Lyric in the Renaissance: from Petrarch to Montaigne
"Moving from a definition of the lyric to the innovations introduced by Petrarch's poetic language, this study goes on to propose a new reading of several French poets (Charles d'Orléans, Ronsard, and Du Bellay), and a re-evaluation of Montaigne's understanding of the most striki...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Cambridge
Cambridge University Press
2017
|
Ausgabe: | First paperback edition |
Schlagworte: | |
Zusammenfassung: | "Moving from a definition of the lyric to the innovations introduced by Petrarch's poetic language, this study goes on to propose a new reading of several French poets (Charles d'Orléans, Ronsard, and Du Bellay), and a re-evaluation of Montaigne's understanding of the most striking poetry and its relation to his own prose. Instead of relying on conventional notions of Renaissance subjectivity, it locates recurring features of this poetic language that express a turn to the singular and that herald lyric poetry's modern emphasis on the utterly particular. By combining close textual analysis with more modern ethical concerns this study establishes clear distinctions between what poets do and what rhetoric and poetics say they do. It shows how the tradition of rhetorical commentary is insufficient in accounting for this startling effectiveness of lyric poetry, manifest in Petrarch's Rime Sparse and the collections of the best poets writing after him"-- |
Beschreibung: | Includes bibliographical references and index |
Beschreibung: | viii, 218 Seiten 24 cm |
ISBN: | 9781107526990 |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
001 | BV046086615 | ||
003 | DE-604 | ||
005 | 20200506 | ||
007 | t | ||
008 | 190805s2017 |||| 00||| eng d | ||
020 | |a 9781107526990 |c Softcover |9 978-1-107-52699-0 | ||
035 | |a (OCoLC)1121485475 | ||
035 | |a (DE-599)BVBBV046086615 | ||
040 | |a DE-604 |b ger |e rakwb | ||
041 | 0 | |a eng | |
049 | |a DE-Y3 |a DE-355 | ||
084 | |a IF 2550 |0 (DE-625)55276: |2 rvk | ||
084 | |a IT 6605 |0 (DE-625)68631:11856 |2 rvk | ||
100 | 1 | |a Langer, Ullrich |d 1954- |e Verfasser |0 (DE-588)140937153 |4 aut | |
245 | 1 | 0 | |a Lyric in the Renaissance |b from Petrarch to Montaigne |c Ullrich Langer |
250 | |a First paperback edition | ||
264 | 1 | |a Cambridge |b Cambridge University Press |c 2017 | |
300 | |a viii, 218 Seiten |c 24 cm | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
500 | |a Includes bibliographical references and index | ||
505 | 8 | |a Machine generated contents note: 1. Introduction; 2. Petrarch and the existential singular; 3. Minimal lost worlds: the rondeaux of Charles d'Orléans; 4. Ronsard's singular erotic reciprocity (Les Amours de Cassandre); 5. Singularity as emptiness: Du Bellay's Regrets; 6. Montaigne and his "sublime" lyric; 7. Conclusion; Bibliography | |
520 | |a "Moving from a definition of the lyric to the innovations introduced by Petrarch's poetic language, this study goes on to propose a new reading of several French poets (Charles d'Orléans, Ronsard, and Du Bellay), and a re-evaluation of Montaigne's understanding of the most striking poetry and its relation to his own prose. Instead of relying on conventional notions of Renaissance subjectivity, it locates recurring features of this poetic language that express a turn to the singular and that herald lyric poetry's modern emphasis on the utterly particular. By combining close textual analysis with more modern ethical concerns this study establishes clear distinctions between what poets do and what rhetoric and poetics say they do. It shows how the tradition of rhetorical commentary is insufficient in accounting for this startling effectiveness of lyric poetry, manifest in Petrarch's Rime Sparse and the collections of the best poets writing after him"-- | ||
600 | 1 | 4 | |a Montaigne, Michel de / 1533-1592 / Criticism and interpretation |
600 | 1 | 4 | |a Petrarca, Francesco / 1304-1374 / Language |
648 | 4 | |a Geschichte 1500-1600 | |
648 | 7 | |a Geschichte 1300-1600 |2 gnd |9 rswk-swf | |
