Foundations in sound design for interactive media: a multidisciplinary approach
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London
Routledge
2020
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| Schriftenreihe: | Sound Design
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xxi, 365 Seiten Illustrationen |
| ISBN: | 9781138093942 9781138093935 |
Internformat
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Datensatz im Suchindex
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| adam_text | Contents List of Contributors Series Preface ix xvii MICHAEL FILIMOWICZ Volume Introduction xix MICHAEL FILIMOWICZ 1 Cinematic Sound Design for Players ] TOMA. GARNER 2 Aleatory Acoustics, Mechanics and Aesthetics: Game Sound Design With Audio Controllers and Their Interfaces 24 SHELDON SCHIFFER 3 Designing Game Audio Based on Avatar-Centered Subjectivity 59 JONATHAN WEINEL AND STUART CUNNINGHAM 4 Presence and Biofeedback in First-Person Perspective Computer Games: The Potential of Sound 78 MARK GRIMSHAW-AAGAARD 5 Composed to Experience: The Cognitive Psychology of Interactive Music for Video Games 95 HANS-PETER GASSELSEDER 6 Interfaces for Sound Installation 120 GREG CORNESS, KRISTIN CARLSON AND PROPHECY SUN vii
viii 7 Contents Sound Spatial ization 141 ENDA BATES, BRIAN BRIDGES AND ADAM MELVIN 8 Thinking Sound-Motion Objects 161 ROLF INGE GODØY 9 Climb!—A Composition Case Study: Actualizing and Replicating Virtual Spaces in Classical Music Composition and Performance 179 MARIA KALLIONPÄÄ AND HANS-PETER GASSELSEDER 10 Interactive Music on the Web 200 SANG WON LEE, BENJAMIN TAYLOR AND GEORG ESSL 11 Auditory Cue Design 229 DAVID MCGOOKIN 12 Soundscape Generation Systems 259 MILES THOROGOOD 13 Sound Effect Synthesis 274 DAVID MOFFAT, ROD SELFRIDGE AND JOSHUA D. REISS 14 Audio Augmented Reality for Interactive Soundwalks, Sound Art and Music Delivery 300 DAFNA NAPHTALI AND RICHARD RODKIN 15 Soundscape Online Databases State of the Art and Challenges 333 MILES THOROGOOD AND PHILIPPE PASQUIER Index 355
“A vital and vibrant contribution to the emerging area of sound studies! ... Thought provoking and informative! —Karen Collins, Associate Professor and Canada Research Chair in Interactive Audio, University of Waterloo “Excellently balanced between engineering and creative thinking, it is a must-read reference for the modern sound designer and artist.”—Dr. Andreas Floros, Professor, Audio Engineering and Technology, Ionian University, Greece “A fundamental volume that covers all relevant production techniques ... A truly indispensable manual to teach and to learn the design of interactive sound. —Holger Schulze, Author of The Sonic Persona (2018) and Sound Works (2019) “An important collection for anyone thinking about or engaging with the field of interactive media ... It’s going straight onto my ‘essential’ reading list.”—Richard Stevens, Course Director, Leeds Beckett University and Co-Author of Game Audio Implementation (Routledge) This volume provides a comprehensive introduction to foundational topics in sound design for interactive media, such as gaming and virtual reality; compositional techniques; new interfaces; sound spatialization; sonic cues and semiotics; performance and installations; music on the web; augmented reality applications; and sound producing software design. The reader will gain a broad understanding of the key concepts and practices that define sound design for its use in computational media and design. The chapters are written by international authors from diverse backgrounds who provide multidisciplinary perspectives on sound in its interactive
forms. The volume is designed as a textbook for students and teachers, as a handbook for researchers in sound, design and media, and as a survey of key trends and ideas for practitioners interested in exploring the boundaries of their profession. Michael Filimowicz, PhD, is Senior Lecturer in the School of Interactive Arts and Technology (SIAT) at Simon Fraser University and co-editor of The Soundtrack journal. He develops new forms of general-purpose multimodal and audiovisual display technology, exploring novel product lines across different application contexts including gaming, immersive exhibitions, control rooms, telepresence and simulation-based training. He has published across disciplines in journals such as Organised Sound, Arts and Humanities in Higher Education, Leonardo, Sound Effects, Parsons Journal for Information Mapping and Semiotica. His art has been exhibited internationally at venues such as SIGGRAPH, Re-New, Design Shanghai, ARTECH, Les Instants Vidéo, IDEAS, Kinsey Institute and Art Currents, and published in monographs such as Spotlight: 20 Years of the Biel/Bienne Festival of Photography, Reframing Photography and Infinite Instances. His personal website is http://filimowi.cz. AUDIO
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| title | Foundations in sound design for interactive media a multidisciplinary approach |
| title_auth | Foundations in sound design for interactive media a multidisciplinary approach |
| title_exact_search | Foundations in sound design for interactive media a multidisciplinary approach |
| title_full | Foundations in sound design for interactive media a multidisciplinary approach edited by Michael Filimowicz |
| title_fullStr | Foundations in sound design for interactive media a multidisciplinary approach edited by Michael Filimowicz |
| title_full_unstemmed | Foundations in sound design for interactive media a multidisciplinary approach edited by Michael Filimowicz |
| title_short | Foundations in sound design for interactive media |
| title_sort | foundations in sound design for interactive media a multidisciplinary approach |
| title_sub | a multidisciplinary approach |
| topic | Interaktive Medien (DE-588)4642838-0 gnd Sounddesign (DE-588)7693207-2 gnd |
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