A history of cinema without names/3: new research paths and methodological glosses : FilmForum/2017 : XXIV Convegno Internazionale di Studi sul Cinema, XXIV International Film Studies Conference, University of Udine
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Tagungsbericht Buch |
| Sprache: | English French |
| Veröffentlicht: |
Milano
Mimesis International
[2018]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | 326 Seiten Illustrationen, 68 gezählte Tafeln |
| ISBN: | 9788869771354 |
Internformat
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Datensatz im Suchindex
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| adam_text | Sommario / Contents New Research Paths and Methodological Glosses Yl Diego Cavallotti, Simone Dotto, Leonardo Quaresima 01. Techniques 23 Introduction: TECHNÈS André Gaudreault, Benoît Turquety, Gilles Mouëllic 25 Dispositifs techniques et techniques spectatorielles : interférences 31 Benoît Turquety Authenticity, Obsolescence and the Analogue Renaissance: Kodak’s “New” Super8 Camera 45 André Habib Pour une anonymisation du mouvement dessiné. Ľémergence et le rôle structurant des intervallistes dans l’industrie 65
américaine du dessin animé, des années 1910 aux années 1940 Jean-Baptiste Massuet 02. Cinematic Gestures 79 Introduction: A History of 81 Cinema as Gesture Barbara Grespi Emotive Repertoires of Passion: Gesture and Emotional Tonalities in film 89 Gonzalo de Lucas, Ivan Pintor Iranzo, Alan Salvadó Gestures of Hands and Cinema Archaeology 111 Barbara Grespi The Gesture of Shooting”: Cinema and the Act of Recording Death 129 Giuseppe Previtali Cinematic Gesture and Bodily Automatism: Motor Tics and Cinematic Technology Lorenzo Rossi 141
Repetition of Gestures, Repetition as Gesture: Rewinding Cinema Through Animated GIFs 155 Tommaso Isabella 03. Histoire de l’Art et Cinéma 169 Đu film en historien d’art. 171 The Draughtsman’s Contract (Peter Greenaway, 1982) Bruno Nassim Aboudrar, Joséphine Jibokji, Jessie Martin, Barbara Le Maître 04. A History of World Cinema Without Names 219 Histoire des cinémas indiens au-delà des noms. Retour sur la séquence musicale et dansée 221 Amandine D’Azevedo, Teresa Faucon 05. Montage, Screens, and History 247 Introduction: Montage, 249 Screens, and History Diego Cavallotti, Simone Dotto, Andrea Mariant
Methods of Montage as Historiographical Agents Trond Lundemo ■ 253 In the Cutting Koom of History Pasi Väliaho 263 Re-descovering Kinematics: Theories, Bodies, and Displays Diego Cavallotti 271 Re-Thinking the Postmodern Through Intermedia: Notes on Italian Artistic Operations that “Perform the Footage Jennifer Malvezzi 289 Screening Radio or Broadcasting Cinema: How to Expose a Nameless Medium Simone Dotto 299 The Cinema Pavillion at Expo ’42 in Rome and the Italian Experimental Cinema. Preliminary Notes Andrea Mariani 317
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| title | A history of cinema without names/3 new research paths and methodological glosses : FilmForum/2017 : XXIV Convegno Internazionale di Studi sul Cinema, XXIV International Film Studies Conference, University of Udine |
| title_auth | A history of cinema without names/3 new research paths and methodological glosses : FilmForum/2017 : XXIV Convegno Internazionale di Studi sul Cinema, XXIV International Film Studies Conference, University of Udine |
| title_exact_search | A history of cinema without names/3 new research paths and methodological glosses : FilmForum/2017 : XXIV Convegno Internazionale di Studi sul Cinema, XXIV International Film Studies Conference, University of Udine |
| title_full | A history of cinema without names/3 new research paths and methodological glosses : FilmForum/2017 : XXIV Convegno Internazionale di Studi sul Cinema, XXIV International Film Studies Conference, University of Udine a cura di/edited by Diego Cavallotti, Simone Dotto, Leonardo Quaresima ; dipartimento di Studi umanistici e del patrimonio culturale Università degli Studi di Udine DAMS/Gorizia |
| title_fullStr | A history of cinema without names/3 new research paths and methodological glosses : FilmForum/2017 : XXIV Convegno Internazionale di Studi sul Cinema, XXIV International Film Studies Conference, University of Udine a cura di/edited by Diego Cavallotti, Simone Dotto, Leonardo Quaresima ; dipartimento di Studi umanistici e del patrimonio culturale Università degli Studi di Udine DAMS/Gorizia |
| title_full_unstemmed | A history of cinema without names/3 new research paths and methodological glosses : FilmForum/2017 : XXIV Convegno Internazionale di Studi sul Cinema, XXIV International Film Studies Conference, University of Udine a cura di/edited by Diego Cavallotti, Simone Dotto, Leonardo Quaresima ; dipartimento di Studi umanistici e del patrimonio culturale Università degli Studi di Udine DAMS/Gorizia |
| title_short | A history of cinema without names/3 |
| title_sort | a history of cinema without names 3 new research paths and methodological glosses filmforum 2017 xxiv convegno internazionale di studi sul cinema xxiv international film studies conference university of udine |
| title_sub | new research paths and methodological glosses : FilmForum/2017 : XXIV Convegno Internazionale di Studi sul Cinema, XXIV International Film Studies Conference, University of Udine |
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| topic_facet | Autorschaft Film Konferenzschrift |
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