Music, myth and story in medieval and early modern culture:
"Myths and stories offer a window onto medieval and early modern musical culture. Far from merely offering material for musical settings, authoritative tales from classical mythology, ancient history and the Bible were treated as foundations for musical knowledge. Such myths were cited in suppo...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Woodbridge, Suffolk, UK
The Boydell Press
2019
|
| Schriftenreihe: | Studies in medieval and Renaissance music
19 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Myths and stories offer a window onto medieval and early modern musical culture. Far from merely offering material for musical settings, authoritative tales from classical mythology, ancient history and the Bible were treated as foundations for musical knowledge. Such myths were cited in support of arguments about the uses, effects, morality and preferred styles of music in sources as diverse as theoretical treatises, defences or critiques of music, art, sermons, educational literature and books of moral conduct. Newly written literary stories too were believed capable of moral instruction and influence, and were a medium through which ideas about music could be both explored and transmitted. How authors interpreted and weaved together these traditional stories, or created their own, reveals much about changing attitudes across the period Looking beyond the well-known figure of Orpheus, this collection explores the myriad stories that shaped not only musical thought, but also its styles, techniques and practices. The essays show that music itself performed and created knowledge in ways parallel to myth, and worked in tandem with old and new tales to construct social, political and philosophical views. This relationship was not static, however; as the Enlightenment dawned, the once authoritative gods became comic characters and myth became a medium for ridicule. Overall, the book provides a foundation for exploring myth and story throughout medieval and early modern culture, and facilitating further study into the Enlightenment and beyond."-- Page [4] of cover |
| Beschreibung: | xiii, 318 Seiten, 8 Seiten Tafeln Illustrationen, Notenbeispiele |
| ISBN: | 9781783273713 |
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| 490 | 1 | |a Studies in medieval and Renaissance music |v 19 | |
| 505 | 8 | |a Music and the myth of Apollo's grove / John MacInnis -- The consolation of philosophy and the "gentle" remedy of music / Férdia J. Stone-Davis -- And in England, there are singers : grafting oneself into the origins of music / Elina G. Hamilton -- The harmonious blacksmith, lady music and Minerva : the iconography of secular song in the late Middle Ages / Jason Stoessel -- Foolish Midas : representing musical judgement and moral judgement in Italy c. 1520 / Tim Shephard and Patrick McMahon -- Marsilio Ficino and Girolamo Cardano under Orpheus's spell / Jacomien Prins -- Origin myths, genealogies and inventors : defining the nature of music in early modern England / Katherine Butler -- How to sing like angles : Isaiah, Ignatius of Antioch and Protestant worship in England / Jamie Apgar -- In pursuit of echo : sound, space and the history of the self / Ljubica Ilic -- Ophelia's mad songs and performing story in early modern England / Samantha Bassler -- Dangerous beauty : stories of singing women in early modern Italy / Sigrid Harris -- "Fantastic spirits" : myth and satire in the ayres of Thomas Weelkes / Katie Bank -- Feeling fallen : a re-telling of the biblical myth of the fall in a musical adaptation of Marvell's "A dialogue between Thyrsis and Dorinda" / Aurora Faye Martinez -- "Armida's picture we from Tasso drew"? : the Rinaldo and Armida story in late seventeenth- and early eighteenth-century English operatic entertainments / Amanda Eubanks Winkler -- Translating myth through tunes : Ebenezer Forrest's ballad opera adaptation of Louis Fuzelier's Momus Fabuliste (1719-29) / Erica Levenson | |
| 520 | 3 | |a "Myths and stories offer a window onto medieval and early modern musical culture. Far from merely offering material for musical settings, authoritative tales from classical mythology, ancient history and the Bible were treated as foundations for musical knowledge. Such myths were cited in support of arguments about the uses, effects, morality and preferred styles of music in sources as diverse as theoretical treatises, defences or critiques of music, art, sermons, educational literature and books of moral conduct. Newly written literary stories too were believed capable of moral instruction and influence, and were a medium through which ideas about music could be both explored and transmitted. How authors interpreted and weaved together these traditional stories, or created their own, reveals much about changing attitudes across the period | |