650 | 4 | |a French poetry / 16th century / History and criticism | |
650 | 4 | |a Lyric poetry / History and criticism / Theory, etc | |
650 | 4 | |a Particularity (Aesthetics) | |
650 | 7 | |a LITERARY CRITICISM / European / General |2 bisacsh | |
650 | 0 | 7 | |a Französisch |0 (DE-588)4113615-9 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Italienisch |0 (DE-588)4114056-4 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Renaissance |0 (DE-588)4049450-0 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Lyrik |0 (DE-588)4036774-5 |2 gnd |9 rswk-swf |
689 | 0 | 0 | |a Italienisch |0 (DE-588)4114056-4 |D s |
689 | 0 | 1 | |a Französisch |0 (DE-588)4113615-9 |D s |
689 | 0 | 2 | |a Lyrik |0 (DE-588)4036774-5 |D s |
689 | 0 | 3 | |a Renaissance |0 (DE-588)4049450-0 |D s |
689 | 0 | 4 | |a Geschichte 1300-1600 |A z |
689 | 0 | |5 DE-604 | |
775 | 0 | 8 | |i Äquivalent |n 1. publ., hardback, 2015 |z 978-1-107-11028-1 |w (DE-604)BV042715177 |
999 | |a oai:aleph.bib-bvb.de:BVB01-031467638 |
Datensatz im Suchindex
_version_ | 1804180381162799104 |
---|---|
any_adam_object | |
author | Langer, Ullrich 1954- |
author_GND | (DE-588)140937153 |
author_facet | Langer, Ullrich 1954- |
author_role | aut |
author_sort | Langer, Ullrich 1954- |
author_variant | u l ul |
building | Verbundindex |
bvnumber | BV046086615 |
classification_rvk | IF 2550 IT 6605 |
contents | Machine generated contents note: 1. Introduction; 2. Petrarch and the existential singular; 3. Minimal lost worlds: the rondeaux of Charles d'Orléans; 4. Ronsard's singular erotic reciprocity (Les Amours de Cassandre); 5. Singularity as emptiness: Du Bellay's Regrets; 6. Montaigne and his "sublime" lyric; 7. Conclusion; Bibliography |
ctrlnum | (OCoLC)1121485475 (DE-599)BVBBV046086615 |
discipline | Romanistik |
edition | First paperback edition |
era | Geschichte 1500-1600 Geschichte 1300-1600 gnd |
era_facet | Geschichte 1500-1600 Geschichte 1300-1600 |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03383nam a2200553 c 4500</leader><controlfield tag="001">BV046086615</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20200506 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">190805s2017 |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781107526990</subfield><subfield code="c">Softcover</subfield><subfield code="9">978-1-107-52699-0</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1121485475</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046086615</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rakwb</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-Y3</subfield><subfield code="a">DE-355</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">IF 2550</subfield><subfield code="0">(DE-625)55276:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">IT 6605</subfield><subfield code="0">(DE-625)68631:11856</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Langer, Ullrich</subfield><subfield code="d">1954-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)140937153</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Lyric in the Renaissance</subfield><subfield code="b">from Petrarch to Montaigne</subfield><subfield code="c">Ullrich Langer</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">First paperback edition</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge</subfield><subfield code="b">Cambridge University Press</subfield><subfield code="c">2017</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">viii, 218 Seiten</subfield><subfield code="c">24 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Machine generated contents note: 1. Introduction; 2. Petrarch and the existential singular; 3. Minimal lost worlds: the rondeaux of Charles d'Orléans; 4. Ronsard's singular erotic reciprocity (Les Amours de Cassandre); 5. Singularity as emptiness: Du Bellay's Regrets; 6. Montaigne and his "sublime" lyric; 7. Conclusion; Bibliography</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"Moving from a definition of the lyric to the innovations