Green worlds in Early Modern Italy: art and the verdant earth
The green mantle of the earth! This metaphor conceives of the vegetation of the earth as a green cloth that drapes the barren earth. Long popular in patristic literature Il mantello verde della terra is a poetical image that ponders the providential greening of the earth on the third day of the Crea...
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| Weitere Verfasser: | , , |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam
Amsterdam University Press
[2019]
|
| Schriftenreihe: | Visual and Material Culture, 1300-1700
11 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Zusammenfassung: | The green mantle of the earth! This metaphor conceives of the vegetation of the earth as a green cloth that drapes the barren earth. Long popular in patristic literature Il mantello verde della terra is a poetical image that ponders the providential greening of the earth on the third day of the Creation. Borrowing from the vocabulary of weaving it epitomizes the Renaissance interest in "fashioning green worlds" in art and poetry. Rachel Carson invoked the phrase to draw attention to environmental damage done to earth's "brilliant robe." Here it serves as a motto for a cultural poetics that made "living nature" an object of renewed interest. The essays gathered in this volume explore the expanding technologies and cultural dimensions of verzure and verdancy in the Italian Renaissance, and the role of painting in shaping the poetics and expression of greenery in the visual arts of the 16th-century and after |
| Beschreibung: | Literaturverzeichnis: Seite 255-275 |
| Beschreibung: | 286 Seiten, 32 ungezählte Seiten Tafeln Illustrationen 25 cm |
| ISBN: | 9789462984950 |
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| 520 | |a The green mantle of the earth! This metaphor conceives of the vegetation of the earth as a green cloth that drapes the barren earth. Long popular in patristic literature Il mantello verde della terra is a poetical image that ponders the providential greening of the earth on the third day of the Creation. Borrowing from the vocabulary of weaving it epitomizes the Renaissance interest in "fashioning green worlds" in art and poetry. Rachel Carson invoked the phrase to draw attention to environmental damage done to earth's "brilliant robe." Here it serves as a motto for a cultural poetics that made "living nature" an object of renewed interest. The essays gathered in this volume explore the expanding technologies and cultural dimensions of verzure and verdancy in the Italian Renaissance, and the role of painting in shaping the poetics and expression of greenery in the visual arts of the 16th-century and after | ||
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Datensatz im Suchindex
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TABLE OF CONTENTS
LIST OF PLATES AND FIGURES 7
INTRODUCTION: A FRESH VISION OF THE NATURAL WORLD IN RENAISSANCE ITALY
17
KAREN GOODCHILD, APRIL OETTINGER, LEOPOLDINE PROSPERETTI
PART I. DEVOTIONAL VIRIDESCENCE
1. THE GREEN PLACES OF FRA FILIPPO LIPPI AND SANDRA BOTTICELLI 31
REBEKAH COMPTON
2. ANTHROPOMORPHIC TREES AND ANIMATED NATURE IN LORENZO LOTTO'S 1509 49
ST. JEROME
APRIL OETTINGER
3. 'HONESTA VOLUPTAS': THE RENAISSANCE JUSTIFICATION FOR ENJOYMENT OF
THE NATURAL WORLD 69
PAUL HOLBERTON
PART II. BUILDING GREEN
4. "THE SALA DELLEASSE AS LOCUS AMOENUS: REVISITING LEONARDO DA VINCI'S
ARBOREAL IMAGERY IN MILAN'S CASTELLO SFORZESCO" 89
JILL PEDERSON
5. NATURALISM AND ANTIQUITY, REDEFINED, IN VASARI'S VERZURE 109
KAREN HOPE GOODCHILD
6. VERDANT ARCHITECTURE AND TRIPARTITE CHOROGRAPHY: TOEPUT AND THE
ITALIAN
VILLA TRADITION 131
NATSUMI NONAKA
PART III. THE SYLVAN EXCHANGE
7. TITIAN: SYLVAN POET 155
LEOPOLDINE PROSPERETTI
8. FROM VENICE TO TIVOLI: GIROLAMO MUZIANO AND THE 'INVENTION' OF THE
TIBURTINE LANDSCAPE 175
PATRIZIA TOSINI
6 GREEN WORLDS IN EARLY MODERN ITALY
9. OF OAK AND ELDER, CLOUD-LIKE ANGELS, AND A BIRD'S NEST: THE GRAPHIC
INTERPRETATIONS OF TITIAN'S THE DEATH OF ST. PETER MARTYR BY MARTINO
ROTA,
GIOVANNI BATTISTA FONTANA, VALENTIN LEFEBRE, JOHN BAPTIST JACKSON,
AND THEIR SUCCESSORS 197
SABINE PEINELT-SCHMIDT
10. THE VERDANT AS VIOLENCE: THE STORM LANDSCAPES OF HERMAN VAN
SWANEVELT AND GASPARD DUGHET 217
SUSAN RUSSELL
AFTERWORD: A BRIEF JOURNEY THROUGH THE GREEN WORLD OF
RENAISSANCE VENICE 241
PAUL BAROLSKY
WORKS CITED 255
INDEX 277 |
| any_adam_object | 1 |
| author2 | Goodchild, Karen Hope ca. 20./21. Jh Oettinger, April Prosperetti, Leopoldine 1948- |
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| author_GND | (DE-588)1028130511 (DE-588)132196638 |
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| ctrlnum | (OCoLC)1113062874 (DE-599)KXP1669154114 |
| era | Geschichte 1450-1700 gnd |
| era_facet | Geschichte 1450-1700 |
| format | Book |
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| title | Green worlds in Early Modern Italy art and the verdant earth |
| title_auth | Green worlds in Early Modern Italy art and the verdant earth |
| title_exact_search | Green worlds in Early Modern Italy art and the verdant earth |
| title_full | Green worlds in Early Modern Italy art and the verdant earth edited by Karen Hope Goodchild, April Oettinger and Leopoldine Prosperetti |
| title_fullStr | Green worlds in Early Modern Italy art and the verdant earth edited by Karen Hope Goodchild, April Oettinger and Leopoldine Prosperetti |
| title_full_unstemmed | Green worlds in Early Modern Italy art and the verdant earth edited by Karen Hope Goodchild, April Oettinger and Leopoldine Prosperetti |
| title_short | Green worlds in Early Modern Italy |
| title_sort | green worlds in early modern italy art and the verdant earth |
| title_sub | art and the verdant earth |
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