| 520 | 3 | |a Looking beyond the well-known figure of Orpheus, this collection explores the myriad stories that shaped not only musical thought, but also its styles, techniques and practices. The essays show that music itself performed and created knowledge in ways parallel to myth, and worked in tandem with old and new tales to construct social, political and philosophical views. This relationship was not static, however; as the Enlightenment dawned, the once authoritative gods became comic characters and myth became a medium for ridicule. Overall, the book provides a foundation for exploring myth and story throughout medieval and early modern culture, and facilitating further study into the Enlightenment and beyond."-- Page [4] of cover | |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents List of Illustrations List of Contributors Editors’ Note Introduction vii x xiv i Katherine Butler and Samantha Bassier I 1 MYTH IN MEDIEVAL MUSIC THEORY AND PHILOSOPHY Music and the Myth of Apollo’s Grove 17 John Maclnnis 2 The Consolation of Philosophy and the ‘Gentle’ Remedy of Music 32 Férdia J. Stone-Davis 3 And in England, There are Singers: Grafting Oneself into the Origins of Music 46 Elina G. Hamilton II 4 ICONOLOGIES OF MUSIC AND MYTH The Harmonious Blacksmith, Lady Music and Minerva: The Iconography of Secular Song in the Late Middle Ages 63 Jason Stoessel 5 Foolish Midas : Representing Musical Judgement and Moral Judgement in Italy c.1520 87 Tim Shephard and Patrick McMahon III MYTHS IN RENAISSANCE PHILOSOPHIES OF MUSIC 6 Marsilio Ficino and Girolamo Cardano under Orpheus’s Spell 107 Jacomien Prins 7 Origin Myths, Genealogies and Inventors: Defining the Nature of Music in Early Modern England Katherine Butler 124
Contents VI IV 8 9 How to Sing like Angels : Isaiah, Ignatius ofAntioch and Protestant Worship in England Jamie Apgar In Pursuit of Echo: Sound, Space and the History of the Self Ljubica Ліс V 10 11 13 141 156 NARRATIVES OE PEREORMANCE Opheha’s Mad Songs and Performing Story in Early Modern England Samantha Bassier 169 Dangerous Beauty: Stories of Singing Women in Early Modem Italy Sigrid Harris 187 VI 12 MYTH AND MUSICAL PRACTICE MYTH AND MUSIC AS FORMS OF KNOWLEDGE ‘Fantastic Spirits’: Myth and Satire in the Ayres of Thomas Weelkes Katie Bank Feeling Fallen: A Re-telling of the Biblical Myth of the Fall in a Musical Adaptation of Marvell’s A Dialogue between Thyrsis and Dorinda’ Aurora Faye Martinez VII 207 224 RE-IMAGINING MYTHS AND STORIES FOR THE STAGE 14 ‘Armida’s Picture we from Tasso Drew’?: The Rinaldo and Armida Story in Late Seventeenth- and Early Eighteenth-Century English Operatic Entertainments 241 Amanda Eubanks Winkler 15 Translating Myth Through Tunes: Ebenezer Forrest’s Ballad Opera Adaptation of Louis Fuzelier’s Momus Fabuliste (1719-29) 259 Erica Levenson Bibliography Index 277 305
|
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| author2 | Butler, Katherine Bassler, Samantha ca. 20./21. Jh |
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| contents | Music and the myth of Apollo's grove / John MacInnis -- The consolation of philosophy and the "gentle" remedy of music / Férdia J. Stone-Davis -- And in England, there are singers : grafting oneself into the origins of music / Elina G. Hamilton -- The harmonious blacksmith, lady music and Minerva : the iconography of secular song in the late Middle Ages / Jason Stoessel -- Foolish Midas : representing musical judgement and moral judgement in Italy c. 1520 / Tim Shephard and Patrick McMahon -- Marsilio Ficino and Girolamo Cardano under Orpheus's spell / Jacomien Prins -- Origin myths, genealogies and inventors : defining the nature of music in early modern England / Katherine Butler -- How to sing like angles : Isaiah, Ignatius of Antioch and Protestant worship in England / Jamie Apgar -- In pursuit of echo : sound, space and the history of the self / Ljubica Ilic -- Ophelia's mad songs and performing story in early modern England / Samantha Bassler -- Dangerous beauty : stories of singing women in early modern Italy / Sigrid Harris -- "Fantastic spirits" : myth and satire in the ayres of Thomas Weelkes / Katie Bank -- Feeling fallen : a re-telling of the biblical myth of the fall in a musical adaptation of Marvell's "A dialogue between Thyrsis and Dorinda" / Aurora Faye Martinez -- "Armida's picture we from Tasso drew"? : the Rinaldo and Armida story in late seventeenth- and early eighteenth-century English operatic entertainments / Amanda Eubanks Winkler -- Translating myth through tunes : Ebenezer Forrest's ballad opera adaptation of Louis Fuzelier's Momus Fabuliste (1719-29) / Erica Levenson |
| ctrlnum | (OCoLC)1104223655 (DE-599)BVBBV045942113 |
| discipline | Musikwissenschaft |
| era | Geschichte 800-1750 gnd |
| era_facet | Geschichte 800-1750 |
| format | Book |
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| illustrated | Illustrated |
| indexdate | 2024-07-10T08:31:05Z |
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| isbn | 9781783273713 |
| language | English |
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| physical | xiii, 318 Seiten, 8 Seiten Tafeln Illustrationen, Notenbeispiele |
