Kitty Clive, or the fair songster:
Kitty Clive (1711-1785) was a top London stage star. Singing powered her ascent and, for twenty years, was foundational to her success as she came to dominate spoken as well as musical comedy. Her protean powers transfixed audiences, whether in low-style productions or in works by masters like Purce...
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| 1. Verfasser: | |
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| Format: | Partitur Buch |
| Sprache: | English |
| Veröffentlicht: |
Woodbridge
Boydell Press
2019
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Kitty Clive (1711-1785) was a top London stage star. Singing powered her ascent and, for twenty years, was foundational to her success as she came to dominate spoken as well as musical comedy. Her protean powers transfixed audiences, whether in low-style productions or in works by masters like Purcell, Shakespeare, and Dryden. Celebrities such as Handel and Henry Fielding wrote vehicles for her. Clive's career was unique. Despite a sometimes awkward biography - her father was a disgraced Irish Catholic; she defied managers; her marriage was almost certainly a social ruse and her 'husband' a homosexual - her musical voice helped her to become the champion of British song, of patriotism, and of propriety. Yet in the 1740s, critical opinion turned against Clive and the financial power she wielded. Salvaging her career with David Garrick's help, Clive gutted her legacy. She quit serious song and took to caricaturing herself on stage, winning back audiences by disparaging her earlier achievements. Altering works mid-performance, creating and re-shaping stage genres, and leveraging press coverage while seeming not to, she was above all a shrewd manager and a fascinating stage artist. Clive's career reveals to us gorgeous song otherwise lost and perspectives previously unknown. For music historians, musicologists, theatre scholars, and anyone curious about performance history and star production in eighteenth-century Britain, her story is not to be missed |
| Beschreibung: | xiii, 527 Seiten Illustrationen, Notenbeispiele, Portraits, Notenfaksimiles |
| ISBN: | 9781783273461 |
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| 520 | 3 | |a Kitty Clive (1711-1785) was a top London stage star. Singing powered her ascent and, for twenty years, was foundational to her success as she came to dominate spoken as well as musical comedy. Her protean powers transfixed audiences, whether in low-style productions or in works by masters like Purcell, Shakespeare, and Dryden. Celebrities such as Handel and Henry Fielding wrote vehicles for her. Clive's career was unique. Despite a sometimes awkward biography - her father was a disgraced Irish Catholic; she defied managers; her marriage was almost certainly a social ruse and her 'husband' a homosexual - her musical voice helped her to become the champion of British song, of patriotism, and of propriety. Yet in the 1740s, critical opinion turned against Clive and the financial power she wielded. Salvaging her career with David Garrick's help, Clive gutted her legacy. She quit serious song and took to caricaturing herself on stage, winning back audiences by disparaging her earlier achievements. Altering works mid-performance, creating and re-shaping stage genres, and leveraging press coverage while seeming not to, she was above all a shrewd manager and a fascinating stage artist. Clive's career reveals to us gorgeous song otherwise lost and perspectives previously unknown. For music historians, musicologists, theatre scholars, and anyone curious about performance history and star production in eighteenth-century Britain, her story is not to be missed | |
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Datensatz im Suchindex
