When the movies mattered: the new Hollywood revisited
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Ithaca and London
Cornell University Press
2019
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | VI, 214 Seiten Illustrationen 23 cm |
| ISBN: | 9781501736100 9781501736094 |
Internformat
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CONTENTS Introduction: The New Hollywood Revisited Jonathan Kirshner and Jon Lewis 1 1. The Mad Housewives of the Neo-Woman’s Film: The Age of Ambivalence Revisited Molly Haskell 18 2. Antonioni’s America: Blow-Up, Zabriskie Point, and the Making of a New Hollywood Jon Lewis 36 3. “Jason’s No Businessman . I Think He’s an Artist”: BBS and the New Hollywood Dream Jonathan Kirshner 51 4. Robert Altman: Documentaries, Dreamscapes, and Dialogic Cinema David Sterritt 69 5. City of Losers, Losing City: Pacino, New York, and the New Hollywood Cinema Heather Hendershot 86 6. The Parallax View: Why Trust Anyone? David Thomson 101
VI CONTENTS 7. Cinematic Tone in Polanski’s Chinatown·. Can “Life” Itself Be “False”? Robert Pippin 115 8. “I Don’t Know What to Do with My Hands”: John Cassavetes’s The Killing ofa Chinese Bookie George Kouvaros 130 9. The Spirit of’76: Travis, Rocky, and Jimmy Carter J. Hoberman 149 Coda : What “Golden Age” ? A Dissenting Opinion Phillip Lopate 164 Appendix: Time Line—the New Hollywood Years 177 Notes on Contributors 189 Notes 191 Index 205
In When the Movies Mattered Jonathan Kirshner and Jon Lewis gather a remark able collection of authors to revisit the unique era in American cinema that was New Hollywood. Ten eminent contributors, some of whom wrote about the New Hollywood movement as it unfolded across the 1960s and 1970s, assess the conver gence of film industry developments and momentous social and political chang es that created a new type of commercial film reflecting those revolutionary influ ences in American life. Even as New Hollywood first took shape, film industry insiders and commenta tors alike realized its significance. At the time, Pauline Kael compared the New Hol lywood to the “tangled, bitter flowering of American letters in the 1850s,” and David Thomson dubbed the era “the decade when movies mattered.” Thomson’s words provide the impetus for this volume in which a cohort of seasoned film critics and scholars who came of age watching the movies of this era reflect on and recon sider this golden age in American filmmaking. JONATHAN KIRSHNER is Professor in the Department of Political Science at Boston College and the author of numerous books, including Hollywood’s Last Golden Age. JON LEWIS is the Distinguished Professor of Film Studies and University Honors Col lege Eminent Professor at Oregon State University and the author of Hard-Boiled Hollywood and several other books on film. Contributors: MOLLY HASKELL, HEATHER HENDERSHOT, J. HOBERMAN. GEORGE KOUVAROS, PHILLIP LOPATE, ROBERT PIPPIN, DAVID STERRITI, DAVID THOMSON. |
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| title | When the movies mattered the new Hollywood revisited |
| title_auth | When the movies mattered the new Hollywood revisited |
| title_exact_search | When the movies mattered the new Hollywood revisited |
| title_full | When the movies mattered the new Hollywood revisited edited by Jonathan Kirshner and Jon Lewis |
| title_fullStr | When the movies mattered the new Hollywood revisited edited by Jonathan Kirshner and Jon Lewis |
| title_full_unstemmed | When the movies mattered the new Hollywood revisited edited by Jonathan Kirshner and Jon Lewis |
| title_short | When the movies mattered |
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