Postbop jazz in the 1960s: the compositions of Wayne Shorter, Herbie Hancock, and Chick Corea
Innovations in postbop jazz compositions of the 1960s occurred in several dimensions, including harmony, form, and melody. Postbop jazz composers such as Wayne Shorter, Herbie Hancock, Chick Corea, along with others (Booker Little, Joe Henderson, Woody Shaw) broke with earlier tonal jazz traditions....
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
New York, NY
Oxford University Press
2019
|
| Series: | Oxford scholarship online
|
| Subjects: | |
| Online Access: | BSB01 Volltext |
| Summary: | Innovations in postbop jazz compositions of the 1960s occurred in several dimensions, including harmony, form, and melody. Postbop jazz composers such as Wayne Shorter, Herbie Hancock, Chick Corea, along with others (Booker Little, Joe Henderson, Woody Shaw) broke with earlier tonal jazz traditions. Their compositions marked a departure from the techniques of jazz standards and original compositions that defined small-group repertory through the 1950s: single-key orientation, schematic 32-bar frameworks (in AABA or ABAC forms), and tonal harmonic progressions. The text develops analytical pathways through a number of compositions, including 'El Gaucho,' 'Penelope,' 'Pinocchio,' 'Face of the Deep' (Shorter); 'King Cobra,' 'Dolphin Dance,' 'Jessica' (Hancock); 'Windows,' 'Inner Space,' 'Song of the Wind' (Corea); as well as 'We Speak' (Little); 'Punjab' (Henderson); and 'Beyond All Limits' (Shaw) |
| Item Description: | Also issued in print: 2019. - Includes bibliographical references, discography and index |
| Physical Description: | 1 Online-Ressource Illustrationen |
| ISBN: | 9780190604608 |
| DOI: | 10.1093/oso/9780190604578.001.0001 |
Staff View
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV046059657 | ||
| 003 | DE-604 | ||
| 005 | 20211130 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 190723s2019 |||| o||u| ||||||eng d | ||
| 020 | |a 9780190604608 |c Online |9 978-0-19-060460-8 | ||
| 024 | 7 | |a 10.1093/oso/9780190604578.001.0001 |2 doi | |
| 035 | |a (ZDB-28-OSM)EDZ0002063256 | ||
| 035 | |a (OCoLC)1110070642 | ||
| 035 | |a (DE-599)BVBBV046059657 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 | ||
| 084 | |a MUS |q DE-12 |2 fid | ||
| 100 | 1 | |a Waters, Keith |d 1958- |0 (DE-588)131560913 |4 aut | |
| 245 | 1 | 0 | |a Postbop jazz in the 1960s |b the compositions of Wayne Shorter, Herbie Hancock, and Chick Corea |c Keith Waters |
| 264 | 1 | |a New York, NY |b Oxford University Press |c 2019 | |
| 300 | |a 1 Online-Ressource |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 336 | |b sti |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Oxford scholarship online | |
| 500 | |a Also issued in print: 2019. - Includes bibliographical references, discography and index | ||
| 520 | |a Innovations in postbop jazz compositions of the 1960s occurred in several dimensions, including harmony, form, and melody. Postbop jazz composers such as Wayne Shorter, Herbie Hancock, Chick Corea, along with others (Booker Little, Joe Henderson, Woody Shaw) broke with earlier tonal jazz traditions. Their compositions marked a departure from the techniques of jazz standards and original compositions that defined small-group repertory through the 1950s: single-key orientation, schematic 32-bar frameworks (in AABA or ABAC forms), and tonal harmonic progressions. The text develops analytical pathways through a number of compositions, including 'El Gaucho,' 'Penelope,' 'Pinocchio,' 'Face of the Deep' (Shorter); 'King Cobra,' 'Dolphin Dance,' 'Jessica' (Hancock); 'Windows,' 'Inner Space,' 'Song of the Wind' (Corea); as well as 'We Speak' (Little); 'Punjab' (Henderson); and 'Beyond All Limits' (Shaw) | ||
| 600 | 1 | 4 | |a Shorter, Wayne / Criticism and interpretation |
| 600 | 1 | 4 | |a Hancock, Herbie / 1940- / Criticism and interpretation |
| 600 | 1 | 4 | |a Corea, Chick / Criticism and interpretation |
| 600 | 1 | 7 | |a Hancock, Herbie |d 1940- |0 (DE-588)121542157 |2 gnd |9 rswk-swf |
| 600 | 1 | 7 | |a Corea, Chick |d 1941-2021 |0 (DE-588)119238489 |2 gnd |9 rswk-swf |
| 600 | 1 | 7 | |a Shorter, Wayne |d 1933-2023 |0 (DE-588)124938981 |2 gnd |9 rswk-swf |
| 648 | 7 | |a Geschichte 1960-1970 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Jazz / 1961-1970 / History and criticism | |
| 650 | 4 | |a Jazz / United States / History and criticism | |
| 650 | 4 | |a Jazz / 1961-1970 / Analysis, appreciation | |
| 650 | 4 | |a Jazz / United States / Analysis, appreciation | |
| 650 | 0 | 7 | |a Jazz |0 (DE-588)4028532-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Komposition |g Musik |0 (DE-588)4133320-2 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Musikalische Analyse |0 (DE-588)4040814-0 |2 gnd |9 rswk-swf |
