Herr Lubitsch Goes to Hollywood: German and American Film after World War I
Ernst Lubitsch, the German filmmaker who left Berlin for Hollywood in the 1920s, is best remembered today for the famous "Lubitsch touch" in such masterpieces as Ninotchka, which featured Greta Garbo's first-ever screen smile, and Heaven Can Wait. Kristin Thompson's study analyze...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam
Amsterdam University Press
[2005]
|
| Schriftenreihe: | Film Culture in Transition
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FHA01 FKE01 FLA01 UBG01 UPA01 FAB01 FCO01 Volltext |
| Zusammenfassung: | Ernst Lubitsch, the German filmmaker who left Berlin for Hollywood in the 1920s, is best remembered today for the famous "Lubitsch touch" in such masterpieces as Ninotchka, which featured Greta Garbo's first-ever screen smile, and Heaven Can Wait. Kristin Thompson's study analyzes Lubitsch's earlier silent films of 1918 to 1927 in order to trace the mutual influences between the classical Hollywood film style as it had evolved in the 1910s and the German film industry of the same period, which had emerged from World War I second in strength only to Hollywood. During World War I, American firms supplied theaters around the world as French and Italian films had become scarce. Ironically, the war strengthened German filmmaking due to a ban on imports that lasted until 1921. During that period of isolation, Lubitsch became the finest proponent of German filmmaking and once Hollywood films appeared in Germany again Lubitsch was quick to absorb their stylistic traits as well. He soon became the unique master of both styles as the golden ages of the American and German cinema were beginning. This innovative study utilizes Lubitsch's silent films as a means to compare two great national cinemas at a vital formative period in cinema history |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2019) |
| Beschreibung: | 1 online resource 463 black and white illustrations |
| ISBN: | 9789048505364 |
| DOI: | 10.1515/9789048505364 |
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Datensatz im Suchindex
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| doi_str_mv | 10.1515/9789048505364 |
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| spelling | Thompson, Kristin 1950- Verfasser (DE-588)131823833 aut Herr Lubitsch Goes to Hollywood German and American Film after World War I Kristin Thompson Amsterdam Amsterdam University Press [2005] © 2005 1 online resource 463 black and white illustrations txt rdacontent c rdamedia cr rdacarrier Film Culture in Transition Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2019) Ernst Lubitsch, the German filmmaker who left Berlin for Hollywood in the 1920s, is best remembered today for the famous "Lubitsch touch" in such masterpieces as Ninotchka, which featured Greta Garbo's first-ever screen smile, and Heaven Can Wait. Kristin Thompson's study analyzes Lubitsch's earlier silent films of 1918 to 1927 in order to trace the mutual influences between the classical Hollywood film style as it had evolved in the 1910s and the German film industry of the same period, which had emerged from World War I second in strength only to Hollywood. During World War I, American firms supplied theaters around the world as French and Italian films had become scarce. Ironically, the war strengthened German filmmaking due to a ban on imports that lasted until 1921. During that period of isolation, Lubitsch became the finest proponent of German filmmaking and once Hollywood films appeared in Germany again Lubitsch was quick to absorb their stylistic traits as well. He soon became the unique master of both styles as the golden ages of the American and German cinema were beginning. This innovative study utilizes Lubitsch's silent films as a means to compare two great national cinemas at a vital formative period in cinema history In English Geschichte 1918-1925 gnd rswk-swf PERFORMING ARTS / General bisacsh Motion picture producers and directors United States Motion pictures Germany Motion pictures United States Film (DE-588)4017102-4 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Deutschland (DE-588)4011882-4 gnd rswk-swf USA (DE-588)4078704-7 g Film (DE-588)4017102-4 s Geschichte 1918-1925 z 1\p DE-604 Deutschland (DE-588)4011882-4 g 2\p DE-604 https://doi.org/10.1515/9789048505364 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Thompson, Kristin 1950- Herr Lubitsch Goes to Hollywood German and American Film after World War I PERFORMING ARTS / General bisacsh Motion picture producers and directors United States Motion pictures Germany Motion pictures United States Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4078704-7 (DE-588)4011882-4 |
| title | Herr Lubitsch Goes to Hollywood German and American Film after World War I |
| title_auth | Herr Lubitsch Goes to Hollywood German and American Film after World War I |
| title_exact_search | Herr Lubitsch Goes to Hollywood German and American Film after World War I |
| title_full | Herr Lubitsch Goes to Hollywood German and American Film after World War I Kristin Thompson |
| title_fullStr | Herr Lubitsch Goes to Hollywood German and American Film after World War I Kristin Thompson |
| title_full_unstemmed | Herr Lubitsch Goes to Hollywood German and American Film after World War I Kristin Thompson |
| title_short | Herr Lubitsch Goes to Hollywood |
| title_sort | herr lubitsch goes to hollywood german and american film after world war i |
| title_sub | German and American Film after World War I |
| topic | PERFORMING ARTS / General bisacsh Motion picture producers and directors United States Motion pictures Germany Motion pictures United States Film (DE-588)4017102-4 gnd |
| topic_facet | PERFORMING ARTS / General Motion picture producers and directors United States Motion pictures Germany Motion pictures United States Film USA Deutschland |
| url | https://doi.org/10.1515/9789048505364 |
| work_keys_str_mv | AT thompsonkristin herrlubitschgoestohollywoodgermanandamericanfilmafterworldwari |