Visions of enchantment: occultism, magic and visual culture : select papers from the University of Cambridge Conference
Since Antiquity, the idea of the artist as a magician, trickster and powerful creator of new realities has established itself as a fertile idea in the discussion of image-making. The conjuring of illusions, the inherent link between the material and the spiritual and the wish to make the invisible v...
Gespeichert in:
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| Weitere Verfasser: | , , |
| Format: | Tagungsbericht Buch |
| Sprache: | English |
| Veröffentlicht: |
Lopen, England
Fulgur Press
2019
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Since Antiquity, the idea of the artist as a magician, trickster and powerful creator of new realities has established itself as a fertile idea in the discussion of image-making. The conjuring of illusions, the inherent link between the material and the spiritual and the wish to make the invisible visible are all part of this wider discourse. Visions of Enchantment looks at the fascinating intersections between esotericism and visual culture through a decidedly cross-cultural lens, with topics ranging from talismanic magic and the Renaissance exploration of alchemy, through to the role of magic in modern art and 20th century experimental film.00The essays offered in 'Visions of Enchantment: Occultism, Magic and Visual Culture' have been selected from papers presented at a major international conference at the University of Cambridge in 2014. It includes work by some of the leading scholars in Western Esotericism including Antoine Faivre, M.E. Warlick and Deanna Petherbridge. It attests to the vibrant role that magic and the occult play in cutting-edge research across a wide variety of the arts and humanities today |
| Beschreibung: | xix, 185 Seiten Illustrationen 33 cm |
| ISBN: | 9781527228825 1527228827 |
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| 505 | 8 | |a Preface -- Introduction: The magic of art -- 'Go wherever you wish, for verily you are well protected': Seal designs in late Ottoman amulet scrolls and prayer books -- Protection against evil in Byzantium: Magical amulets and their survival from the early to the late Byzantine period -- Fascinated by fascination: Female privacy and the Leipzig 'love magic' panel -- Leaking, shrieking and venomous bodies: European witch imagery in the sixteenth century -- Visual art in Christian theosophy: Engravings in Jacob Böhme's Works (1682) and in the eighteenth century -- Mercury, Venus and alchemy in Rudolfian Prague: Batholomaeus Spranger's variations on Correggio's Education of Eros -- The alchemical androgyne: The rewards and pitfalls of a feminist approach -- The magician, the mermaid and the ouroboros: Franz von Stuck and the iconography of alchemy -- The devil's livery: The role of nudity in the depiction of witchcraft, wicca and Satanism -- A witch in search of myth: Enchanted visions of female transgression and empowerment in the oeuvre of Leonora Carrington -- The wedding of light and matter: Alchemy and magic in the films of Derek Jarman -- Contributors | |
| 520 | 3 | |a Since Antiquity, the idea of the artist as a magician, trickster and powerful creator of new realities has established itself as a fertile idea in the discussion of image-making. The conjuring of illusions, the inherent link between the material and the spiritual and the wish to make the invisible visible are all part of this wider discourse. Visions of Enchantment looks at the fascinating intersections between esotericism and visual culture through a decidedly cross-cultural lens, with topics ranging from talismanic magic and the Renaissance exploration of alchemy, through to the role of magic in modern art and 20th century experimental film.00The essays offered in 'Visions of Enchantment: Occultism, Magic and Visual Culture' have been selected from papers presented at a major international conference at the University of Cambridge in 2014. It includes work by some of the leading scholars in Western Esotericism including Antoine Faivre, M.E. Warlick and Deanna Petherbridge. It attests to the vibrant role that magic and the occult play in cutting-edge research across a wide variety of the arts and humanities today | |
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Datensatz im Suchindex
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| adam_text | CONTENTS
DANIEL ZAMANI AND JUDITH NOBLE
PREFACE, VIII
JUDITH NOBLE, DANIEL ZAMANI AND GRAZINA SUBELYTE
INTRODUCTION: THE MAGIC OF ART, X
1
CHRISTIANE GRUBER
GO WHEREVER YOU WISH, FOR VERILY YOU ARE WELL PROTECTED : SEAL DESIGNS
IN LATE OTTOMAN
AMULET SCROLLS AND PRAYER BOOKS, 2
