces -- Personal velocity -- Material maps -- Thinking subjectivity through space: politics of location -- Witnessed presence -- The cartography of theatre. 5 Diagrams: staging proximity in Ontroerend Goed's "The Smile Off Your Face" : A nomad does not necessarily move -- A wheelchair's thresholds -- Pleats of proximity -- Event/situation -- Into the laboratory -- Thinking through the diagram -- The grid of capital -- Distributions of the sensible -- A spectator in the dark -- The dramaturgy of proximity -- A theatre of folds. 6 Architextures: the rhizomatic gameboards of Signa's "The Ruby Town Oracle" : Drifting/dwelling -- Borderzones -- | |
| 505 | 8 | |a Narrative architecture and environmental storytelling -- Architectural performances -- Evocative spaces -- Procedural passageways -- Playing at the limits -- The entirety of the map -- Tissue, traces, tracks. 7 Distributed performance: epilogue : Pop-up stores -- Trajectories of the stage -- Folds of spectating -- Lived space and diffractive reading -- Staging connections -- Procedural dramaturgy/when atitude becomes form -- Thinking through practice -- Thresholds of the imagination. Notes -- Bibliography -- Index | |
| 520 | 3 | |a Fluid stages, morphing theater spaces, ambulant spectators, and occasionally disappearing performers: these are some of the key ingredients of nomadic theater. They are also theater's response to life in the 21st century, which is increasingly marked by the mobility of people, information, technologies, and services. While examining how contemporary theater exposes and queries this mobile turn in society, the author introduces the concepts of nomadic theater as a vital tool for analyzing how movement and mobility affect and implicate the theater, how this makes way for local operations and lived spaces, and how physical movements are stepping stones for theorizing mobility at large. This book focuses on ambulatory performances and performative installations, asking how they stage movement and in turn mobilize the stage. By analyzing the work of leading European artists including Rimini Protokoll, Dries Verhoeven, Ontroerend Goed, and Signa, this book demonstrates that mobile performances radically rethink the conditions of the stage and alter our understanding of spectatorship. This book instigates connections across disciplinary fields and feeds dramaturgical analysis with insights derived from media theory, urban philosophy, cartography, architecture, and game studies. It illustrates how theater, as a material form of thought, creatively and critically engages with mobile existence both on the stage and in society | |
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Datensatz im Suchindex
| _version_ | 1804180420753883136 |
|---|---|
| any_adam_object | |
| author | Nibbelink, Liesbeth Groot |
| author_GND | (DE-588)1203073569 |
| author_facet | Nibbelink, Liesbeth Groot |
| author_role | aut |
| author_sort | Nibbelink, Liesbeth Groot |
| author_variant | l g n lg lgn |
| building | Verbundindex |
| bvnumber | BV046108203 |
| classification_rvk | AP 67000 AP 78806 AP 70050 |
| contents | List of figures -- Acknowledgments. 1 Introduction: deterritorializing the stage : Primary coordinates -- On the move -- Theatre, technology, mobility -- A note on participation -- Theatre, performance, movement -- Deterritorialization -- Pause -- Deleuze's nomads -- Nomadic theatre: a concept, a toolbox -- Theory as tool: how to do things with Deleuze? -- Spatial dramaturgy -- Points are relays on a trajectory: chapter overview -- Playgrounding. 2 Encounter: meeting multiplicity in Dries Verhoeven's "No Man's Land" : Of horses and wasps -- The rhythms of a smooth stage -- Mind the gap -- Performance installations -- Staging the spectator - Walking with Abderraghman -- Triads and constellations -- A problem of referentiality -- This is not my voice: a problem of referentiality, part 2 -- Fractured reciprocity -- Building performance -- Expanding spectatorship. 3 Displacement: the situated pathways of Rimini Protokoll : Urban moves -- The city as stage -- Theatre goes global -- The production of space -- Performing locality -- Navigating representation -- Outsourced performance -- Parallax. 4 Cartographies: "Trail Tracking" and map-making as staging strategy : You are here -- Cartography: fifth principle of the rhizome -- The theatre of cartography -- Performing cartography -- Charting the virtual -- Navigational spaces -- Personal velocity -- Material maps -- Thinking subjectivity through space: politics of location -- Witnessed presence -- The cartography of theatre. 5 Diagrams: staging proximity in Ontroerend Goed's "The Smile Off Your Face" : A nomad does not necessarily move -- A wheelchair's thresholds -- Pleats of proximity -- Event/situation -- Into the laboratory -- Thinking through the diagram -- The grid of capital -- Distributions of the sensible -- A spectator in the dark -- The dramaturgy of proximity -- A theatre of folds. 