Jazz and justice: racism and the political economy of the music
The music we call "jazz" arose in late nineteenth century North America--most likely in New Orleans--based on the musical traditions of Africans, newly freed from slavery. Grounded in the music known as the "blues," which expressed the pain, sufferings, and hopes of Black folk th...
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
Monthly Review Press
[2019]
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | The music we call "jazz" arose in late nineteenth century North America--most likely in New Orleans--based on the musical traditions of Africans, newly freed from slavery. Grounded in the music known as the "blues," which expressed the pain, sufferings, and hopes of Black folk then pulverized by Jim Crow, this new music entered the world via the instruments that had been abandoned by departing military bands after the Civil War. 'Jazz and Justice' examines the economic, social, and political forces that shaped this music into a phenomenal US--and Black American--contribution to global arts and culture. Horne assembles a galvanic story depicting what may have been the era's most virulent economic--and racist--exploitation, as jazz musicians battled organized crime, the Ku Klux Klan, and other variously malignant forces dominating the nightclub scene where jazz became known. Horne pays particular attention to women artists, such as pianist Mary Lou Williams and trombonist Melba Liston, and limns the contributions of musicians with Native American roots |
| Beschreibung: | 456 Seiten |
| ISBN: | 9781583677858 9781583677865 |
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| 520 | 3 | |a The music we call "jazz" arose in late nineteenth century North America--most likely in New Orleans--based on the musical traditions of Africans, newly freed from slavery. Grounded in the music known as the "blues," which expressed the pain, sufferings, and hopes of Black folk then pulverized by Jim Crow, this new music entered the world via the instruments that had been abandoned by departing military bands after the Civil War. 'Jazz and Justice' examines the economic, social, and political forces that shaped this music into a phenomenal US--and Black American--contribution to global arts and culture. Horne assembles a galvanic story depicting what may have been the era's most virulent economic--and racist--exploitation, as jazz musicians battled organized crime, the Ku Klux Klan, and other variously malignant forces dominating the nightclub scene where jazz became known. Horne pays particular attention to women artists, such as pianist Mary Lou Williams and trombonist Melba Liston, and limns the contributions of musicians with Native American roots | |
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Datensatz im Suchindex
| _version_ | 1818323162478149632 |
|---|---|
| adam_text |
Contents Introduction I 7 1. Original Jelly Roll Blues | 30 2. What Did I Do to Be So Black and Blue? | 49 3. One O'clock Jump | 70 4. Hothouse I 95 5. We Speak African! | 121 6. Lullabye of Birdland | 149 7. Haitian Fight Song | 180 8. Kind of Blue I 213 9.1 Wish I Knew How It Would Feel to Be Free | 245 10. Song for Che I 281 11. The Blues and the Abstract Truth | 314 Notes I 340 Index I 434 |
| any_adam_object | 1 |
| author | Horne, Gerald 1949- |
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| spelling | Horne, Gerald 1949- Verfasser (DE-588)130540374 aut Jazz and justice racism and the political economy of the music Gerald Horne New York Monthly Review Press [2019] 456 Seiten txt rdacontent n rdamedia nc rdacarrier The music we call "jazz" arose in late nineteenth century North America--most likely in New Orleans--based on the musical traditions of Africans, newly freed from slavery. Grounded in the music known as the "blues," which expressed the pain, sufferings, and hopes of Black folk then pulverized by Jim Crow, this new music entered the world via the instruments that had been abandoned by departing military bands after the Civil War. 'Jazz and Justice' examines the economic, social, and political forces that shaped this music into a phenomenal US--and Black American--contribution to global arts and culture. Horne assembles a galvanic story depicting what may have been the era's most virulent economic--and racist--exploitation, as jazz musicians battled organized crime, the Ku Klux Klan, and other variously malignant forces dominating the nightclub scene where jazz became known. Horne pays particular attention to women artists, such as pianist Mary Lou Williams and trombonist Melba Liston, and limns the contributions of musicians with Native American roots Jazz / Social aspects / United States / History Jazz / Political aspects / United States / History Music and race / United States / History Jazz musicians / United States / Social conditions Jazz musicians / United States / Economic conditions Rassismus (DE-588)4076527-1 gnd rswk-swf Volkswirtschaft (DE-588)4063885-6 gnd rswk-swf Jazz (DE-588)4028532-7 gnd rswk-swf Ausbeutung (DE-588)4003677-7 gnd rswk-swf Jazzmusiker (DE-588)4028535-2 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Jazzmusiker (DE-588)4028535-2 s Jazz (DE-588)4028532-7 s Rassismus (DE-588)4076527-1 s Ausbeutung (DE-588)4003677-7 s Volkswirtschaft (DE-588)4063885-6 s DE-604 Online version Horne, Gerald, author Jazz and justice New York : Monthly Review Press, 2019 9781583677872 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031411538&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Horne, Gerald 1949- Jazz and justice racism and the political economy of the music Jazz / Social aspects / United States / History Jazz / Political aspects / United States / History Music and race / United States / History Jazz musicians / United States / Social conditions Jazz musicians / United States / Economic conditions Rassismus (DE-588)4076527-1 gnd Volkswirtschaft (DE-588)4063885-6 gnd Jazz (DE-588)4028532-7 gnd Ausbeutung (DE-588)4003677-7 gnd Jazzmusiker (DE-588)4028535-2 gnd |
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| title | Jazz and justice racism and the political economy of the music |
| title_auth | Jazz and justice racism and the political economy of the music |
| title_exact_search | Jazz and justice racism and the political economy of the music |
| title_full | Jazz and justice racism and the political economy of the music Gerald Horne |
| title_fullStr | Jazz and justice racism and the political economy of the music Gerald Horne |
| title_full_unstemmed | Jazz and justice racism and the political economy of the music Gerald Horne |
| title_short | Jazz and justice |
| title_sort | jazz and justice racism and the political economy of the music |
| title_sub | racism and the political economy of the music |
| topic | Jazz / Social aspects / United States / History Jazz / Political aspects / United States / History Music and race / United States / History Jazz musicians / United States / Social conditions Jazz musicians / United States / Economic conditions Rassismus (DE-588)4076527-1 gnd Volkswirtschaft (DE-588)4063885-6 gnd Jazz (DE-588)4028532-7 gnd Ausbeutung (DE-588)4003677-7 gnd Jazzmusiker (DE-588)4028535-2 gnd |
| topic_facet | Jazz / Social aspects / United States / History Jazz / Political aspects / United States / History Music and race / United States / History Jazz musicians / United States / Social conditions Jazz musicians / United States / Economic conditions Rassismus Volkswirtschaft Jazz Ausbeutung Jazzmusiker USA |
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