introduced by Petrarch's poetic language, this study goes on to propose a new reading of several French poets (Charles d'Orléans, Ronsard, and Du Bellay), and a re-evaluation of Montaigne's understanding of the most striking poetry and its relation to his own prose. Instead of relying on conventional notions of Renaissance subjectivity, it locates recurring features of this poetic language that express a turn to the singular and that herald lyric poetry's modern emphasis on the utterly particular. By combining close textual analysis with more modern ethical concerns this study establishes clear distinctions between what poets do and what rhetoric and poetics say they do. It shows how the tradition of rhetorical commentary is insufficient in accounting for this startling effectiveness of lyric poetry, manifest in Petrarch's Rime Sparse and the collections of the best poets writing after him"--</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Montaigne, Michel de / 1533-1592 / Criticism and interpretation</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Petrarca, Francesco / 1304-1374 / Language</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1500-1600</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1300-1600</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">French poetry / 16th century / History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Lyric poetry / History and criticism / Theory, etc</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Particularity (Aesthetics)</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">LITERARY CRITICISM / European / General</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Französisch</subfield><subfield code="0">(DE-588)4113615-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Italienisch</subfield><subfield code="0">(DE-588)4114056-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Renaissance</subfield><subfield code="0">(DE-588)4049450-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Lyrik</subfield><subfield code="0">(DE-588)4036774-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Italienisch</subfield><subfield code="0">(DE-588)4114056-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Französisch</subfield><subfield code="0">(DE-588)4113615-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Lyrik</subfield><subfield code="0">(DE-588)4036774-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Renaissance</subfield><subfield code="0">(DE-588)4049450-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Geschichte 1300-1600</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="775" ind1="0" ind2="8"><subfield code="i">Äquivalent</subfield><subfield code="n">1. publ., hardback, 2015</subfield><subfield code="z">978-1-107-11028-1</subfield><subfield code="w">(DE-604)BV042715177</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-031467638</subfield></datafield></record></collection> |
id | DE-604.BV046086615 |
illustrated | Not Illustrated |
indexdate | 2024-07-10T08:34:51Z |
institution | BVB |
isbn | 9781107526990 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031467638 |
oclc_num | 1121485475 |
open_access_boolean | |
owner | DE-Y3 DE-355 DE-BY-UBR |
owner_facet | DE-Y3 DE-355 DE-BY-UBR |
physical | viii, 218 Seiten 24 cm |
publishDate | 2017 |
publishDateSearch | 2017 |
publishDateSort | 2017 |
publisher | Cambridge University Press |
record_format | marc |
spelling | Langer, Ullrich 1954- Verfasser (DE-588)140937153 aut Lyric in the Renaissance from Petrarch to Montaigne Ullrich Langer First paperback edition Cambridge Cambridge University Press 2017 viii, 218 Seiten 24 cm txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Machine generated contents note: 1. Introduction; 2. Petrarch and the existential singular; 3. Minimal lost worlds: the rondeaux of Charles d'Orléans; 4. Ronsard's singular erotic reciprocity (Les Amours de Cassandre); 5. Singularity as emptiness: Du Bellay's Regrets; 6. Montaigne and his "sublime" lyric; 7. Conclusion; Bibliography "Moving from a definition