The Oxford handbook of critical concepts in music theory:
Gespeichert in:
Weitere Verfasser: | , |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
New York, NY
Oxford University Press
2019
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Schlagworte: | |
Beschreibung: | xviii, 829 Seiten Illustrationen, Diagramme, Notenbeispiele |
ISBN: | 9780190454746 0190454741 |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
001 | BV046100695 | ||
003 | DE-604 | ||
005 | 20211206 | ||
007 | t | ||
008 | 190813s2019 agl| b||| 00||| eng d | ||
020 | |a 9780190454746 |9 978-0-19-045474-6 | ||
020 | |a 0190454741 |9 0190454741 | ||
035 | |a (OCoLC)1164619022 | ||
035 | |a (DE-599)BVBBV046100695 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-11 |a DE-19 |a DE-B170 | ||
084 | |a LR 56710 |0 (DE-625)109808:13528 |2 rvk | ||
245 | 1 | 0 | |a The Oxford handbook of critical concepts in music theory |c edited by Alexander Rehding and Steven Rings |
264 | 1 | |a New York, NY |b Oxford University Press |c 2019 | |
300 | |a xviii, 829 Seiten |b Illustrationen, Diagramme, Notenbeispiele | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
505 | 8 | |a Pitch, tone, and note / Brian Parkhurst, Stephan Hammel -- Interval / Henry Klumpenhouwer -- Mode / Susan McClary -- Scale / Matthew Gelbart -- Tonic / Steven Rings -- Timbre / David Blake -- Texture / Jonathan De Souza -- Repetition / Elizabeth Hellmuth Margulis -- Meter / Richard Cohn -- Temporalities / Martin Scherzinger -- Groove / Guilherme Schmidt Camara, Anne Danielsen -- Phrase / Janet Schmalfeldt -- Form / Daniel Grimley -- Expressive timing / Mitch Ohriner -- Melody / David Trippett -- Consonance and dissonance / Alexander Rehding -- Tonal harmony / Ian Quinn -- Key and modulation / Suzannah Clark -- Cadence / Daniel Harrison -- Sequence / Naomi Waltham-Smith -- Polyphony / Michael Tenzer -- Musical grammar / Robert O. Gjerdingen -- Analytical relationships / Marion Guck -- Images, visualization, and representation / Dora Hanninen -- What is music, anyway? / Andrew Bowie | |
653 | 0 | |a Music theory | |
653 | 0 | |a Music theory | |
655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
700 | 1 | |a Rehding, Alexander |d ca. 20. Jh. |0 (DE-588)14018516X |4 edt | |
700 | 1 | |a Rings, Steven |d ca. 20. Jh. |0 (DE-588)1033651958 |4 edt | |
776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-0-19-045476-0 |
999 | |a oai:aleph.bib-bvb.de:BVB01-031481481 |
Datensatz im Suchindex
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---|---|
any_adam_object | |
author2 | Rehding, Alexander ca. 20. Jh Rings, Steven ca. 20. Jh |
author2_role | edt edt |
author2_variant | a r ar s r sr |
author_GND | (DE-588)14018516X (DE-588)1033651958 |
author_facet | Rehding, Alexander ca. 20. Jh Rings, Steven ca. 20. Jh |
building | Verbundindex |
bvnumber | BV046100695 |
classification_rvk | LR 56710 |
contents | Pitch, tone, and note / Brian Parkhurst, Stephan Hammel -- Interval / Henry Klumpenhouwer -- Mode / Susan McClary -- Scale / Matthew Gelbart -- Tonic / Steven Rings -- Timbre / David Blake -- Texture / Jonathan De Souza -- Repetition / Elizabeth Hellmuth Margulis -- Meter / Richard Cohn -- Temporalities / Martin Scherzinger -- Groove / Guilherme Schmidt Camara, Anne Danielsen -- Phrase / Janet Schmalfeldt -- Form / Daniel Grimley -- Expressive timing / Mitch Ohriner -- Melody / David Trippett -- Consonance and dissonance / Alexander Rehding -- Tonal harmony / Ian Quinn -- Key and modulation / Suzannah Clark -- Cadence / Daniel Harrison -- Sequence / Naomi Waltham-Smith -- Polyphony / Michael Tenzer -- Musical grammar / Robert O. Gjerdingen -- Analytical relationships / Marion Guck -- Images, visualization, and representation / Dora Hanninen -- What is music, anyway? / Andrew Bowie |
ctrlnum | (OCoLC)1164619022 (DE-599)BVBBV046100695 |
discipline | Musikwissenschaft |
format | Book |