| 651 | 7 | |a USA |0 (DE-588)4078704-7 |2 gnd |9 rswk-swf | |
| 689 | 0 | 0 | |a Shorter, Wayne |d 1933-2023 |0 (DE-588)124938981 |D p |
| 689 | 0 | 1 | |a Hancock, Herbie |d 1940- |0 (DE-588)121542157 |D p |
| 689 | 0 | 2 | |a Corea, Chick |d 1941-2021 |0 (DE-588)119238489 |D p |
| 689 | 0 | 3 | |a Jazz |0 (DE-588)4028532-7 |D s |
| 689 | 0 | 4 | |a Komposition |g Musik |0 (DE-588)4133320-2 |D s |
| 689 | 0 | 5 | |a Geschichte 1960-1970 |A z |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a USA |0 (DE-588)4078704-7 |D g |
| 689 | 1 | 1 | |a Jazz |0 (DE-588)4028532-7 |D s |
| 689 | 1 | 2 | |a Komposition |g Musik |0 (DE-588)4133320-2 |D s |
| 689 | 1 | 3 | |a Musikalische Analyse |0 (DE-588)4040814-0 |D s |
| 689 | 1 | 4 | |a Geschichte 1960-1970 |A z |
| 689 | 1 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 978-0-19-060457-8 |
| 856 | 4 | 0 | |u https://doi.org/10.1093/oso/9780190604578.001.0001 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-28-OSM | ||
| 940 | 1 | |q BSB_NED_20191007 | |
| 940 | 1 | |q ZDB-1-UMC | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-031441002 | ||
| 942 | 1 | 1 | |c 781.65 |e 22/bsb |f 09046 |g 73 |
| 942 | 1 | 1 | |c 781 |e 22/bsb |f 09046 |g 73 |
| 966 | e | |u https://doi.org/10.1093/oso/9780190604578.001.0001 |l BSB01 |p ZDB-28-OSM |x Verlag |3 Volltext | |
Record in the Search Index
| _version_ | 1804180334054473728 |
|---|---|
| any_adam_object | |
| author | Waters, Keith 1958- |
| author_GND | (DE-588)131560913 |
| author_facet | Waters, Keith 1958- |
| author_role | aut |
| author_sort | Waters, Keith 1958- |
| author_variant | k w kw |
| building | Verbundindex |
| bvnumber | BV046059657 |
| collection | ZDB-28-OSM |
| ctrlnum | (ZDB-28-OSM)EDZ0002063256 (OCoLC)1110070642 (DE-599)BVBBV046059657 |
| doi_str_mv | 10.1093/oso/9780190604578.001.0001 |
| era | Geschichte 1960-1970 gnd |
| era_facet | Geschichte 1960-1970 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04081nmm a2200769zc 4500</leader><controlfield tag="001">BV046059657</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20211130 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">190723s2019 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780190604608</subfield><subfield code="c">Online</subfield><subfield code="9">978-0-19-060460-8</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1093/oso/9780190604578.001.0001</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-28-OSM)EDZ0002063256</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1110070642</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046059657</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Waters, Keith</subfield><subfield code="d">1958-</subfield><subfield code="0">(DE-588)131560913</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Postbop jazz in the 1960s</subfield><subfield code="b">the compositions of Wayne Shorter, Herbie Hancock, and Chick Corea</subfield><subfield code="c">Keith Waters</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York, NY</subfield><subfield code="b">Oxford University Press</subfield><subfield code="c">2019</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">sti</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Oxford scholarship online</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Also issued in print: 2019. - Includes bibliographical references, discography and index</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Innovations in postbop jazz compositions of the 1960s occurred in several dimensions, including harmony, form, and melody. Postbop jazz composers such as Wayne Shorter, Herbie Hancock, Chick Corea, along with others (Booker Little, Joe Henderson, Woody Shaw) broke with earlier tonal jazz traditions. Their compositions marked a departure from the techniques of jazz standards and original compositions that defined small-group repertory through the 1950s: single-key orientation, schematic 32-bar frameworks (in AABA or ABAC forms), and tonal harmonic progressions. The text develops analytical pathways through a number of compositions, including 'El Gaucho,' 'Penelope,' 'Pinocchio,' 'Face of the Deep' (Shorter); 'King Cobra,' 'Dolphin Dance,' 'Jessica' (Hancock); 'Windows,' 'Inner Space,' 'Song of the Wind' (Corea); as well as 'We Speak' (Little); 'Punjab' (Henderson); and 'Beyond All Limits' (Shaw)</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Shorter, Wayne / Criticism and interpretation</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Hancock, Herbie / 1940- / Criticism and interpretation</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Corea, Chick / Criticism and interpretation</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Hancock, Herbie</subfield><subfield code="d">1940-</subfield><subfield code="0">(DE-588)121542157</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Corea, Chick</subfield><subfield code="d">1941-2021</subfield><subfield code="0">(DE-588)119238489</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Shorter, Wayne</subfield><subfield code="d">1933-2023</subfield><subfield code="0">(DE-588)124938981</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1960-1970</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Jazz / 1961-1970 / History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Jazz / United States / History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Jazz / 1961-1970 / Analysis, appreciation</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Jazz / United States / Analysis, appreciation</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Jazz</subfield><subfield code="0">(DE-588)4028532-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Komposition</subfield><subfield code="g">Musik</subfield><subfield code="0">(DE-588)4133320-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musikalische Analyse</subfield><subfield code="0">(DE-588)4040814-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Shorter, Wayne</subfield><subfield code="d">1933-2023</subfield><subfield code="0">(DE-588)124938981</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Hancock, Herbie</subfield><subfield code="d">1940-</subfield><subfield code="0">(DE-588)121542157</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Corea, Chick</subfield><subfield code="d">1941-2021</subfield><subfield code="0">(DE-588)119238489</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Jazz</subfield><subfield code="0">(DE-588)4028532-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Komposition</subfield><subfield code="g">Musik</subfield><subfield code="0">(DE-588)4133320-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="5"><subfield code="a">Geschichte 1960-1970</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Jazz</subfield><subfield code="0">(DE-588)4028532-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Komposition</subfield><subfield code="g">Musik</subfield><subfield code="0">(DE-588)4133320-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="3"><subfield code="a">Musikalische Analyse</subfield><subfield code="0">(DE-588)4040814-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="4"><subfield code="a">Geschichte 1960-1970</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">978-0-19-060457-8</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1093/oso/9780190604578.001.0001</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-28-OSM</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20191007</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">ZDB-1-UMC</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-031441002</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.65</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09046</subfield><subfield code="g">73</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09046</subfield><subfield code="g">73</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1093/oso/9780190604578.001.0001</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-28-OSM</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| geographic | USA (DE-588)4078704-7 gnd |
| geographic_facet | USA |
| id | DE-604.BV046059657 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T08:34:06Z |
| institution | BVB |
| isbn | 9780190604608 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031441002 |
| oclc_num | 1110070642 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 1 Online-Ressource Illustrationen |
| psigel | ZDB-28-OSM BSB_NED_20191007 ZDB-1-UMC |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Oxford University Press |
| record_format | marc |
| series2 | Oxford scholarship online |
