The 'new' documentary nexus: networked/networking in interactive assemblages
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Newcastle upon Tyne, UK
Cambridge Scholars Publishing
2019
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xii, 337 Seiten Illustrationen |
| ISBN: | 9781527533530 1527533530 |
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Datensatz im Suchindex
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| adam_text | Contents List of Illustrations.........................................................................................xi Before getting started—Or: Two disclaimers en route................. 1 Contouring the new documentary nexus Introduction: Ά dip into the new documentary nexus ................... 4 Emerging documentary phenomena: Transformations and modulations of a cultural practice........................................................................................4 Mapping blind spots : State of the arts in theorising emerging documentary phenomena and three interrelated research desiderata.........8 Unfolding the field : Three central research axes................................... 15 Zooming-in and zooming-out : Exploring the documentary nexus through three differently focused lenses.................................................. 17 Theoretical-methodological groundings......................................................21 An aside on dichotomies, terminologies and a first delineation of our matter of concern...........................................................................21 The Lens of the Documentary Approaching emerging interactive documentary configurations I: Towards a relational paradigm of the Documentary ......................................................................................24 Revisiting documentary s special relation to Reality .............................24 The documentaiy triangle.........................................................................27 Modes of representation and the logics of the act of
documentary meaning-making........................................................................................29 Mediating Reality and the documentary truth claim.............................35 The documentary voice, the ethical charge of documentary and transformative potential of documentary configurations............... 40 Summing things up and initiating a change of perspectives: Towards a dynamic, relational paradigm of doing documentary.........43 The lens of new media studies Approaching emerging interactive documentary configurations II: Towards a performative paradigm of the Documentary ......................................................................................45 The old debate on what is new in New Media : Affordances of New /Digital Media............................................................................. 47 The challenge of definition: Approaching and differentiating the Interactive ..........................................................................................51
viii Contents Interactivity and interaction in the narrow sense with a small i ......54 Creative participation............................................................................ 55 Co-creation............................................................................................. 58 Database storytelling? Reflections on narrativity and the database as a cultural form........................................................................................ 60 Doing documentary : From modes of representation to modes of interaction................................................................................................66 Summing things up and returning to the old question about newness: Documenting through interactivity and performative procedurality in interactive documentary........................................................................ 72 The lens of media ecology and performative, relational medialities of documentary assemblages: Approaching interactive documentary networks and worknets Towards a transformative paradigm of documentary....................................................................................................74 Concepts of documentary networks, worknets and networking............ 74 From media to médiatisations: Ecological approaches and network theories in the context of evolving documentary practices....................75 Networks ontologies: On relational medialities, nodes and connections, holes and wholeness ........................................................... 77 Approaching and differentiating agency
in networked|networking documentary assemblages......................................................................... 82 Summing things up: From networks to worknets—and from network theories to networking methodologies......................................................86 Capturing the evasive : On methodological issues when rethinking semio-pragmatics in terms of dynamic media ecologies............................ 88 From three to one: Drawing things together and assembling the three lenses of analysis............................................................................................92 Entering the networked|networking documentary nexus: Three paradigmatic case studies...........................................................96 Some last preliminary reflections before entering the networked I networking nexus.........................................................................96 Public Secrets՛. Participatory database documentary as a hybrid practice of networking fiising art, scholarship and activism................................... 99 Entering Public Secrets ............................................................................ 99 Database documentary and the interface as argument ........................ 105 Pluri-vocality, interwoven layering of voices and the amplification effect .........................................................................................................115 Truth claims in interactive, participatory database documentary: Balancing subjectivity and
objectivity....................................................120