6 Architextures: the rhizomatic gameboards of Signa's "The Ruby Town Oracle" : Drifting/dwelling -- Borderzones -- Narrative architecture and environmental storytelling -- Architectural performances -- Evocative spaces -- Procedural passageways -- Playing at the limits -- The entirety of the map -- Tissue, traces, tracks. 7 Distributed performance: epilogue : Pop-up stores -- Trajectories of the stage -- Folds of spectating -- Lived space and diffractive reading -- Staging connections -- Procedural dramaturgy/when atitude becomes form -- Thinking through practice -- Thresholds of the imagination. Notes -- Bibliography -- Index |
| ctrlnum | (OCoLC)1120151234 (DE-599)BVBBV046108203 |
| discipline | Allgemeines |
| format | Book |
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| id | DE-604.BV046108203 |
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| isbn | 1350051039 9781350051034 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031488870 |
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| physical | xii, 211 Seiten Illustrationen 23 cm |
| publishDate | 2019 |
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| series2 | Thinking through theatre |
| spelling | Nibbelink, Liesbeth Groot Verfasser (DE-588)1203073569 aut Nomadic theatre mobilizing theory and practice on the European stage Liesbeth Groot Nibbelink London ; New York, NY Methuen Drama 2019 © 2019 xii, 211 Seiten Illustrationen 23 cm txt rdacontent n rdamedia nc rdacarrier Thinking through theatre List of figures -- Acknowledgments. 1 Introduction: deterritorializing the stage : Primary coordinates -- On the move -- Theatre, technology, mobility -- A note on participation -- Theatre, performance, movement -- Deterritorialization -- Pause -- Deleuze's nomads -- Nomadic theatre: a concept, a toolbox -- Theory as tool: how to do things with Deleuze? -- Spatial dramaturgy -- Points are relays on a trajectory: chapter overview -- Playgrounding. 2 Encounter: meeting multiplicity in Dries Verhoeven's "No Man's Land" : Of horses and wasps -- The rhythms of a smooth stage -- Mind the gap -- Performance installations -- Staging the spectator - Walking with Abderraghman -- Triads and constellations -- A problem of referentiality -- This is not my voice: a problem of referentiality, part 2 -- Fractured reciprocity -- Building performance -- Expanding spectatorship. 3 Displacement: the situated pathways of Rimini Protokoll : Urban moves -- The city as stage -- Theatre goes global -- The production of space -- Performing locality -- Navigating representation -- Outsourced performance -- Parallax. 4 Cartographies: "Trail Tracking" and map-making as staging strategy : You are here -- Cartography: fifth principle of the rhizome -- The theatre of cartography -- Performing cartography -- Charting the virtual -- Navigational spaces -- Personal velocity -- Material maps -- Thinking subjectivity through space: politics of location -- Witnessed presence -- The cartography of theatre. 5 Diagrams: staging proximity in Ontroerend Goed's "The Smile Off Your Face" : A nomad does not necessarily move -- A wheelchair's thresholds -- Pleats of proximity -- Event/situation -- Into the laboratory -- Thinking through the diagram -- The grid of capital -- Distributions of the sensible -- A spectator in the dark -- The dramaturgy of proximity -- A theatre of folds. 6 Architextures: the rhizomatic gameboards of Signa's "The Ruby Town Oracle" : Drifting/dwelling -- Borderzones -- Narrative architecture and environmental storytelling -- Architectural performances -- Evocative spaces -- Procedural passageways -- Playing at the limits -- The entirety of the map -- Tissue, traces, tracks. 7 Distributed performance: epilogue : Pop-up stores -- Trajectories of the stage -- Folds of spectating -- Lived space and diffractive reading -- Staging connections -- Procedural dramaturgy/when atitude becomes form -- Thinking through practice -- Thresholds of the imagination. Notes -- Bibliography -- Index Fluid stages, morphing theater spaces, ambulant spectators, and occasionally disappearing performers: these are some of the key ingredients of nomadic theater. They are also theater's response to life in the 21st century, which is increasingly marked by the mobility of people, information, technologies, and services. While examining how contemporary theater exposes and queries this mobile turn in society, the author introduces the concepts of nomadic theater as a vital tool for analyzing how movement and mobility affect and implicate the theater, how this makes way for local operations and lived spaces, and how physical movements are stepping stones for