A painted ridge: rock art and performance in the Maclear district, Eastern Cape Province, South Africa
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford
Archaeopress Access Archaeology
[2019]
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| Schriftenreihe: | Cambridge monographs in African archaeology
98 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | ix, 147 Seiten Illustrationen |
| ISBN: | 9781789692440 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENTS ABSTRACT...................................................................................................................................................................................... I ACKNOWLEDGEMENTS........................................................................................................................................................... II CONTENTS..................................................................................................................................................................................HI LIST OF FIGURES..................................................................................................................................................................... VI PREFACE................................................................................................................................................................................... VIII CHAPTER 1: A PAINTED RIDGE............................................................................................................................................1 THE PROBLEM WITH ‘SITES’....................................................................................................................................5 AN OVERVIEW OF PREVIOUS MACLEAR DISTRICT ROCK ART RESEARCH........................................... 7 ETHNOGRAPHIC ANALOGY AND SAN PERFORMANCE..................................................................................9 DOCUMENTING THE MR
SITES............................................................................................................................ 10 RECORDING MR ROCK ART....................................................................................................................................10 DIGITAL ENHANCEMENTS.....................................................................................................................................И ENHANCING THE MEL RIDGE............................................................................................................................... 12 FROM OBSERVATIONS TO THEORY.................................................................................................................... 14 CHAPTER 2: PERFORMANCE THEORY...........................................................................................................................15 PERFORMANCE STUDIES AND SOUTH AFRICAN ROCK ART RESEARCH............................................... 15 PERFORMANCE STUDIES........................................................................................................................................ 16 PERFORMANCE.......................................................................................................................................................... 18 RITUAL.......................................................................................................................................................................... 18
PERFORMATIV1TY.................................................................................................................................................... 20 THE ETHNOGRAPHY OF PERFORMANCE..........................................................................................................21 Λ KALULI SÉANCE............................................................................................................................... 21 SAN EXPRESSIVE CULTURE AND PERFORMANCES..................................................................................... 23 FROM THEORY TO ETHNOGRAPHY....................................................................................................................25
CHAPTER 3: DANCING AND PAINTING—A PERFORMATIVE DYAD? 27 TRANCING WITH FRIENDS, DANCING WITH DEATH............................................................................................ 27 INTERACTIONS DURING A TRANCE DANCE............................................................................................................... 32 THE DANCERS AND THE WOMEN WHO CLAP AND SING...................................................................... 32 DANCERS, PARTICIPANTS, AND THE DANCE FIRE..................................................................................33 n|0M SEEKERS AND MASTERS.................................................................................................................... 34 MASTERS AND OTHER MASTERS.................................................................................................................34 DANCERS AND SPIRITS-OF-THE-DEAD.....................................................................................................37 SPECIAL CURING CEREMONIES.......................................................................................................................................... 37 FROM DANCING TO PAINTING............................................................................................................................................38 CHAPTER 4: BEHIND THE SCENES................................................................................................................................................... 40 THE PROCESS BEHIND IMAGE-
MAKING........................................................................................................................ 40 THE FOUR STAGES......................................................................................................................................................................43 ACQUISITION OF IMAGERY........................................................................................................................... 43 MANUFACTURE OF PAIN E............................................................................................................................ 46 MAKING ROCK PAINTINGS ...........................................................................................................................49 USING ROCK PAINTINGS...............................................................................................................................51 FROM RITUAL PROCESS TO INTERACTIVE IMAGES..............................................................................................53 CHAPTER 5: PAINTED AND IMPLIED INTERACTIONS.................................................................................................... 56 INTERACTIONS BETWEEN IMAGE-MAKERS AND THE ROCK FACE............................................................. 56 DEPRESSIONS AND CONTAINMENT............................................................................................................57 Cracks, steps and edges..........................................................................................................................68
