Consuming Visions: Mass Culture and the Lourdes Shrine
Plastic Madonnas, packaged holy tours, and biblical theme parks can arouse discomfort, laughter, and even revulsion in religious believers and nonbelievers alike. Scholars, too, often see the intermingling of religion and commerce as a corruption of true spirituality. Suzanne K. Kaufman challenges t...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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Ithaca, NY
Cornell University Press
[2018]
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| Schlagworte: | |
| Online-Zugang: | DE-1046 DE-859 DE-860 DE-739 DE-473 DE-1043 DE-858 Volltext |
| Zusammenfassung: | Plastic Madonnas, packaged holy tours, and biblical theme parks can arouse discomfort, laughter, and even revulsion in religious believers and nonbelievers alike. Scholars, too, often see the intermingling of religion and commerce as a corruption of true spirituality. Suzanne K. Kaufman challenges these assumptions in her examination of the Lourdes pilgrimage in late nineteenth-century France.Consuming Visions offers new ways to interpret material forms of worship, female piety, and modern commercial culture. Kaufman argues that the melding of traditional pilgrimage activities with a newly developing mass culture produced fresh expressions of popular faith. For the devout women of humble origins who flocked to the shrine, this intensely exciting commercialized worship offered unprecedented opportunities to connect with the sacred and express their faith in God.New devotional activities at Lourdes transformed the act of pilgrimage: the train became a moving chapel, and popular entertainments such as wax museums offered vivid recreations of visionary events. Using the press and the strategies of a new advertising industry to bring a mass audience to Lourdes, Church authorities remade centuries-old practices of miraculous healing into a modern public spectacle. These innovations made Lourdes one of the most visited holy sites in Catholic Europe.Yet mass pilgrimage also created problems. The development of Lourdes, while making religious practice more democratically accessible, touched off fierce conflicts over the rituals and entertainments provided by the shrine. These conflicts between believers and secularists played out in press scandals across the European continent. By taking the shrine seriously as a site of mass culture, Kaufman not only breaks down the opposition between sacred and profane but also deepens our understanding of commercialized religion as a fundamental feature of modernity itself |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 16. Mai 2019) |
| Beschreibung: | 1 online resource 1 map, 41 halftones |
| ISBN: | 9781501727351 |
| DOI: | 10.7591/9781501727351 |
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| 520 | |a Plastic Madonnas, packaged holy tours, and biblical theme parks can arouse discomfort, laughter, and even revulsion in religious believers and nonbelievers alike. Scholars, too, often see the intermingling of religion and commerce as a corruption of true spirituality. Suzanne K. Kaufman challenges these assumptions in her examination of the Lourdes pilgrimage in late nineteenth-century France.Consuming Visions offers new ways to interpret material forms of worship, female piety, and modern commercial culture. Kaufman argues that the melding of traditional pilgrimage activities with a newly developing mass culture produced fresh expressions of popular faith. For the devout women of humble origins who flocked to the shrine, this intensely exciting commercialized worship offered unprecedented opportunities to connect with the sacred and express their faith in God.New devotional activities at Lourdes transformed the act of pilgrimage: the train became a moving chapel, and popular entertainments such as wax museums offered vivid recreations of visionary events. Using the press and the strategies of a new advertising industry to bring a mass audience to Lourdes, Church authorities remade centuries-old practices of miraculous healing into a modern public spectacle. These innovations made Lourdes one of the most visited holy sites in Catholic Europe.Yet mass pilgrimage also created problems. The development of Lourdes, while making religious practice more democratically accessible, touched off fierce conflicts over the rituals and entertainments provided by the shrine. These conflicts between believers and secularists played out in press scandals across the European continent. By taking the shrine seriously as a site of mass culture, Kaufman not only breaks down the opposition between sacred and profane but also deepens our understanding of commercialized religion as a fundamental feature of modernity itself | ||
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| discipline | Theologie / Religionswissenschaften |
