Cinema changes: incorporations of jazz in the film soundtrack
This volume studies the relationship between jazz and cinema. Cinema is the form of entertainment that can be, above all, identified with the twentieth century. It gradually replaced theatre as a popular form of performed storytelling, and replaced opera too as the new ?multimedia? art form, soon in...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Turnhout
Brepols
2019
|
| Schriftenreihe: | Specvlvm mvsicae
volume 34 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | This volume studies the relationship between jazz and cinema. Cinema is the form of entertainment that can be, above all, identified with the twentieth century. It gradually replaced theatre as a popular form of performed storytelling, and replaced opera too as the new ?multimedia? art form, soon incorporating music as one of cinema?s privileged means to co-tell stories. Speaking of music, jazz was as sensational a twentieth-century novelty as cinema was. The two soon teamed up, and jazz, with its various incarnations and styles, has accompanied the moving images and the cinematic narratives throughout the decades. It was inevitable that these two iconic art/entertainment forms, jazz and cinema, should meet, blend, cooperate, and have a reciprocal influence. While the early film music was mostly symphonic and inspired by the late-romantic nineteenth-century idiom, jazz and Afro-American music - in various form and with diverse and changing racial/social connotations - appeared onscreen even before the landmark film 'The Jazz Singer' (1927), which officially launched the sound era. This collection of essays seeks to study the long-standing relationship between jazz and cinema, from the silent era to the contemporary sound cinema, on an international level. |
| Beschreibung: | Enthält Literaturangaben |
| Beschreibung: | xxvi, 334 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9782503584478 |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents Emile Wennekes - Emilio Audissino Prologue: A Reel Jazz Survey ix Rendition / Reception Emile Wennekes Out of Tune? Jazz, Film and the Diegesis Phillip Johnston Jazzin’ the Silents: Jazz and Improvised Music in Contemporary Scores for Silent Film Luca Stoll Cinema: A Privileged Way of Acquiring Intimacy with Jazz Standards 3 19 33 Marida Rizzuti Play, My Fiddle, Play! Jazz and Klezmer at the End of the 1930s Randall Cherry Ethel Waters and the Search for Racial Redemption 51 67 Jazz and National Cinemas Emilio Audissino The Multiform Identity ofJazz in Hollywood: An Assessment through the John Wilhams Case Study 85 Nicolas Pillai Rhythms of the Everyday: An Alternative History of the British Jazz Film 99
Philippe Gonin Jazz and Cinema: Which Jazz for Which Movies in France from 1945 to the early 1960s? 115 Julio Arce - Celsa Alonso From the Chotis to the Charleston: Jazz in Spanish Films prior to the Civil War 133 Roberto Calabretto Jazz Music in Michelangelo Antonioni’s Films 153 Willem Strank When Jazz Meets German Cinema: A Brief Overview 169 Jason R. FIillebrand A Song Helps Us Live: The Narrative Function ofJazz in the Soviet Musical Film Jolly Fellows 189 Case Studies Francesco Finocchiaro - Leo Izzo The Sound of the Nightmares: On the Jazz Music in Fritz Lang’s Metropolis 203 Ryan Patrick Jones Dignity in the Twilight of Minstrelsy: Race, Nuance, and Aspiration in Duke Ellington’s Symphony in Black: A Rhapsody of Negro Life 219 Adam Biggs The Blues and Dissonance in Michelangelo Antonioni’s Blow-Up 239 Armando Ianniello Umiliani, Trovajoli, and Rota: The Jazz Film Score of Boccaccio ’70 253 Marcel Bouvrie Synergetic Jazz Score: The Narrative of the Relation between the Diegetic and Nondiegetic Music in Whiplash 275
Mervyn Cooke ‘The Same Goddamn Songs the Same Goddamn Way’? Makin’ Whoopee with The Fabulous Baker Boys 291 Abstracts 307 Biographies 315 Index of Names 321
|
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| dewey-ones | 791 - Public performances |
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| discipline | Musikwissenschaft |
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| spelling | Cinema changes incorporations of jazz in the film soundtrack edited by Emile Wennekes and Emilo Audissino Turnhout Brepols 2019 xxvi, 334 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Specvlvm mvsicae volume 34 Enthält Literaturangaben This volume studies the relationship between jazz and cinema. Cinema is the form of entertainment that can be, above all, identified with the twentieth century. It gradually replaced theatre as a popular form of performed storytelling, and replaced opera too as the new ?multimedia? art form, soon incorporating music as one of cinema?s privileged means to co-tell stories. Speaking of music, jazz was as sensational a twentieth-century novelty as cinema was. The two soon teamed up, and jazz, with its various incarnations and styles, has accompanied the moving images and the cinematic narratives throughout the decades. It was inevitable that these two iconic art/entertainment forms, jazz and cinema, should meet, blend, cooperate, and have a reciprocal influence. While the early film music was mostly symphonic and inspired by the late-romantic nineteenth-century idiom, jazz and Afro-American music - in various form and with diverse and changing racial/social connotations - appeared onscreen even before the landmark film 'The Jazz Singer' (1927), which officially launched the sound era. This collection of essays seeks to study the long-standing relationship between jazz and cinema, from the silent era to the contemporary sound cinema, on an international level. Geschichte gnd rswk-swf Jazz (DE-588)4028532-7 gnd rswk-swf Filmmusik (DE-588)4017129-2 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Filmmusik (DE-588)4017129-2 s Jazz (DE-588)4028532-7 s Geschichte z DE-604 Wennekes, Emile 1963- (DE-588)132939347 edt Audissino, Emilio 1981- (DE-588)1060923130 edt Specvlvm mvsicae volume 34 (DE-604)BV011188963 34 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031335547&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Cinema changes incorporations of jazz in the film soundtrack Specvlvm mvsicae Jazz (DE-588)4028532-7 gnd Filmmusik (DE-588)4017129-2 gnd |
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| title | Cinema changes incorporations of jazz in the film soundtrack |
| title_auth | Cinema changes incorporations of jazz in the film soundtrack |
| title_exact_search | Cinema changes incorporations of jazz in the film soundtrack |
| title_full | Cinema changes incorporations of jazz in the film soundtrack edited by Emile Wennekes and Emilo Audissino |
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