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| adam_text | Contents Illustrations Preface Conventions of Transcription 1 The Siren Song: Kitty Clive in the Playhouse 2 3 viii xi xiv і ‘The Lovely Virgin tun’d her Voice: Henry Carey and the Produc tion of a Native Songster 28 ‘Charm’d with the sprightly Innocence of Nell’: The Metamorpho sis of Miss Raftor 64 4 ‘HINT writes, and RAFTOR acts in Drury-lane’: Clive, Fielding, and Theophilus Cibber 105 5 “Hie pious Daughter, and the faithful Wife’: Fielding, Miller, and Clive, 1733-35 6 Ά Likeness where none was to be found’: Contested Images of Clive, 1734-37 7 The Patriot Soprano: British Worthies at Drury Lane 168 194 8 Handel and the Sweet Bird of Drury Lane, 1740-43 227 9 The Case of Mrs. Clive 275 Of Scuffles and Rivalries: The Demise of ‘Kitty Cuckoe’ 302 10 138 11 From Miss Lucy to Mrs. Riot: Voice and Caricature 331 12 Clive on Clive: The Rehearsal: Or, Bays in Petticoats 378 13 Conclusion: The Fair Songster 409 Appendix 1 Catherine Clive’s Roles 1728-69 427 Appendix 2 Lines in Catherine Clives Repertory 1728-69 461 Appendix 3 The Case of Mrs. CLIVE (1744) 477 Select Bibliography 482 Index 509
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| format | Musical Score Book |
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| spelling | Joncus, Berta 1961- (DE-588)141644842 aut Kitty Clive, or the fair songster Berta Joncus Woodbridge Boydell Press 2019 © 2019 xiii, 527 Seiten Illustrationen, Notenbeispiele, Portraits, Notenfaksimiles txt rdacontent sti rdacontent ntm rdacontent n rdamedia nc rdacarrier Kitty Clive (1711-1785) was a top London stage star. Singing powered her ascent and, for twenty years, was foundational to her success as she came to dominate spoken as well as musical comedy. Her protean powers transfixed audiences, whether in low-style productions or in works by masters like Purcell, Shakespeare, and Dryden. Celebrities such as Handel and Henry Fielding wrote vehicles for her. Clive's career was unique. Despite a sometimes awkward biography - her father was a disgraced Irish Catholic; she defied managers; her marriage was almost certainly a social ruse and her 'husband' a homosexual - her musical voice helped her to become the champion of British song, of patriotism, and of propriety. Yet in the 1740s, critical opinion turned against Clive and the financial power she wielded. Salvaging her career with David Garrick's help, Clive gutted her legacy. She quit serious song and took to caricaturing herself on stage, winning back audiences by disparaging her earlier achievements. Altering works mid-performance, creating and re-shaping stage genres, and leveraging press coverage while seeming not to, she was above all a shrewd manager and a fascinating stage artist. Clive's career reveals to us gorgeous song otherwise lost and perspectives previously unknown. For music historians, musicologists, theatre scholars, and anyone curious about performance history and star production in eighteenth-century Britain, her story is not to be missed Clive, Catherine 1711-1785 (DE-588)1013028341 gnd rswk-swf Geschichte 1711-1785 gnd rswk-swf Schauspielerin (DE-588)4153179-6 gnd rswk-swf Bühnenkünstlerin (DE-588)4357187-6 gnd rswk-swf Sängerin (DE-588)4051246-0 gnd rswk-swf Großbritannien (DE-588)4022153-2 gnd rswk-swf Clive, Kitty / 1711-1785 Singers / England / London / History / 18th century Musicals / England / London / History / 18th century Musical theater / England / London / History / 18th century Theater / Great Britain / History / 18th century Theater Great Britain 1700-1799 History (DE-588)4113937-9 Hochschulschrift gnd-content (DE-588)4006804-3 Biografie gnd-content Clive, Catherine 1711-1785 (DE-588)1013028341 p DE-604 Großbritannien (DE-588)4022153-2 g Sängerin (DE-588)4051246-0 s Schauspielerin (DE-588)4153179-6 s Bühnenkünstlerin (DE-588)4357187-6 s Geschichte 1711-1785 z Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031450757&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | Kitty Clive, or the fair songster |
| title_auth | Kitty Clive, or the fair songster |
| title_exact_search | Kitty Clive, or the fair songster |
| title_full | Kitty Clive, or the fair songster Berta Joncus |
| title_fullStr | Kitty Clive, or the fair songster Berta Joncus |
| title_full_unstemmed | Kitty Clive, or the fair songster Berta Joncus |
| title_short | Kitty Clive, or the fair songster |
| title_sort | kitty clive or the fair songster |
| topic | Clive, Catherine 1711-1785 (DE-588)1013028341 gnd Schauspielerin (DE-588)4153179-6 gnd Bühnenkünstlerin (DE-588)4357187-6 gnd Sängerin (DE-588)4051246-0 gnd |
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