John Ruskin:
This volume in the 21st Century Oxford Authors series offers students an authoritative, comprehensive selection of the work of John Ruskin (1819-1900). The edition represents Ruskin's extraordinary literary output, ranging from lectures, essays, and treatises to reviews, correspondence, and cri...
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| Format: | Buch |
| Sprache: | English |
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Oxford
Oxford University Press
2019
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| Ausgabe: | First edition |
| Schriftenreihe: | 21st century Oxford authors
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| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | This volume in the 21st Century Oxford Authors series offers students an authoritative, comprehensive selection of the work of John Ruskin (1819-1900). The edition represents Ruskin's extraordinary literary output, ranging from lectures, essays, and treatises to reviews, correspondence, and critical notes. Ruskin has been called 'the most powerful and original thinker of the nineteenth century' and yet, like his two fellow Victorian Sages, Thomas Carlyle and Matthew Arnold, his work remains obscure to modern readers. This anthology hopes to remedy this situation by presenting the immense range of Ruskin's interests, from art to politics, museology to ornithology, architecture to geology, and morals to economics-all of which interests were indivisible in his view. Here are rapturous accounts of Turner, the Alps, Renaissance painters, and Gothic architecture; but here, too, are urgently dystopian analyses of the modern culture that we continue to inhabit: vacuousness in communication, callousness in labour relations, amoral sophistication in art, and rationalism in all its various delusoryforms in politics, society, and the economy |
| Beschreibung: | liii, 464 Seiten Illustrationen 23 cm |
| ISBN: | 9780198816560 9780192868022 |
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Datensatz im Suchindex
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| adam_text | CONTENTS List of Illustrations Introduction Chronology The Text and the Selection Ruskin’s Artists and Architects: A Catalogue xiii xv xxxvii xliii xlv I. THE AESTHETE The Poetry ofArchitecture; or The Architecture of the Nations of Europe Considered in Its Association with Natural Scenery and National Character (1837): Chapter 6, from ‘The Cottage—Concluding Remarks’ 3 ‘Remarks on the Present State of Meteorological Science’ (1839) 8 Modern Painters, Volume I, Part II: Of Truth (1843) Section ii, ‘Of General Truths’; Chapter 2, ‘Of Truth of Colour’ Section iv, Of Truth of Earth’; Chapter 4, Of the Foreground’ from Modern Painters, Volume II, Part III: Of Ideas of Beauty (1846): Section i, ‘Of the Theoretic Faculty’ Chapter i, Of the Rank and Relations of the Theoretic Faculty’ Chapter 2, Of the Theoretic Faculty as Concerned with Pleasures of Sense’ 11 11 16 from from 22 22 27 The Stones of Venice, Volume I: The Foundations (1851) Chapter i, ‘The Qparry’ Chapter 30,‘The Vestibule’ The Pre-Raphaelite Artists: To the Editor of the Times, 13 May 1851 33 33 41 44
CONTENTS Vlil from The Stones of Venice, Volume II: The Sea-Stories Chapter 4, ‘St Mark’s’ Chapter 6, ‘The Nature of Gothic’ 47 47 51 The Stones of Venice, Volume III: The Fall (1853) Chapter i,‘Early Renaissance’ Chapter 2, ‘Roman Renaissance’ Chapter 4, ‘Conclusion’ 61 61 64 70 (1853) from The Light of the World: To the Editor of the Times, 5 May 1854 73 Lectures on Architecture and Painting: Delivered at Edinburgh in November 1853 (1854): Lecture 1, ‘Architecture’ 76 The Opening of the Crystal Palace, Considered in Some of its Relations to the Prospects ofArt (1854) 83 from Modern Painters, Volume III, Part IV: OfMany Things (1856) Chapter 4, Of the False Ideal:—First, Religious’ Chapter 12, Of the Pathetic Fallacy’ from from Modern Painters, Volume IV, Part V: OfMountain Beauty (1856) Chapter i, Of the Turnerian Picturesque’ Chapter 19, ‘The Mountain Gloom’ from The Harbours of England (1856): Chapter 1 93 93 Г03 m 111 117 122 Notes on the Royal Academy (1856): The Scapegoat, William Holman Hunt 128 Notes on the Royal Academy (1857): A Dream ofthe Past, John Everett Millais 131 The Elements ofDrawing (1857): Letter 3, On Colour and Composition’ [Turner’s Heysham] 134 Notes on the Turner Gallery at Marlborough House (1857): Appendix 137 Notes on the Royal Academy (1859): Water-Colour Societies 14З from from from from from