of the lyric to the innovations introduced by Petrarch's poetic language, this study goes on to propose a new reading of several French poets (Charles d'Orléans, Ronsard, and Du Bellay), and a re-evaluation of Montaigne's understanding of the most striking poetry and its relation to his own prose. Instead of relying on conventional notions of Renaissance subjectivity, it locates recurring features of this poetic language that express a turn to the singular and that herald lyric poetry's modern emphasis on the utterly particular. By combining close textual analysis with more modern ethical concerns this study establishes clear distinctions between what poets do and what rhetoric and poetics say they do. It shows how the tradition of rhetorical commentary is insufficient in accounting for this startling effectiveness of lyric poetry, manifest in Petrarch's Rime Sparse and the collections of the best poets writing after him"-- Montaigne, Michel de / 1533-1592 / Criticism and interpretation Petrarca, Francesco / 1304-1374 / Language Geschichte 1500-1600 Geschichte 1300-1600 gnd rswk-swf French poetry / 16th century / History and criticism Lyric poetry / History and criticism / Theory, etc Particularity (Aesthetics) LITERARY CRITICISM / European / General bisacsh Französisch (DE-588)4113615-9 gnd rswk-swf Italienisch (DE-588)4114056-4 gnd rswk-swf Renaissance (DE-588)4049450-0 gnd rswk-swf Lyrik (DE-588)4036774-5 gnd rswk-swf Italienisch (DE-588)4114056-4 s Französisch (DE-588)4113615-9 s Lyrik (DE-588)4036774-5 s Renaissance (DE-588)4049450-0 s Geschichte 1300-1600 z DE-604 Äquivalent 1. publ., hardback, 2015 978-1-107-11028-1 (DE-604)BV042715177 |
spellingShingle | Langer, Ullrich 1954- Lyric in the Renaissance from Petrarch to Montaigne Machine generated contents note: 1. Introduction; 2. Petrarch and the existential singular; 3. Minimal lost worlds: the rondeaux of Charles d'Orléans; 4. Ronsard's singular erotic reciprocity (Les Amours de Cassandre); 5. Singularity as emptiness: Du Bellay's Regrets; 6. Montaigne and his "sublime" lyric; 7. Conclusion; Bibliography Montaigne, Michel de / 1533-1592 / Criticism and interpretation Petrarca, Francesco / 1304-1374 / Language French poetry / 16th century / History and criticism Lyric poetry / History and criticism / Theory, etc Particularity (Aesthetics) LITERARY CRITICISM / European / General bisacsh Französisch (DE-588)4113615-9 gnd Italienisch (DE-588)4114056-4 gnd Renaissance (DE-588)4049450-0 gnd Lyrik (DE-588)4036774-5 gnd |
subject_GND | (DE-588)4113615-9 (DE-588)4114056-4 (DE-588)4049450-0 (DE-588)4036774-5 |
title | Lyric in the Renaissance from Petrarch to Montaigne |
title_auth | Lyric in the Renaissance from Petrarch to Montaigne |
title_exact_search | Lyric in the Renaissance from Petrarch to Montaigne |
title_full | Lyric in the Renaissance from Petrarch to Montaigne Ullrich Langer |
title_fullStr | Lyric in the Renaissance from Petrarch to Montaigne Ullrich Langer |
title_full_unstemmed | Lyric in the Renaissance from Petrarch to Montaigne Ullrich Langer |
title_short | Lyric in the Renaissance |
title_sort | lyric in the renaissance from petrarch to montaigne |
title_sub | from Petrarch to Montaigne |
topic | Montaigne, Michel de / 1533-1592 / Criticism and interpretation Petrarca, Francesco / 1304-1374 / Language French poetry / 16th century / History and criticism Lyric poetry / History and criticism / Theory, etc Particularity (Aesthetics) LITERARY CRITICISM / European / General bisacsh Französisch (DE-588)4113615-9 gnd Italienisch (DE-588)4114056-4 gnd Renaissance (DE-588)4049450-0 gnd Lyrik (DE-588)4036774-5 gnd |
topic_facet | Montaigne, Michel de / 1533-1592 / Criticism and interpretation Petrarca, Francesco / 1304-1374 / Language French poetry / 16th century / History and criticism Lyric poetry / History and criticism / Theory, etc Particularity (Aesthetics) LITERARY CRITICISM / European / General Französisch Italienisch Renaissance Lyrik |
work_keys_str_mv | AT langerullrich lyricintherenaissancefrompetrarchtomontaigne |