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genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
genre_facet | Aufsatzsammlung |
id | DE-604.BV046100695 |
illustrated | Illustrated |
indexdate | 2024-07-10T08:35:16Z |
institution | BVB |
isbn | 9780190454746 0190454741 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031481481 |
oclc_num | 1164619022 |
open_access_boolean | |
owner | DE-11 DE-19 DE-BY-UBM DE-B170 |
owner_facet | DE-11 DE-19 DE-BY-UBM DE-B170 |
physical | xviii, 829 Seiten Illustrationen, Diagramme, Notenbeispiele |
publishDate | 2019 |
publishDateSearch | 2019 |
publishDateSort | 2019 |
publisher | Oxford University Press |
record_format | marc |
spelling | The Oxford handbook of critical concepts in music theory edited by Alexander Rehding and Steven Rings New York, NY Oxford University Press 2019 xviii, 829 Seiten Illustrationen, Diagramme, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Pitch, tone, and note / Brian Parkhurst, Stephan Hammel -- Interval / Henry Klumpenhouwer -- Mode / Susan McClary -- Scale / Matthew Gelbart -- Tonic / Steven Rings -- Timbre / David Blake -- Texture / Jonathan De Souza -- Repetition / Elizabeth Hellmuth Margulis -- Meter / Richard Cohn -- Temporalities / Martin Scherzinger -- Groove / Guilherme Schmidt Camara, Anne Danielsen -- Phrase / Janet Schmalfeldt -- Form / Daniel Grimley -- Expressive timing / Mitch Ohriner -- Melody / David Trippett -- Consonance and dissonance / Alexander Rehding -- Tonal harmony / Ian Quinn -- Key and modulation / Suzannah Clark -- Cadence / Daniel Harrison -- Sequence / Naomi Waltham-Smith -- Polyphony / Michael Tenzer -- Musical grammar / Robert O. Gjerdingen -- Analytical relationships / Marion Guck -- Images, visualization, and representation / Dora Hanninen -- What is music, anyway? / Andrew Bowie Music theory (DE-588)4143413-4 Aufsatzsammlung gnd-content Rehding, Alexander ca. 20. Jh. (DE-588)14018516X edt Rings, Steven ca. 20. Jh. (DE-588)1033651958 edt Erscheint auch als Online-Ausgabe 978-0-19-045476-0 |
spellingShingle | The Oxford handbook of critical concepts in music theory Pitch, tone, and note / Brian Parkhurst, Stephan Hammel -- Interval / Henry Klumpenhouwer -- Mode / Susan McClary -- Scale / Matthew Gelbart -- Tonic / Steven Rings -- Timbre / David Blake -- Texture / Jonathan De Souza -- Repetition / Elizabeth Hellmuth Margulis -- Meter / Richard Cohn -- Temporalities / Martin Scherzinger -- Groove / Guilherme Schmidt Camara, Anne Danielsen -- Phrase / Janet Schmalfeldt -- Form / Daniel Grimley -- Expressive timing / Mitch Ohriner -- Melody / David Trippett -- Consonance and dissonance / Alexander Rehding -- Tonal harmony / Ian Quinn -- Key and modulation / Suzannah Clark -- Cadence / Daniel Harrison -- Sequence / Naomi Waltham-Smith -- Polyphony / Michael Tenzer -- Musical grammar / Robert O. Gjerdingen -- Analytical relationships / Marion Guck -- Images, visualization, and representation / Dora Hanninen -- What is music, anyway? / Andrew Bowie |
subject_GND | (DE-588)4143413-4 |
title | The Oxford handbook of critical concepts in music theory |
title_auth | The Oxford handbook of critical concepts in music theory |
title_exact_search | The Oxford handbook of critical concepts in music theory |
title_full | The Oxford handbook of critical concepts in music theory edited by Alexander Rehding and Steven Rings |
title_fullStr | The Oxford handbook of critical concepts in music theory edited by Alexander Rehding and Steven Rings |
title_full_unstemmed | The Oxford handbook of critical concepts in music theory edited by Alexander Rehding and Steven Rings |
title_short | The Oxford handbook of critical concepts in music theory |
title_sort | the oxford handbook of critical concepts in music theory |
topic_facet | Aufsatzsammlung |
work_keys_str_mv | AT rehdingalexander theoxfordhandbookofcriticalconceptsinmusictheory AT ringssteven theoxfordhandbookofcriticalconceptsinmusictheory |