Film Remakes as Ritual and Disguise: From Carmen to Ripley
The first full-length history of the remake in cinema, Film Remakes as Ritual and Disguise is also the first book to explore how and why these stories are told. Anat Zanger focuses on contemporary retellings of three particular tales-Joanof Arc, Carmen, and Psycho-to reveal what she calls the remake...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam
Amsterdam University Press
[2006]
|
| Schriftenreihe: | Film Culture in Transition
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FHA01 FKE01 FLA01 UPA01 UBG01 FAB01 FCO01 Volltext |
| Zusammenfassung: | The first full-length history of the remake in cinema, Film Remakes as Ritual and Disguise is also the first book to explore how and why these stories are told. Anat Zanger focuses on contemporary retellings of three particular tales-Joanof Arc, Carmen, and Psycho-to reveal what she calls the remake's "rituals of disguise." Joan of Arc, Zanger demonstrates, later appears as the tough, androgynous Ripley in the blockbuster Alien series and the God-ridden Bess in Lars Von Trier's Breaking the Waves. Ultimately, these remake chains offer evidence of the archetypes of our own age, cultural "fingerprints" that are reflective of society's own preferences and politics. Underneath the redundancy of the remake, Zanger shows, lies our collective social memory. Indeed, at its core the lowly remake represents a primal attempt to gain immortality, to triumph over death-playing at movie theaters seven days a week, 365 days a year. Addressing the wider theoretical implications of her argument with sections on contemporary film issues such as trauma, jouissance, and censorship, Film Remakes as Ritual and Disguise is an insightful addition to current debates in film theory and cinema history |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2019) |
| Beschreibung: | 1 online resource Illustrated |
| ISBN: | 9789048509706 |
| DOI: | 10.1515/9789048509706 |
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| 520 | |a The first full-length history of the remake in cinema, Film Remakes as Ritual and Disguise is also the first book to explore how and why these stories are told. Anat Zanger focuses on contemporary retellings of three particular tales-Joanof Arc, Carmen, and Psycho-to reveal what she calls the remake's "rituals of disguise." Joan of Arc, Zanger demonstrates, later appears as the tough, androgynous Ripley in the blockbuster Alien series and the God-ridden Bess in Lars Von Trier's Breaking the Waves. Ultimately, these remake chains offer evidence of the archetypes of our own age, cultural "fingerprints" that are reflective of society's own preferences and politics. Underneath the redundancy of the remake, Zanger shows, lies our collective social memory. Indeed, at its core the lowly remake represents a primal attempt to gain immortality, to triumph over death-playing at movie theaters seven days a week, 365 days a year. Addressing the wider theoretical implications of her argument with sections on contemporary film issues such as trauma, jouissance, and censorship, Film Remakes as Ritual and Disguise is an insightful addition to current debates in film theory and cinema history | ||
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Datensatz im Suchindex
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| any_adam_object | |
| author | Zanger, Anat |
| author_facet | Zanger, Anat |
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| author_sort | Zanger, Anat |
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| building | Verbundindex |
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| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.436 |
| dewey-search | 791.436 |
| dewey-sort | 3791.436 |
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| discipline | Allgemeines |
| doi_str_mv | 10.1515/9789048509706 |
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| indexdate | 2024-07-10T08:34:58Z |
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| isbn | 9789048509706 |
| language | English |
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| spelling | Zanger, Anat Verfasser aut Film Remakes as Ritual and Disguise From Carmen to Ripley Anat Zanger Amsterdam Amsterdam University Press [2006] © 2007 1 online resource Illustrated txt rdacontent c rdamedia cr rdacarrier Film Culture in Transition Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2019) The first full-length history of the remake in cinema, Film Remakes as Ritual and Disguise is also the first book to explore how and why these stories are told. Anat Zanger focuses on contemporary retellings of three particular tales-Joanof Arc, Carmen, and Psycho-to reveal what she calls the remake's "rituals of disguise." Joan of Arc, Zanger demonstrates, later appears as the tough, androgynous Ripley in the blockbuster Alien series and the God-ridden Bess in Lars Von Trier's Breaking the Waves. Ultimately, these remake chains offer evidence of the archetypes of our own age, cultural "fingerprints" that are reflective of society's own preferences and politics. Underneath the redundancy of the remake, Zanger shows, lies our collective social memory. Indeed, at its core the lowly remake represents a primal attempt to gain immortality, to triumph over death-playing at movie theaters seven days a week, 365 days a year. Addressing the wider theoretical implications of her argument with sections on contemporary film issues such as trauma, jouissance, and censorship, Film Remakes as Ritual and Disguise is an insightful addition to current debates in film theory and cinema history In English PERFORMING ARTS / General bisacsh Film remakes History and criticism Film (DE-588)4017102-4 gnd rswk-swf Remake (DE-588)4491254-7 gnd rswk-swf Film (DE-588)4017102-4 s Remake (DE-588)4491254-7 s 1\p DE-604 https://doi.org/10.1515/9789048509706 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Zanger, Anat Film Remakes as Ritual and Disguise From Carmen to Ripley PERFORMING ARTS / General bisacsh Film remakes History and criticism Film (DE-588)4017102-4 gnd Remake (DE-588)4491254-7 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4491254-7 |
| title | Film Remakes as Ritual and Disguise From Carmen to Ripley |
| title_auth | Film Remakes as Ritual and Disguise From Carmen to Ripley |
| title_exact_search | Film Remakes as Ritual and Disguise From Carmen to Ripley |
| title_full | Film Remakes as Ritual and Disguise From Carmen to Ripley Anat Zanger |
| title_fullStr | Film Remakes as Ritual and Disguise From Carmen to Ripley Anat Zanger |
| title_full_unstemmed | Film Remakes as Ritual and Disguise From Carmen to Ripley Anat Zanger |
| title_short | Film Remakes as Ritual and Disguise |
| title_sort | film remakes as ritual and disguise from carmen to ripley |
| title_sub | From Carmen to Ripley |
| topic | PERFORMING ARTS / General bisacsh Film remakes History and criticism Film (DE-588)4017102-4 gnd Remake (DE-588)4491254-7 gnd |
| topic_facet | PERFORMING ARTS / General Film remakes History and criticism Film Remake |
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