ANTJE BOSSELMANN-RUICKBIE
PROTECTION AGAINST EVIL IN BYZANTIUM: MAGICAL AMULETS AND THEIR SURVIVAL
FROM THE
EARLY TO THE LATE BYZANTINE PERIOD, 16
I D. LYLE DECHANT
FASCINATED BY FASCINATION: FEMALE PRIVACY AND THE LEIPZIG LOVE MAGIC
PANEL, 38
!V DEANNA PETHERBRIDGE
LEAKING, SHRIEKING AND VENOMOUS BODIES: EUROPEAN WITCH IMAGERY IN THE
SIXTEENTH CENTURY, 50
V
ANTOINE FAIVRE
VISUAL ART IN CHRISTIAN THEOSOPHY: ENGRAVINGS IN JAKOB BOHME S WORKS
(1682) AND
IN THE EIGHTEENTH CENTURY, 68
Y
I NIKOLA PIPERKOV
MERCURY, VENUS AND ALCHEMY IN RUDOLFIAN PRAGUE: BARTHOLOMAEUS SPRANGER S
VARIATIONS
ON CORREGGIO S EDUCATION OF EROS, 82
V
M. E. WARLICK
THE ALCHEMICAL ANDROGYNE: THE REWARDS AND PITFALLS OF A FEMINIST
APPROACH, 98
V
I NATHAN J. TIMPANO
THE MAGICIAN, THE MERMAID AND THE OUROBOROS: FRANZ VON STUCK AND THE
ICONOGRAPHY
OF ALCHEMY, 118
IX
LEO RUICKBIE
THE DEVIL S LIVERY: THE ROLE OF NUDITY IN THE DEPICTION OF WITCHCRAFT,
WICCA AND SATANISM, 138
X
VICTORIA FERENTINOU
A WITCH IN SEARCH OF MYTH: ENCHANTED VISIONS OF FEMALE TRANSGRESSION AND
EMPOWERMENT
IN THE OEUVRE OF LEONORA CARRINGTON, 152
XI
.. JUDITH NOBLE
THE WEDDING OF LIGHT AND MATTER: ALCHEMY AND MAGIC IN THE FILMS OF DEREK
JARMAN, 168
CONTRIBUTORS, 182
|
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| author2 | Zamani, Daniel 1986- Noble, Judith 19XX- Cox, Merlin |
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| author_facet | Zamani, Daniel 1986- Noble, Judith 19XX- Cox, Merlin Visions of Enchantment (Veranstaltung) Cambridge |
| author_sort | Visions of Enchantment (Veranstaltung) Cambridge |
| building | Verbundindex |
| bvnumber | BV045944412 |
| contents | Preface -- Introduction: The magic of art -- 'Go wherever you wish, for verily you are well protected': Seal designs in late Ottoman amulet scrolls and prayer books -- Protection against evil in Byzantium: Magical amulets and their survival from the early to the late Byzantine period -- Fascinated by fascination: Female privacy and the Leipzig 'love magic' panel -- Leaking, shrieking and venomous bodies: European witch imagery in the sixteenth century -- Visual art in Christian theosophy: Engravings in Jacob Böhme's Works (1682) and in the eighteenth century -- Mercury, Venus and alchemy in Rudolfian Prague: Batholomaeus Spranger's variations on Correggio's Education of Eros -- The alchemical androgyne: The rewards and pitfalls of a feminist approach -- The magician, the mermaid and the ouroboros: Franz von Stuck and the iconography of alchemy -- The devil's livery: The role of nudity in the depiction of witchcraft, wicca and Satanism -- A witch in search of myth: Enchanted visions of female transgression and empowerment in the oeuvre of Leonora Carrington -- The wedding of light and matter: Alchemy and magic in the films of Derek Jarman -- Contributors |
| ctrlnum | (OCoLC)1111868308 (DE-599)BVBBV045944412 |
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| spelling | Visions of Enchantment (Veranstaltung) 2014 Cambridge Verfasser (DE-588)1196630763 aut Visions of enchantment occultism, magic and visual culture : select papers from the University of Cambridge Conference edited by Daniel Zamani, Judith Noble and Merlin Cox Lopen, England Fulgur Press 2019 xix, 185 Seiten Illustrationen 33 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier Preface -- Introduction: The magic of art -- 'Go wherever you wish, for verily you are well protected': Seal designs in late Ottoman amulet scrolls and prayer books -- Protection against evil in Byzantium: Magical amulets and their survival from the early to the late Byzantine period -- Fascinated by fascination: Female privacy and the Leipzig 'love magic' panel -- Leaking, shrieking and venomous bodies: European witch imagery in the sixteenth century -- Visual art in Christian theosophy: Engravings in Jacob Böhme's Works (1682) and in the eighteenth century -- Mercury, Venus and alchemy in Rudolfian Prague: Batholomaeus Spranger's variations on Correggio's Education of Eros -- The alchemical androgyne: The rewards and pitfalls of a feminist approach -- The magician, the mermaid and the ouroboros: Franz von Stuck and the iconography of alchemy -- The devil's livery: The role of nudity in the depiction of witchcraft, wicca and Satanism -- A witch in search of myth: Enchanted visions of female transgression and empowerment in the oeuvre of Leonora Carrington -- The wedding of light and matter: Alchemy and magic in the films of Derek Jarman -- Contributors Since Antiquity, the idea of the artist as a magician, trickster and powerful creator of new realities has established itself as a fertile idea in the discussion of image-making. The conjuring of illusions, the inherent