The Learned Eye: Regarding Art, Theory, and the Artist's Reputation
Artists of the seventeenth century were known not just for their skill with a brush and canvas, but also for their knowledge of history, poetry, and literature-what was referred to as an oculuseruditus or "learned eye." Rembrandt, for example, was known during his lifetime for mixing his o...
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| Weitere Verfasser: | , , , , |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam
Amsterdam University Press
[2005]
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| Schriftenreihe: | Rembrandt
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UBG01 UPA01 Volltext |
| Zusammenfassung: | Artists of the seventeenth century were known not just for their skill with a brush and canvas, but also for their knowledge of history, poetry, and literature-what was referred to as an oculuseruditus or "learned eye." Rembrandt, for example, was known during his lifetime for mixing his own colors and for his seemingly "rough" and unique manner of texturing his works. He was not simply an artist; he was a teacher and a salesman too-his etchings were hugely popular with his contemporaries. Rembrandt's "learned eye," his understanding of both the methods and the reality of being an artist, is also visible in the work and lives of other masters like Anthony van Dyck, Frans Hals, and Nicholas Poussin. Contributors to The Learned Eye examine their visions, as well as those of other, more modern artists, all dedicated to the interdisciplinary fields of art, art history, curation, and restoration. Dedicated to the leader of the Rembrandt Research Project, Ernst van de Wetering, The Learned Eye is a superb overview of the artist at work and an exquisite argument for creative and expansive art scholarship |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2019) |
| Beschreibung: | 1 online resource 28 black and white 50 colour illustrations |
| ISBN: | 9789048505388 |
| DOI: | 10.1515/9789048505388 |
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| 520 | |a Artists of the seventeenth century were known not just for their skill with a brush and canvas, but also for their knowledge of history, poetry, and literature-what was referred to as an oculuseruditus or "learned eye." Rembrandt, for example, was known during his lifetime for mixing his own colors and for his seemingly "rough" and unique manner of texturing his works. He was not simply an artist; he was a teacher and a salesman too-his etchings were hugely popular with his contemporaries. Rembrandt's "learned eye," his understanding of both the methods and the reality of being an artist, is also visible in the work and lives of other masters like Anthony van Dyck, Frans Hals, and Nicholas Poussin. Contributors to The Learned Eye examine their visions, as well as those of other, more modern artists, all dedicated to the interdisciplinary fields of art, art history, curation, and restoration. Dedicated to the leader of the Rembrandt Research Project, Ernst van de Wetering, The Learned Eye is a superb overview of the artist at work and an exquisite argument for creative and expansive art scholarship | ||
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Datensatz im Suchindex
| _version_ | 1804180388755537920 |
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| author2 | Doel, Marieke van den ca. 20./21. Jh Eck, Natasja van Korevaa, Gerbrand Tummers, Anna Weststijn, Thijs |
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| discipline | Kunstgeschichte |
| doi_str_mv | 10.1515/9789048505388 |
| era | Geschichte 1600-1700 gnd |
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| format | Electronic eBook |
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| geographic_facet | Niederlande |
| id | DE-604.BV046090310 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T08:34:58Z |
| institution | BVB |
| isbn | 9789048505388 |
| language | English |
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| record_format | marc |
| series2 | Rembrandt |