| spelling | Waters, Keith 1958- (DE-588)131560913 aut Postbop jazz in the 1960s the compositions of Wayne Shorter, Herbie Hancock, and Chick Corea Keith Waters New York, NY Oxford University Press 2019 1 Online-Ressource Illustrationen txt rdacontent sti rdacontent c rdamedia cr rdacarrier Oxford scholarship online Also issued in print: 2019. - Includes bibliographical references, discography and index Innovations in postbop jazz compositions of the 1960s occurred in several dimensions, including harmony, form, and melody. Postbop jazz composers such as Wayne Shorter, Herbie Hancock, Chick Corea, along with others (Booker Little, Joe Henderson, Woody Shaw) broke with earlier tonal jazz traditions. Their compositions marked a departure from the techniques of jazz standards and original compositions that defined small-group repertory through the 1950s: single-key orientation, schematic 32-bar frameworks (in AABA or ABAC forms), and tonal harmonic progressions. The text develops analytical pathways through a number of compositions, including 'El Gaucho,' 'Penelope,' 'Pinocchio,' 'Face of the Deep' (Shorter); 'King Cobra,' 'Dolphin Dance,' 'Jessica' (Hancock); 'Windows,' 'Inner Space,' 'Song of the Wind' (Corea); as well as 'We Speak' (Little); 'Punjab' (Henderson); and 'Beyond All Limits' (Shaw) Shorter, Wayne / Criticism and interpretation Hancock, Herbie / 1940- / Criticism and interpretation Corea, Chick / Criticism and interpretation Hancock, Herbie 1940- (DE-588)121542157 gnd rswk-swf Corea, Chick 1941-2021 (DE-588)119238489 gnd rswk-swf Shorter, Wayne 1933-2023 (DE-588)124938981 gnd rswk-swf Geschichte 1960-1970 gnd rswk-swf Jazz / 1961-1970 / History and criticism Jazz / United States / History and criticism Jazz / 1961-1970 / Analysis, appreciation Jazz / United States / Analysis, appreciation Jazz (DE-588)4028532-7 gnd rswk-swf Komposition Musik (DE-588)4133320-2 gnd rswk-swf Musikalische Analyse (DE-588)4040814-0 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Shorter, Wayne 1933-2023 (DE-588)124938981 p Hancock, Herbie 1940- (DE-588)121542157 p Corea, Chick 1941-2021 (DE-588)119238489 p Jazz (DE-588)4028532-7 s Komposition Musik (DE-588)4133320-2 s Geschichte 1960-1970 z DE-604 USA (DE-588)4078704-7 g Musikalische Analyse (DE-588)4040814-0 s Erscheint auch als Druck-Ausgabe 978-0-19-060457-8 https://doi.org/10.1093/oso/9780190604578.001.0001 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Waters, Keith 1958- Postbop jazz in the 1960s the compositions of Wayne Shorter, Herbie Hancock, and Chick Corea Shorter, Wayne / Criticism and interpretation Hancock, Herbie / 1940- / Criticism and interpretation Corea, Chick / Criticism and interpretation Hancock, Herbie 1940- (DE-588)121542157 gnd Corea, Chick 1941-2021 (DE-588)119238489 gnd Shorter, Wayne 1933-2023 (DE-588)124938981 gnd Jazz / 1961-1970 / History and criticism Jazz / United States / History and criticism Jazz / 1961-1970 / Analysis, appreciation Jazz / United States / Analysis, appreciation Jazz (DE-588)4028532-7 gnd Komposition Musik (DE-588)4133320-2 gnd Musikalische Analyse (DE-588)4040814-0 gnd |
| subject_GND | (DE-588)121542157 (DE-588)119238489 (DE-588)124938981 (DE-588)4028532-7 (DE-588)4133320-2 (DE-588)4040814-0 (DE-588)4078704-7 |
| title | Postbop jazz in the 1960s the compositions of Wayne Shorter, Herbie Hancock, and Chick Corea |
| title_auth | Postbop jazz in the 1960s the compositions of Wayne Shorter, Herbie Hancock, and Chick Corea |
| title_exact_search | Postbop jazz in the 1960s the compositions of Wayne Shorter, Herbie Hancock, and Chick Corea |
| title_full | Postbop jazz in the 1960s the compositions of Wayne Shorter, Herbie Hancock, and Chick Corea Keith Waters |
| title_fullStr | Postbop jazz in the 1960s the compositions of Wayne Shorter, Herbie Hancock, and Chick Corea Keith Waters |
| title_full_unstemmed | Postbop jazz in the 1960s the compositions of Wayne Shorter, Herbie Hancock, and Chick Corea Keith Waters |
| title_short | Postbop jazz in the 1960s |
| title_sort | postbop jazz in the 1960s the compositions of wayne shorter herbie hancock and chick corea |
| title_sub | the compositions of Wayne Shorter, Herbie Hancock, and Chick Corea |
| topic | Shorter, Wayne / Criticism and interpretation Hancock, Herbie / 1940- / Criticism and interpretation Corea, Chick / Criticism and interpretation Hancock, Herbie 1940- (DE-588)121542157 gnd Corea, Chick 1941-2021 (DE-588)119238489 gnd Shorter, Wayne 1933-2023 (DE-588)124938981 gnd Jazz / 1961-1970 / History and criticism Jazz / United States / History and criticism Jazz / 1961-1970 / Analysis, appreciation Jazz / United States / Analysis, appreciation Jazz (DE-588)4028532-7 gnd Komposition Musik (DE-588)4133320-2 gnd Musikalische Analyse (DE-588)4040814-0 gnd |
| topic_facet | Shorter, Wayne / Criticism and interpretation Hancock, Herbie / 1940- / Criticism and interpretation Corea, Chick / Criticism and interpretation Hancock, Herbie 1940- Corea, Chick 1941-2021 Shorter, Wayne 1933-2023 Jazz / 1961-1970 / History and criticism Jazz / United States / History and criticism Jazz / 1961-1970 / Analysis, appreciation Jazz / United States / Analysis, appreciation Jazz Komposition Musik Musikalische Analyse USA |
| url | https://doi.org/10.1093/oso/9780190604578.001.0001 |
| work_keys_str_mv | AT waterskeith postbopjazzinthe1960sthecompositionsofwayneshorterherbiehancockandchickcorea |