link between the material and the spiritual and the wish to make the invisible visible are all part of this wider discourse. Visions of Enchantment looks at the fascinating intersections between esotericism and visual culture through a decidedly cross-cultural lens, with topics ranging from talismanic magic and the Renaissance exploration of alchemy, through to the role of magic in modern art and 20th century experimental film.00The essays offered in 'Visions of Enchantment: Occultism, Magic and Visual Culture' have been selected from papers presented at a major international conference at the University of Cambridge in 2014. It includes work by some of the leading scholars in Western Esotericism including Antoine Faivre, M.E. Warlick and Deanna Petherbridge. It attests to the vibrant role that magic and the occult play in cutting-edge research across a wide variety of the arts and humanities today Geschichte gnd rswk-swf Okkultismus Motiv (DE-588)4172535-9 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Magie Motiv (DE-588)4221252-2 gnd rswk-swf Art and mythology Occultism in art Art and mythology / Congresses Occultism in art / Congresses Conference papers and proceedings (DE-588)1071861417 Konferenzschrift 2014 Cambridge gnd-content Kunst (DE-588)4114333-4 s Okkultismus Motiv (DE-588)4172535-9 s Magie Motiv (DE-588)4221252-2 s Geschichte z DE-604 Zamani, Daniel 1986- (DE-588)1037042565 edt Noble, Judith 19XX- (DE-588)1056346345 edt Cox, Merlin edt SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031326604&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Visions of enchantment occultism, magic and visual culture : select papers from the University of Cambridge Conference Preface -- Introduction: The magic of art -- 'Go wherever you wish, for verily you are well protected': Seal designs in late Ottoman amulet scrolls and prayer books -- Protection against evil in Byzantium: Magical amulets and their survival from the early to the late Byzantine period -- Fascinated by fascination: Female privacy and the Leipzig 'love magic' panel -- Leaking, shrieking and venomous bodies: European witch imagery in the sixteenth century -- Visual art in Christian theosophy: Engravings in Jacob Böhme's Works (1682) and in the eighteenth century -- Mercury, Venus and alchemy in Rudolfian Prague: Batholomaeus Spranger's variations on Correggio's Education of Eros -- The alchemical androgyne: The rewards and pitfalls of a feminist approach -- The magician, the mermaid and the ouroboros: Franz von Stuck and the iconography of alchemy -- The devil's livery: The role of nudity in the depiction of witchcraft, wicca and Satanism -- A witch in search of myth: Enchanted visions of female transgression and empowerment in the oeuvre of Leonora Carrington -- The wedding of light and matter: Alchemy and magic in the films of Derek Jarman -- Contributors Okkultismus Motiv (DE-588)4172535-9 gnd Kunst (DE-588)4114333-4 gnd Magie Motiv (DE-588)4221252-2 gnd |
| subject_GND | (DE-588)4172535-9 (DE-588)4114333-4 (DE-588)4221252-2 (DE-588)1071861417 |
| title | Visions of enchantment occultism, magic and visual culture : select papers from the University of Cambridge Conference |
| title_auth | Visions of enchantment occultism, magic and visual culture : select papers from the University of Cambridge Conference |
| title_exact_search | Visions of enchantment occultism, magic and visual culture : select papers from the University of Cambridge Conference |
| title_full | Visions of enchantment occultism, magic and visual culture : select papers from the University of Cambridge Conference edited by Daniel Zamani, Judith Noble and Merlin Cox |
| title_fullStr | Visions of enchantment occultism, magic and visual culture : select papers from the University of Cambridge Conference edited by Daniel Zamani, Judith Noble and Merlin Cox |
| title_full_unstemmed | Visions of enchantment occultism, magic and visual culture : select papers from the University of Cambridge Conference edited by Daniel Zamani, Judith Noble and Merlin Cox |
| title_short | Visions of enchantment |
| title_sort | visions of enchantment occultism magic and visual culture select papers from the university of cambridge conference |
| title_sub | occultism, magic and visual culture : select papers from the University of Cambridge Conference |
| topic | Okkultismus Motiv (DE-588)4172535-9 gnd Kunst (DE-588)4114333-4 gnd Magie Motiv (DE-588)4221252-2 gnd |
| topic_facet | Okkultismus Motiv Kunst Magie Motiv Konferenzschrift 2014 Cambridge |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031326604&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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