The New Documentary Nexus ix Reframing the Real and managing complexity in interactive documentary assemblages......................................................................124 Authorship in participatory database documentary: From content provision to context provision .............................................................. 129 Networkedļnetworking in Public Secrets: Politics of aesthetics, aesthetics of politics and agency............................................................ 138 Summing things up: Public Secrets as networked audio-visual sedimentation of networking processes.................................................144 Widening the scope: Situating Public Secrets in the documentary nexus........................................................................................................ 151 Korsakow Documentary: Opaque networkedness, algorithmic editing and affective interval in Racing Home...................................................... 164 Entering Racing Home............................................................................ 165 The Korsakow system: Specificities of an unruly database documentary and a revisiting of the concept of narrativity.........................................172 The process of editing in interactive networkedness: Three modes of montage in Korsakow..................................................179 Letting the material breathe : Distributed authorship in Korsakow ... 184 Interactive engagement and user experience: The affective interval in Korsakow
assemblages...................................................................... 191 The multiplied I in interactive first-person documentary and the transformative potential of subjectivity.................................................198 Non-narrative un-closure : A critical assessment of Korsakow as database documentary............................................................................ 204 Summing things up: Racing Home as a paradigm of networking minimalism to achieve networked epistemological-ontological expansion.................................................................................................212 Widening the scope: Situating Racing Home in the documentary nexus........................................................................................................ 215 The Highrise series and different strategies of the Interactive : From interactive networks to co-creative worknets.................................229 Entering the Highrise nexus: Unfolding the spectrum of the Interactive ........................................................................................ 230 The Thousandth Tower and One Millionth Tower: Transprofessional co-creation as interventionist media practices...... 234 Out My Window and Out My Window Participate·. From peer-sourced to crowd-sourced documentary............................ 246 A Short History of the Highrise: Remediating the archive and institutional collaboration...............................................................255 Universe Within: Self-reflexive exploration of
networking|networkedness.................................................................... 264
Contents x Summing things up: The networked Highrise nexus as open space for networking......................................................................................... 271 Widening the scope: Situating the Highrise series in the documentary nexus.................................................................................. 277 Conclusion: Embracing a multi-perspective approach TO EMERGING NETWORKS 1WORKNETS AS COMPLEX NETWORKED|NETWORKING ASSEMBLAGES................................................. 292 Methodological implications: Approaching the emerging field of interactive practices in their networking[networkedness..........................294 Towards a reconceptualisation of notions of authorship: The different networking interactors in documentary networks|worknets.....................297 Towards a reconceptualisation of the Documentary : The networked epistemology and ontology within the emerging documentary nexus... 302 Dimensions of networked|networking documentary and its implications for research and practice..............................................................................306 The New (?) documentary nexus—or: why networked|networking documentary assemblages matter...............................................................310 References.................................................................................................... 314 Index 334
In the last ten years, the field of documentary has been subject to substantial paradigm shifts due to the rise of digital media practices. This publication explores some central questions arising in this context: Who are the different interactors networking within the ‘new’ documentary nexus? How can we conceptualize interactive documentary practices as encounters and dynamic interactions within digital media culture and beyond? How can one methodologically approach this complex networked yet dynamic nexus in its constant flux? Developing a coherent and expandable operational set of methods to describe and analyse paradigmatic cases, this book addresses documentary theorists, (new) media scholars and students of media and communication studies who want to gain a survey of current developments in the field of interactive documentary practices. Anna Wiehl has worked as a Lecturer and Research Assistant at the University of Bayreuth, Germany, and as a Research Fellow with i-docs at the Digital Cultures Research Centre at the University of the West of England. Her research focuses on digital media cultures and documentary practices, storytelling and network theories. She is currently leading a research project on interactive documentary titled “New Documentary Networks and Worknets: Emerging Practices of Participation and CoCreation in Interactive Documentary Ecologies”. Her publications include Mythos Europäische Identität - Supranationale, nationale und regionale Identitäten in deutschen und französischen Fernsehnachrichten (2012).
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| spelling | Wiehl, Anna Verfasser (DE-588)1022098098 aut The 'new' documentary nexus networked/networking in interactive assemblages by Anna Wiehl Newcastle upon Tyne, UK Cambridge Scholars Publishing 2019 xii, 337 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Dokumentarfilm (DE-588)4012653-5 gnd rswk-swf Dokumentarfilm (DE-588)4012653-5 s DE-604 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031410827&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031410827&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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