Beyond Fingal's cave: Ossian in the musical imagination
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Rochester, NY, USA
University of Rochester Press
2019
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| Schriftenreihe: | Eastman studies in music
v. 158 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xx, 401 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9781580469456 |
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Datensatz im Suchindex
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| adam_text | Contents Preface xiii Acknowledgments xvii Note to the Reader xxi 1 Battling Critics, Engaging Composers: Ossian’s Spell 2 On Macphersons Native Heath: Primary Sources 18 3 A Culture without Writing, Settings without a Score, Haydn without Copyright, and Two Oscars on Stage 32 4 “A Musical Piece”: Harriet Wainewrights opera Cornala(1792) 45 5 Between Gluck and Berlioz: Méhuľs Uthal (1806) 57 6 Fingallo e Cómala (1805) and Ardano e Dartula (1825): The Ossianic Operas of Stefano Pavesi Tl From Venice to Lisbon and St. Petersburg: Caito, Ciato, Aganadeca, Gaulo ed Ottona, and Two Fingak 87 7 8 Beethoven’s Ossianic Manner, or Where Scholars Fearto Tread 1 102 ĪV t* H Excursus: Mendelssohn Waives the Rules: “Overture to the Isles of Fingai” (1832) and an “Unfinished” Coda 113 I» !» W 9 The Maiden Bereft: “Colma” from Rust (1780) to Schubert(1816) 10 Scenes lyriques sans frontières: Louis Théodore Gouvy’s Le dernier Hymne dOssian (1858) and Lucien Hillemachers Fingai (1880) 123 146
xii 11 г* CONTENTS Ossian in Symbolic Conflict: Bernhard Hopffer’s Darthulds Grabesgesang (1878), Jules Bordiers Un rêve d’Ossian (1885), and Paul Umlaufts Agandecca (1884) 171 12 The Musical Stages of “Darthula”: From Thomas Linley the Younger (ca. 1776) to Arnold Schoenberg (1903) and Armin Knab ( 1906) 194 13 The Cantata as Drama: Joseph Jongens Cornala (1897), Jørgen Mailing’s Kývala (1902), and Liza Lehmanns Leavesfrom Ossian (1909) 216 14 Symphonic Poem and Orchestral Fantasy: Alexandre Levy’s Cornala (1890) and Charles Villiers Stanford’s Irish Rhapsody No. 2: Lament for the Son of Ossian (1903) 238 15 Neo-Romanticism in Britain and America: John Laurence Seymours “Shilric’s Song” (from Six Ossianic Odes) and Cedric Thorpe Davies Dirge for Cuthullin (both 1936) 257 16 Modernity, Modernism, and Ossian: Erik Chisholm s Night Song of the Barà (1944-51), James MacMillans The Death of Oscar (2013), and Jean Guillou’s Ballade Ossianique, No. 2: Les chants de Selma (1971, rev. 2005) 274 Afterword: The “Half-Viewless Harp”—Secondary Resonances of Ossian 293 Appendix 1 : Title Page and Dedication of Harriet Wainewright’s Comàla 305 Appendix 2: French and German Texts of Louis Théodore Gouvy’s Le dernier Hymne d’Ossian 307 Appendix 3 : Texts of Erik Chisholm s Night Song ofthe Bards 310 Appendix 4: Provisional List of Musical Compositions Based on the Poems of Ossian 313 Notes 323 Selected Bibliography 387 Index 389
eyond Fingaľs Cave: Ossian in the Musical Imagination is the first study in English of musical compositions inspired by the poems published in the 1760s by James Macpherson and attributed to a purported ancient Scottish bard named Ossian. From around 1780 onwards, the poems stimulated poets, artists, and composers in Europe as well as North America to break away from the formality of the Enlightenment. The admiration for Ossian’s poems—shared by Napoleon, Goethe, and Thomas Jefferson—was an important stimulus in the development of Romanticism and the music that was a central part of it. More important still was the view of the German cultural philosopher Johann Gottfried Herder, who saw past the controversy over the poems’ authenticity to the traditional elements in these heroic poems and their mood of lament. James Porter’s long-awaited book traces the traditional sources used by Macpherson for his epoch-making prose poems and examines crucial works by composers such as Beethoven, Schubert, Mendelssohn, Brahms, and Massenet. Many other relatively unknown composers were also moved to write operas, cantatas, songs, and instrumental pieces, some of which have proven to be powerfully evocative and well worth performing and recording. “Beyond Fingaľs Cave: Ossian in the Musical Imagination is destined to become the definitive scholarly handbook on the most influential cultural obsession of Europe and the United States around the turn of the nineteenth century. Sweeping in scope and inclusive of vernacular as well as concert repertoires, Porter’s book situates the cult of
Ossian in a ‘landscape of feeling’ that arose out of the Burkean dichotomy between the sublime and the beautiful, while also interrogating the themes of power and subjugation.” -JOHN MICHAEL COOPER, author of Mendelssohn, Goethe, and the Walpurgis Night JAMES PORTER is professor emeritus, UCLA, and honorary professor, University of Aberdeen.
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| author | Porter, James 1937- |
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| discipline | Musikwissenschaft |
| era | Geschichte gnd |
| era_facet | Geschichte |
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| spelling | Porter, James 1937- Verfasser (DE-588)1056429577 aut Beyond Fingal's cave Ossian in the musical imagination James Porter Rochester, NY, USA University of Rochester Press 2019 xx, 401 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Eastman studies in music v. 158 Ossian Fiktive Gestalt ca. 3. Jh. (DE-588)118747800 gnd rswk-swf Geschichte gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Ossian / active 3rd century Music / 19th century / History and criticism Music / 20th century / History and criticism Romanticism in music Music 1800-1999 Criticism, interpretation, etc Ossian Fiktive Gestalt ca. 3. Jh. (DE-588)118747800 p Rezeption (DE-588)4049716-1 s Musik (DE-588)4040802-4 s Geschichte z DE-604 Eastman studies in music v. 158 (DE-604)BV010127859 158 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031422807&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031422807&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Porter, James 1937- Beyond Fingal's cave Ossian in the musical imagination Eastman studies in music Ossian Fiktive Gestalt ca. 3. Jh. (DE-588)118747800 gnd Musik (DE-588)4040802-4 gnd Rezeption (DE-588)4049716-1 gnd |
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| title | Beyond Fingal's cave Ossian in the musical imagination |
| title_auth | Beyond Fingal's cave Ossian in the musical imagination |
| title_exact_search | Beyond Fingal's cave Ossian in the musical imagination |
| title_full | Beyond Fingal's cave Ossian in the musical imagination James Porter |
| title_fullStr | Beyond Fingal's cave Ossian in the musical imagination James Porter |
| title_full_unstemmed | Beyond Fingal's cave Ossian in the musical imagination James Porter |
| title_short | Beyond Fingal's cave |
| title_sort | beyond fingal s cave ossian in the musical imagination |
| title_sub | Ossian in the musical imagination |
| topic | Ossian Fiktive Gestalt ca. 3. Jh. (DE-588)118747800 gnd Musik (DE-588)4040802-4 gnd Rezeption (DE-588)4049716-1 gnd |
| topic_facet | Ossian Fiktive Gestalt ca. 3. Jh. Musik Rezeption |
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