theorizing mobility at large. This book focuses on ambulatory performances and performative installations, asking how they stage movement and in turn mobilize the stage. By analyzing the work of leading European artists including Rimini Protokoll, Dries Verhoeven, Ontroerend Goed, and Signa, this book demonstrates that mobile performances radically rethink the conditions of the stage and alter our understanding of spectatorship. This book instigates connections across disciplinary fields and feeds dramaturgical analysis with insights derived from media theory, urban philosophy, cartography, architecture, and game studies. It illustrates how theater, as a material form of thought, creatively and critically engages with mobile existence both on the stage and in society Wanderbühne (DE-588)4189057-7 gnd rswk-swf Europa (DE-588)4015701-5 gnd rswk-swf Traveling theater / Europe Theater and society / Europe Theater and society Traveling theater Europe Europa (DE-588)4015701-5 g Wanderbühne (DE-588)4189057-7 s DE-604 Erscheint auch als Online-Ausgabe, EPUB 978-1-350-05104-1 Erscheint auch als Online-Ausgabe, PDF 978-1-350-05105-8 |
| spellingShingle | Nibbelink, Liesbeth Groot Nomadic theatre mobilizing theory and practice on the European stage List of figures -- Acknowledgments. 1 Introduction: deterritorializing the stage : Primary coordinates -- On the move -- Theatre, technology, mobility -- A note on participation -- Theatre, performance, movement -- Deterritorialization -- Pause -- Deleuze's nomads -- Nomadic theatre: a concept, a toolbox -- Theory as tool: how to do things with Deleuze? -- Spatial dramaturgy -- Points are relays on a trajectory: chapter overview -- Playgrounding. 2 Encounter: meeting multiplicity in Dries Verhoeven's "No Man's Land" : Of horses and wasps -- The rhythms of a smooth stage -- Mind the gap -- Performance installations -- Staging the spectator - Walking with Abderraghman -- Triads and constellations -- A problem of referentiality -- This is not my voice: a problem of referentiality, part 2 -- Fractured reciprocity -- Building performance -- Expanding spectatorship. 3 Displacement: the situated pathways of Rimini Protokoll : Urban moves -- The city as stage -- Theatre goes global -- The production of space -- Performing locality -- Navigating representation -- Outsourced performance -- Parallax. 4 Cartographies: "Trail Tracking" and map-making as staging strategy : You are here -- Cartography: fifth principle of the rhizome -- The theatre of cartography -- Performing cartography -- Charting the virtual -- Navigational spaces -- Personal velocity -- Material maps -- Thinking subjectivity through space: politics of location -- Witnessed presence -- The cartography of theatre. 5 Diagrams: staging proximity in Ontroerend Goed's "The Smile Off Your Face" : A nomad does not necessarily move -- A wheelchair's thresholds -- Pleats of proximity -- Event/situation -- Into the laboratory -- Thinking through the diagram -- The grid of capital -- Distributions of the sensible -- A spectator in the dark -- The dramaturgy of proximity -- A theatre of folds. 6 Architextures: the rhizomatic gameboards of Signa's "The Ruby Town Oracle" : Drifting/dwelling -- Borderzones -- Narrative architecture and environmental storytelling -- Architectural performances -- Evocative spaces -- Procedural passageways -- Playing at the limits -- The entirety of the map -- Tissue, traces, tracks. 7 Distributed performance: epilogue : Pop-up stores -- Trajectories of the stage -- Folds of spectating -- Lived space and diffractive reading -- Staging connections -- Procedural dramaturgy/when atitude becomes form -- Thinking through practice -- Thresholds of the imagination. Notes -- Bibliography -- Index Wanderbühne (DE-588)4189057-7 gnd |
| subject_GND | (DE-588)4189057-7 (DE-588)4015701-5 |
| title | Nomadic theatre mobilizing theory and practice on the European stage |
| title_auth | Nomadic theatre mobilizing theory and practice on the European stage |
| title_exact_search | Nomadic theatre mobilizing theory and practice on the European stage |
| title_full | Nomadic theatre mobilizing theory and practice on the European stage Liesbeth Groot Nibbelink |
| title_fullStr | Nomadic theatre mobilizing theory and practice on the European stage Liesbeth Groot Nibbelink |
| title_full_unstemmed | Nomadic theatre mobilizing theory and practice on the European stage Liesbeth Groot Nibbelink |
| title_short | Nomadic theatre |
| title_sort | nomadic theatre mobilizing theory and practice on the european stage |
| title_sub | mobilizing theory and practice on the European stage |
| topic | Wanderbühne (DE-588)4189057-7 gnd |
| topic_facet | Wanderbühne Europa |
| work_keys_str_mv | AT nibbelinkliesbethgroot nomadictheatremobilizingtheoryandpracticeontheeuropeanstage |