IDIOSYNCRATIC USES OF THE ROCK FACE...............................................................................................77 From simple interaction to complex interactions................................................................ 77 INTERACTIONS BETWEEN IMAGE-MAKERS AND IMAGES ON THE ROCK FACE.................................. 81 INTERACTIONS BETWEEN IMAGE-MAKERS AND ANIMALS........................................................................... 87 INTERACTIONS BETWEEN IMAGE-MAKERS AND SPIRITS֊OF֊THE-DEAD............................................ 91 INTERACTIONS BETWEEN THE VIEWERS AND THE IMAGES.........................................................................95 SUMMARY......................................................................................................................................................................................97 IV
CHAPTER 6: SHELTERED PERFORMANCES 99 THE CRITERIA FOR IMAGE-MAKING PERFORMANCES............................................................................... 99 WHO ACTUALLY MADE THE IMAGES?........................................................................................................... 101 THE RITUAL OF IMAGE-MAKING PERFORMANCES....................................................................................103 REALITY, NON-REALITY AND THE SOCIAL CONSTRUCTION OF REALITY........................................105 IMAGE-MAKERS AND FAILURE.........................................................................................................................107 SUMMARY................................................................................................................................................................ 107 CHAPTER 7: COMING TO TERMS WITH DIFFERENCES AND SIMILARITIES............................................. 109 LIMITATIONS.......................................................................................................................................................... 110 INSIGHTS FROM PERFORMANCE THEORY AND FUTURE DIRECTIONS............................................. 110 APPENDICES........................................................................................................................................................................... 112 APPENDIX A: SITE MEASUREMENTS...............................................................................................................113 APPENDIX B: SCHEMATIC
DIAGRAMS........................................................................................................... 114 APPENDIX C: IMAGE COUNTS............................................................................................................................ 123 APPENDIX D: DIGITAL ENHANCEMENT PROCEDURES............................................................................. 125 Procedure 1................................................................................................................................126 Procedure 2..............................................................................................................................................127 REFERENCES........................................................................................................................................................................... 128 v
A Painted Ridge is a book about the San (Bushmen) practice of rock painting. In it, David Witelson explores a suite of spatially close San rock painting sites in the Maclear District of South Africa’s Eastern Cape Province. As a suite, the sites are remarkable because, despite their proximity to each other, they share patterns of similarity and simultaneous difference. They are a microcosm that reflects, in a broad sense, a trend found at other painted sites in South Africa. Rather than attempting to explain these patterns chiefly in terms of chronological breaks or cultural discontinuities, this book seeks to understand patterns of similarity and difference primarily in terms of the performative nature of San image-making. In doing so, the bygone and almost unrecorded practice of San rock art is considered relative to ethnographically welldocumented and observed forms of San expressive culture. The approach in the book draws on concepts and terminology from the discipline of performance studies to characterise the San practice of image-making as well as to coordinate otherwise disparate ideas about that practice. It is a study that aims to explicate the nuances of what David Lewis-Williams called the ‘production and consumption’ of San rock art. David Mendel Witelson is a doctoral candidate with Professor David Pearce at the University of the Witwatersrand’s Rock Art Research Institute. His doctoral research is on hunter-gatherer rock art in the north Eastern Cape Province of South Africa with a focus on the role that image-making plays in establishing spatial connections
and social relations. In addition to rock art, his research interests include the Holocene archaeology of southern Africa, archaeological method and theory, and the intersection of mainstream archaeological and rock art research. He has published previously in the fields of rock art and lithic analysis. David lives in Linden johannesburg. 9781789692440 Archaeopress Access Archaeology www.archaeopress.com
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| discipline | Kunstgeschichte |
| format | Book |
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| indexdate | 2024-07-10T08:31:19Z |
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| isbn | 9781789692440 |
| language | English |
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| spelling | Witelson, David Mendel Verfasser (DE-588)1197148760 aut A painted ridge rock art and performance in the Maclear district, Eastern Cape Province, South Africa David Mendel Witelson Oxford Archaeopress Access Archaeology [2019] © 2019 ix, 147 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Cambridge monographs in African archaeology 98 Felsbild (DE-588)4016718-5 gnd rswk-swf Maclear (DE-588)1199438324 gnd rswk-swf Maclear (DE-588)1199438324 g Felsbild (DE-588)4016718-5 s DE-604 Erscheint auch als Online-Ausgabe, PDF 978-1-78969-245-7 Cambridge monographs in African archaeology 98 (DE-604)BV004858361 98 Digitalisierung UB Bayreuth - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031331935&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Bayreuth - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031331935&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Witelson, David Mendel A painted ridge rock art and performance in the Maclear district, Eastern Cape Province, South Africa Cambridge monographs in African archaeology Felsbild (DE-588)4016718-5 gnd |
| subject_GND | (DE-588)4016718-5 (DE-588)1199438324 |
| title | A painted ridge rock art and performance in the Maclear district, Eastern Cape Province, South Africa |
| title_auth | A painted ridge rock art and performance in the Maclear district, Eastern Cape Province, South Africa |
| title_exact_search | A painted ridge rock art and performance in the Maclear district, Eastern Cape Province, South Africa |
| title_full | A painted ridge rock art and performance in the Maclear district, Eastern Cape Province, South Africa David Mendel Witelson |
| title_fullStr | A painted ridge rock art and performance in the Maclear district, Eastern Cape Province, South Africa David Mendel Witelson |
| title_full_unstemmed | A painted ridge rock art and performance in the Maclear district, Eastern Cape Province, South Africa David Mendel Witelson |
| title_short | A painted ridge |
| title_sort | a painted ridge rock art and performance in the maclear district eastern cape province south africa |
| title_sub | rock art and performance in the Maclear district, Eastern Cape Province, South Africa |
| topic | Felsbild (DE-588)4016718-5 gnd |
| topic_facet | Felsbild Maclear |
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