Trial films on trial: law, justice, and popular culture
Gespeichert in:
Weitere Verfasser: | , , |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Tuscaloosa
The University of Alabama Press
[2019]
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Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Klappentext |
Beschreibung: | ix, 227 Seiten |
ISBN: | 9780817359294 |
Internformat
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Contents Acknowledgments ix Introduction: The Pleasures and Possibilities of Trial Films Austin Sarat, Jessica Silbey, and Martha Merrill Umphrey i 1. Law and the Order of Popular Culture CarolJ. Clover 17 2. Knowing It When We See It: Realism and Melodrama in American Film Since The Birth ofa Nation Tiñen Marie Sassoubre 39 3. Reasonable Doubts, Unspoken Fears: Reassessing the Trial Film’s “Heroic Age” Barry Langford 81 4. Disorder in Court: Representations of Resistance to Law in Trial Film Dramas Norman W. Spaulding in 5. “I Am Here. I Was There.”: Haunted Testimony in The Memory ofJustice and The Specialist Katie Model 140 6. The Appearance of Truth: Juridical Reception and Photographic Evidence in Standard Operating Procedure Jennifer Petersen 177 Works Cited 203 Contributors 217 Index 219
A collection of wide-ranging critical essays that examine how the judicial system is represented on screen Trial Films on Trial: Law, Justice, and Popular Culture is the first book to focus exclusively on the special significance of trial films for both film and legal studies. The contributors to this volume offer a contemporary approach to the trial film genre. Despite the fact that the medium of film is one of the most pervasive means by which many citizens come to know the justice system, trial films are rarely analyzed and critiqued. The chap ters cover a variety of topics, such as how and why film audiences adopt the role of the jury, the narrative and visual conventions employed by directors, and the ways mid- to late twentieth-century trial films offer insights into the events of that period. "TrialFilms on Trial successfully brings together distinguished and emerg ing scholars to engage important questions about law’s representation in film and, fascinatingly, film’s law-like logic.” ֊֊Daniel LaChance, author of Executing Freedom: The Cultural Life of Capi tal Punishment in the United States Austin Sarat is author, editor, coauthor, or coeditor of more than ninety books, including Imagining Legality: Where Law Meets Popular Culture: Gruesome Spectacles: Botched Executions and America’s Death Penalty, and Something to Believe In: Politics, Professionalism, and Cause Lawyering. Jessica Silbey is author of The Eureka Myth: Creators, Innovators, and Everyday Intellectual Property and coeditor of Law and Justice on the Small Screen. Martha Merrill I mphrcy has
coedited more than a dozen books, including Beimagining “To Kill a Mockingbird”: Family, Community, and the Possibility of Equal Justice under Law. |
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spellingShingle | Trial films on trial law, justice, and popular culture Gerichtsfilm (DE-588)4592717-0 gnd Film (DE-588)4017102-4 gnd Gerichtsverhandlung Motiv (DE-588)4487810-2 gnd |
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title | Trial films on trial law, justice, and popular culture |
title_auth | Trial films on trial law, justice, and popular culture |
title_exact_search | Trial films on trial law, justice, and popular culture |
title_full | Trial films on trial law, justice, and popular culture edited by Austin Sarat, Jessica Silbey, and Martha Merrill Umphrey |
title_fullStr | Trial films on trial law, justice, and popular culture edited by Austin Sarat, Jessica Silbey, and Martha Merrill Umphrey |
title_full_unstemmed | Trial films on trial law, justice, and popular culture edited by Austin Sarat, Jessica Silbey, and Martha Merrill Umphrey |
title_short | Trial films on trial |
title_sort | trial films on trial law justice and popular culture |
title_sub | law, justice, and popular culture |
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topic_facet | Gerichtsfilm Film Gerichtsverhandlung Motiv Aufsatzsammlung |
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