| doi_str_mv | 10.7591/9781501727351 |
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| format | Electronic eBook |
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| spelling | Kaufman, Suzanne K. Verfasser aut Consuming Visions Mass Culture and the Lourdes Shrine Suzanne K. Kaufman Ithaca, NY Cornell University Press [2018] © 2008 1 online resource 1 map, 41 halftones txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 16. Mai 2019) Plastic Madonnas, packaged holy tours, and biblical theme parks can arouse discomfort, laughter, and even revulsion in religious believers and nonbelievers alike. Scholars, too, often see the intermingling of religion and commerce as a corruption of true spirituality. Suzanne K. Kaufman challenges these assumptions in her examination of the Lourdes pilgrimage in late nineteenth-century France.Consuming Visions offers new ways to interpret material forms of worship, female piety, and modern commercial culture. Kaufman argues that the melding of traditional pilgrimage activities with a newly developing mass culture produced fresh expressions of popular faith. For the devout women of humble origins who flocked to the shrine, this intensely exciting commercialized worship offered unprecedented opportunities to connect with the sacred and express their faith in God.New devotional activities at Lourdes transformed the act of pilgrimage: the train became a moving chapel, and popular entertainments such as wax museums offered vivid recreations of visionary events. Using the press and the strategies of a new advertising industry to bring a mass audience to Lourdes, Church authorities remade centuries-old practices of miraculous healing into a modern public spectacle. These innovations made Lourdes one of the most visited holy sites in Catholic Europe.Yet mass pilgrimage also created problems. The development of Lourdes, while making religious practice more democratically accessible, touched off fierce conflicts over the rituals and entertainments provided by the shrine. These conflicts between believers and secularists played out in press scandals across the European continent. By taking the shrine seriously as a site of mass culture, Kaufman not only breaks down the opposition between sacred and profane but also deepens our understanding of commercialized religion as a fundamental feature of modernity itself In English Geschichte 1858-1903 gnd rswk-swf HISTORY / Europe / France bisacsh Christian pilgrims and pilgrimages France Lourdes Christian shrines France Lourdes Popular culture Religious aspects Christianity Popular culture France Lourdes Wallfahrt (DE-588)4064460-1 gnd rswk-swf Volksglaube (DE-588)4063834-0 gnd rswk-swf Kommerzialisierung (DE-588)4127776-4 gnd rswk-swf Lourdes (DE-588)4036398-3 gnd rswk-swf Lourdes (DE-588)4036398-3 g Wallfahrt (DE-588)4064460-1 s Volksglaube (DE-588)4063834-0 s Kommerzialisierung (DE-588)4127776-4 s Geschichte 1858-1903 z 1\p DE-604 https://doi.org/10.7591/9781501727351 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Kaufman, Suzanne K. Consuming Visions Mass Culture and the Lourdes Shrine HISTORY / Europe / France bisacsh Christian pilgrims and pilgrimages France Lourdes Christian shrines France Lourdes Popular culture Religious aspects Christianity Popular culture France Lourdes Wallfahrt (DE-588)4064460-1 gnd Volksglaube (DE-588)4063834-0 gnd Kommerzialisierung (DE-588)4127776-4 gnd |
| subject_GND | (DE-588)4064460-1 (DE-588)4063834-0 (DE-588)4127776-4 (DE-588)4036398-3 |
| title | Consuming Visions Mass Culture and the Lourdes Shrine |
| title_auth | Consuming Visions Mass Culture and the Lourdes Shrine |
| title_exact_search | Consuming Visions Mass Culture and the Lourdes Shrine |
| title_full | Consuming Visions Mass Culture and the Lourdes Shrine Suzanne K. Kaufman |
| title_fullStr | Consuming Visions Mass Culture and the Lourdes Shrine Suzanne K. Kaufman |
| title_full_unstemmed | Consuming Visions Mass Culture and the Lourdes Shrine Suzanne K. Kaufman |
| title_short | Consuming Visions |
| title_sort | consuming visions mass culture and the lourdes shrine |
| title_sub | Mass Culture and the Lourdes Shrine |
| topic | HISTORY / Europe / France bisacsh Christian pilgrims and pilgrimages France Lourdes Christian shrines France Lourdes Popular culture Religious aspects Christianity Popular culture France Lourdes Wallfahrt (DE-588)4064460-1 gnd Volksglaube (DE-588)4063834-0 gnd Kommerzialisierung (DE-588)4127776-4 gnd |
| topic_facet | HISTORY / Europe / France Christian pilgrims and pilgrimages France Lourdes Christian shrines France Lourdes Popular culture Religious aspects Christianity Popular culture France Lourdes Wallfahrt Volksglaube Kommerzialisierung Lourdes |
| url | https://doi.org/10.7591/9781501727351 |
| work_keys_str_mv | AT kaufmansuzannek consumingvisionsmasscultureandthelourdesshrine |