CONTENTS ІХ The Two Paths: Lectures on Art and its Application to Decoration and Manufacture (1859) Lecture 3, ‘Modern Manufacture and Design’ Lecture 5, ‘The Work of Iron, in Nature, Art, and Policy’ 147 147 154 Modern Painters, Volume V, Part IX: Of Ideas of Relation (i860): Section ii, Of Invention Spiritual’ Chapter 2, ‘The Lance of Pallas’ Chapter 9, ‘The Two Boyhoods’ Chapter 11, ‘The Hesperid Æglé’ Chapter 12, ‘Peace’ 161 161 169 177 183 from from II. THE PROPHET (1862): Part 3, ‘Labour and Trade: The Disease of Desire’ FROM Essays on Political Economy FROM The Cestus ofAglaia (1865): Chapter 4, ‘Haste’ 189 199 FROM Sesame and Lilies: Two Lectures Delivered at Manchester in 1864 (1865) Lecture i, Of Kings’ Treasuries’ Lecture 2, ‘Of Queens’ Gardens’ 205 205 212 The Ethics of the Dust: Ten Lectures to Little Housewives on the Elements of Crystallisation (1865): Lecture 6, ‘Crystal Quarrels’ 216 The Crown of Wild Olive: Three Lectures on Work, Traffic, and War (1866): Lecture 2, ‘Traffic’ 222 from from FROM Time and Tide, by Weare and Tyne: Twenty-Five Letters to a Working Man ofSunderland on the Laws of Work (1867) Letter 7, Of the Various Expressions of National Festivity’ Letter 8, ‘The Four Possible Theories Respecting the Authority of the Bible’ Letter 9, ‘The Use of Music and Dancing under the Jewish Theocracy, Compared with their Use by the Modern French’ Letter 10, ‘The Meaning and Actual Operation of Satanic or Demoniacal Influence’ 227 227 228 232 235
x CONTENTS Letter и, ‘The Satanic Power is Mainly Twofold: the Power of Causing Falsehood and the Power of Causing Pain. The Resistance is by Law of Honour and Law of Delight’ 240 The Flamboyant Architecture of the Valley of the Somme (1869) 242 The Queen ofthe Air, Being a Study ofthe Greek Myths of Cloud and Storm (1869): Lecture 2, from ‘Athena Keramitis’ 255 III. THE ACTIVIST Fors Clavigera: Letters to the Workmen and Labourers of Great Britain Letter 5, ‘The White-Thorn Blossom’ (1871) Letter 11, ‘The Abbot’s Chapel’ (1871) Letter 20, ‘Benediction’ (1872) 265 265 275 282 Love’s Meinie: Lectures on Greek and English Birds (1873) Lecture 2, ‘The Swallow’ Lecture 3, ‘The Chough’ 288 288 298 from Val D’Arno: Ten Lectures on the Tuscan Art Directly Antecedent to the Florentine Year of Victories (1873): Lecture 2, ‘John the Pisan’ 313 from from Fors Clavigera Letter 37, ‘The City Which Is Our Own’ (1874) Letter 41, ‘Bernard the Happy’ (1874) Letter 69, ‘The Message ofJael-Atropos’ (1876) 318 318 324 330 ‘The Extension of Railways in the Lake District: A Protest’(1876) 337 from FROM St Mark’s Rest: The History of Venice for the Help of those Few Travellers Who Still Care for Her Monuments (1877): First Supplement, ‘The Shrine of the Slaves’ 341 ‘General Statement Explaining the Nature and Purposes of St George’s Guild’ (1882) 349 from
CONTENTS Our Fathers Have Told Us: Sketches of the History of Christendom for Boys and Girls Who Have Been Held at its Fonts (1882): Part I, The Bible ofAmiens: Chapter 3, ‘The Lion Tamer’ ХІ FROM FROM The Storm-Cloud of the Nineteenth Century (1884): Lecture 2 FROM 353 361 The Pleasures of England: Lectures Given in Oxford (1884): Lecture 5, ‘Protestantism: The Pleasures of Truth’ 364 Praeterita: Outlines ofScenes and Thoughts Perhaps Worthy ofMemory in my Past Life,Vo lume I (1885): Chapter 7, ‘Papa and Mamma’ 373 ‘The Guild of St George: Master’s Report’ (1886) 378 FROM FROM Praeterita, Volume II (1887) Chapter 5, ‘The Simplon’ Chapter 6, ‘The Campo Santo’ from 380 380 386 Appendix: Contents: A Synoptic Schedule 397 Notes 4°5 Further Reading 459 Index of Names 463
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| spelling | Ruskin, John 1819-1900 Verfasser (DE-588)118604279 aut John Ruskin edited by Richard Lansdown First edition Oxford Oxford University Press 2019 liii, 464 Seiten Illustrationen 23 cm txt rdacontent n rdamedia nc rdacarrier 21st century Oxford authors This volume in the 21st Century Oxford Authors series offers students an authoritative, comprehensive selection of the work of John Ruskin (1819-1900). The edition represents Ruskin's extraordinary literary output, ranging from lectures, essays, and treatises to reviews, correspondence, and critical notes. Ruskin has been called 'the most powerful and original thinker of the nineteenth century' and yet, like his two fellow Victorian Sages, Thomas Carlyle and Matthew Arnold, his work remains obscure to modern readers. This anthology hopes to remedy this situation by presenting the immense range of Ruskin's interests, from art to politics, museology to ornithology, architecture to geology, and morals to economics-all of which interests were indivisible in his view. Here are rapturous accounts of Turner, the Alps, Renaissance painters, and Gothic architecture; but here, too, are urgently dystopian analyses of the modern culture that we continue to inhabit: vacuousness in communication, callousness in labour relations, amoral sophistication in art, and rationalism in all its various delusoryforms in politics, society, and the economy Ruskin, John 1819-1900 (DE-588)118604279 gnd rswk-swf Authors, English / 19th century Ruskin, John 1819-1900 (DE-588)118604279 p DE-604 Lansdown, Richard 1961- (DE-588)1070921815 edt Digitalisierung UB Bamberg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031479421&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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