| spelling | The Learned Eye Regarding Art, Theory, and the Artist's Reputation Marieke van den Doel, Natasja van Eck, Gerbrand Korevaa, Anna Tummers, Thijs Weststijn Amsterdam Amsterdam University Press [2005] © 2005 1 online resource 28 black and white 50 colour illustrations txt rdacontent c rdamedia cr rdacarrier Rembrandt Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2019) Artists of the seventeenth century were known not just for their skill with a brush and canvas, but also for their knowledge of history, poetry, and literature-what was referred to as an oculuseruditus or "learned eye." Rembrandt, for example, was known during his lifetime for mixing his own colors and for his seemingly "rough" and unique manner of texturing his works. He was not simply an artist; he was a teacher and a salesman too-his etchings were hugely popular with his contemporaries. Rembrandt's "learned eye," his understanding of both the methods and the reality of being an artist, is also visible in the work and lives of other masters like Anthony van Dyck, Frans Hals, and Nicholas Poussin. Contributors to The Learned Eye examine their visions, as well as those of other, more modern artists, all dedicated to the interdisciplinary fields of art, art history, curation, and restoration. Dedicated to the leader of the Rembrandt Research Project, Ernst van de Wetering, The Learned Eye is a superb overview of the artist at work and an exquisite argument for creative and expansive art scholarship In English Wetering, Ernst van de 1938-2021 (DE-588)121976483 gnd rswk-swf Geschichte 1600-1700 gnd rswk-swf ART / General bisacsh Aesthetics Art, Dutch 17th century Artists Netherlands Social conditions Arts Philosophy Visual perception Kunst (DE-588)4114333-4 gnd rswk-swf Gelehrsamkeit (DE-588)4139911-0 gnd rswk-swf Niederlande (DE-588)4042203-3 gnd rswk-swf 1\p (DE-588)4006432-3 Bibliografie gnd-content 2\p (DE-588)4016928-5 Festschrift gnd-content Niederlande (DE-588)4042203-3 g Kunst (DE-588)4114333-4 s Gelehrsamkeit (DE-588)4139911-0 s Geschichte 1600-1700 z 3\p DE-604 Wetering, Ernst van de 1938-2021 (DE-588)121976483 p 4\p DE-604 Doel, Marieke van den ca. 20./21. Jh. (DE-588)140124462 edt Eck, Natasja van edt Korevaa, Gerbrand edt Tummers, Anna edt Weststijn, Thijs edt https://doi.org/10.1515/9789048505388 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 4\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | The Learned Eye Regarding Art, Theory, and the Artist's Reputation Wetering, Ernst van de 1938-2021 (DE-588)121976483 gnd ART / General bisacsh Aesthetics Art, Dutch 17th century Artists Netherlands Social conditions Arts Philosophy Visual perception Kunst (DE-588)4114333-4 gnd Gelehrsamkeit (DE-588)4139911-0 gnd |
| subject_GND | (DE-588)121976483 (DE-588)4114333-4 (DE-588)4139911-0 (DE-588)4042203-3 (DE-588)4006432-3 (DE-588)4016928-5 |
| title | The Learned Eye Regarding Art, Theory, and the Artist's Reputation |
| title_auth | The Learned Eye Regarding Art, Theory, and the Artist's Reputation |
| title_exact_search | The Learned Eye Regarding Art, Theory, and the Artist's Reputation |
| title_full | The Learned Eye Regarding Art, Theory, and the Artist's Reputation Marieke van den Doel, Natasja van Eck, Gerbrand Korevaa, Anna Tummers, Thijs Weststijn |
| title_fullStr | The Learned Eye Regarding Art, Theory, and the Artist's Reputation Marieke van den Doel, Natasja van Eck, Gerbrand Korevaa, Anna Tummers, Thijs Weststijn |
| title_full_unstemmed | The Learned Eye Regarding Art, Theory, and the Artist's Reputation Marieke van den Doel, Natasja van Eck, Gerbrand Korevaa, Anna Tummers, Thijs Weststijn |
| title_short | The Learned Eye |
| title_sort | the learned eye regarding art theory and the artist s reputation |
| title_sub | Regarding Art, Theory, and the Artist's Reputation |
| topic | Wetering, Ernst van de 1938-2021 (DE-588)121976483 gnd ART / General bisacsh Aesthetics Art, Dutch 17th century Artists Netherlands Social conditions Arts Philosophy Visual perception Kunst (DE-588)4114333-4 gnd Gelehrsamkeit (DE-588)4139911-0 gnd |
| topic_facet | Wetering, Ernst van de 1938-2021 ART / General Aesthetics Art, Dutch 17th century Artists Netherlands Social conditions Arts Philosophy Visual perception Kunst Gelehrsamkeit Niederlande Bibliografie Festschrift |
| url | https://doi.org/10.1515/9789048505388 |
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