Women artists, feminism and the moving image: contexts and practices
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic
2019
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Hier auch später erschienene, unveränderte Nachdrucke |
| Beschreibung: | xxvi, 282 Seiten, 16 ungezählte Seiten Bildtafeln Illustrationen, Portraits |
| ISBN: | 9781784537005 |
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Datensatz im Suchindex
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Contents List of figures ix Contributors xiii Preface xxi Acknowledgements Introduction: Raising voices Lis Rhodes ֊ Certain measures Part One xxiv 1 19 Acknowledgements In conversation: MORE - Pauline Boudry/Renate Lorenz with Irene Reveil 1 29 Elinor Cleghorn - In a tiny realm of her own: Lotte Reiniger’s light work 39 2 Catherine Grant - Returning to Riddles 57 3 So Mayer - ‘Being a together woman is a bitch’: An ‘African American womans film’ genealogy of Julie Dash’s Four Women (1975) 73 4 Lucia Aspesi - Film Esperienza. The work of Marinella Pirelli 87 5 Rachel Garfield ֊ Prescient intersectionality: Women, moving image and identity politics in 1980s Britain Part Two Negotiations and Engagements In conversation: Maria Palacios Cruz interviews Basma Alsharif 6 99 115 Maud Jacquin - Overexposed, like an X-ray’: The politics of corporeal vulnerability in Sandra Lahire’s experimental cinema 127
viii 7 Contents Erika Balsom - 'Look at Mother Nature on the run in the 1970s’: Penelope Spheeris’s I Don’t Know 8 May Adadol Ingawanij - Aesthetics of potentiality: Nguyen Trinh This Essay Films 9 139 151 Sarah Neely and Sarah Smith ֊ The art of maximal ventriloquy: Femininity as labour in the films of Rachel Maclean Part Three 165 Situations and Receptions In conversation: Club des Femmes, Helena Rickett An Interview on International Womens Day 2017 181 10 Catherine Elwes ֊ Strategies of exposure and concealment in moving image art by women; a cross-generational account 197 11 Maeve Connolly ֊ Choreographing womens work: Multitaskers, smartphone users and virtuoso performers 215 12 Maria Walsh ֊ Female solidarity as uncommodified value: Lucy Beech’s Cannibals and Rehana Zamans Some Women, Other Women and all the Bittermen 229 13 Melissa Grönlund ֊ Can we still talk about women artists? 245 Bibliography 257 Index 271
In this groundbreaking book, a range of leading scholars, activists, archivists and artists explore the histories, practices and concerns of women making film and video across the world, from the pioneering German animator Lotte Reiniger, to the influential African-American filmmaker Julie Dash and the provocative Scottish contemporary artist Rachél Maclean. Opening with a foreword from the film theorist Laura Mulvey and a poem by the artist and filmmaker Lis Rhodes, Women Artists, Feminism and the Molting Image traces the legacies of early feminist interventions into the moving image and the ways in which these have been reconfigured in the different context of today. Reflecting and budding upon the practices of recuperation that continue to play a vital role in feminist art practice and research, sixteen essays and conversations discuss topics such as how multiculturalism is linked to experimental and activist film history, the significance of gendered identification in relation to artists’ moving image, the function and nature of the essay film, feminist curatorial practices and much more. This book transports the reader across diverse cultural contexts and geographical contours, addressing complex narratives of subjectivity, representation and labour, while juxtaposing cultures of film, video and visual arts practice often held apart. As the editor, Lucy Reynolds, argues: ‘it is at the point where art, moving image and feminist discourse converge that a rich and dynamic intersection of dialogue and exchange opens up, bringing to attention practices which might fall
outside their separate spheres, and offering fresh perspectives and insights on those already established in its histories and canons'. |
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| spelling | Women artists, feminism and the moving image contexts and practices edited by Lucy Reynolds London ; New York ; Oxford ; New Delhi ; Sydney Bloomsbury Academic 2019 xxvi, 282 Seiten, 16 ungezählte Seiten Bildtafeln Illustrationen, Portraits txt rdacontent n rdamedia nc rdacarrier Hier auch später erschienene, unveränderte Nachdrucke Filmproduzentin (DE-588)4472639-9 gnd rswk-swf Feminismus (DE-588)4222126-2 gnd rswk-swf Filmregisseurin (DE-588)4244485-8 gnd rswk-swf Weibliche Filmschaffende (DE-588)4533200-9 gnd rswk-swf Frauenfilm (DE-588)4125060-6 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Weibliche Filmschaffende (DE-588)4533200-9 s Filmregisseurin (DE-588)4244485-8 s Filmproduzentin (DE-588)4472639-9 s Frauenfilm (DE-588)4125060-6 s Feminismus (DE-588)4222126-2 s DE-604 Reynolds, Lucy (DE-588)1200502833 edt Erscheint auch als Online-Ausgabe, PDF 978-1-3501-1329-9 Erscheint auch als Online-Ausgabe, EPUB 978-1-3501-1328-2 Erscheint auch als Online-Ausgabe, XML 978-1-3501-2429-5 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031332118&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031332118&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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| title | Women artists, feminism and the moving image contexts and practices |
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| title_full | Women artists, feminism and the moving image contexts and practices edited by Lucy Reynolds |
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