| psigel | BSB_NED_20190715 |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | The Boydell Press |
| record_format | marc |
| series | Studies in medieval and Renaissance music |
| series2 | Studies in medieval and Renaissance music |
| spelling | Music, myth and story in medieval and early modern culture edited by Katherine Butler and Samantha Bassler Woodbridge, Suffolk, UK The Boydell Press 2019 xiii, 318 Seiten, 8 Seiten Tafeln Illustrationen, Notenbeispiele txt rdacontent sti rdacontent n rdamedia nc rdacarrier Studies in medieval and Renaissance music 19 Music and the myth of Apollo's grove / John MacInnis -- The consolation of philosophy and the "gentle" remedy of music / Férdia J. Stone-Davis -- And in England, there are singers : grafting oneself into the origins of music / Elina G. Hamilton -- The harmonious blacksmith, lady music and Minerva : the iconography of secular song in the late Middle Ages / Jason Stoessel -- Foolish Midas : representing musical judgement and moral judgement in Italy c. 1520 / Tim Shephard and Patrick McMahon -- Marsilio Ficino and Girolamo Cardano under Orpheus's spell / Jacomien Prins -- Origin myths, genealogies and inventors : defining the nature of music in early modern England / Katherine Butler -- How to sing like angles : Isaiah, Ignatius of Antioch and Protestant worship in England / Jamie Apgar -- In pursuit of echo : sound, space and the history of the self / Ljubica Ilic -- Ophelia's mad songs and performing story in early modern England / Samantha Bassler -- Dangerous beauty : stories of singing women in early modern Italy / Sigrid Harris -- "Fantastic spirits" : myth and satire in the ayres of Thomas Weelkes / Katie Bank -- Feeling fallen : a re-telling of the biblical myth of the fall in a musical adaptation of Marvell's "A dialogue between Thyrsis and Dorinda" / Aurora Faye Martinez -- "Armida's picture we from Tasso drew"? : the Rinaldo and Armida story in late seventeenth- and early eighteenth-century English operatic entertainments / Amanda Eubanks Winkler -- Translating myth through tunes : Ebenezer Forrest's ballad opera adaptation of Louis Fuzelier's Momus Fabuliste (1719-29) / Erica Levenson "Myths and stories offer a window onto medieval and early modern musical culture. Far from merely offering material for musical settings, authoritative tales from classical mythology, ancient history and the Bible were treated as foundations for musical knowledge. Such myths were cited in support of arguments about the uses, effects, morality and preferred styles of music in sources as diverse as theoretical treatises, defences or critiques of music, art, sermons, educational literature and books of moral conduct. Newly written literary stories too were believed capable of moral instruction and influence, and were a medium through which ideas about music could be both explored and transmitted. How authors interpreted and weaved together these traditional stories, or created their own, reveals much about changing attitudes across the period Looking beyond the well-known figure of Orpheus, this collection explores the myriad stories that shaped not only musical thought, but also its styles, techniques and practices. The essays show that music itself performed and created knowledge in ways parallel to myth, and worked in tandem with old and new tales to construct social, political and philosophical views. This relationship was not static, however; as the Enlightenment dawned, the once authoritative gods became comic characters and myth became a medium for ridicule. Overall, the book provides a foundation for exploring myth and story throughout medieval and early modern culture, and facilitating further study into the Enlightenment and beyond."-- Page [4] of cover Geschichte 800-1750 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Mythos (DE-588)4075159-4 gnd rswk-swf Music and mythology / History / To 1500 Music / 500-1400 Mythology Myth Civilization, Medieval Music Music and mythology To 1500 History (DE-588)4143413-4 Aufsatzsammlung gnd-content Musik (DE-588)4040802-4 s Mythos (DE-588)4075159-4 s Geschichte 800-1750 z DE-604 Butler, Katherine (DE-588)1075226724 edt Bassler, Samantha ca. 20./21. Jh. (DE-588)107414516X edt Studies in medieval and Renaissance music 19 (DE-604)BV019268424 19 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031324341&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Music, myth and story in medieval and early modern culture Studies in medieval and Renaissance music Music and the myth of Apollo's grove / John MacInnis -- The consolation of philosophy and the "gentle" remedy of music / Férdia J. Stone-Davis -- And in England, there are singers : grafting oneself into the origins of music / Elina G. Hamilton -- The harmonious blacksmith, lady music and Minerva : the iconography of secular song in the late Middle Ages / Jason Stoessel -- Foolish Midas : representing musical judgement and moral judgement in Italy c. 1520 / Tim Shephard and Patrick McMahon -- Marsilio Ficino and Girolamo Cardano under Orpheus's spell / Jacomien Prins -- Origin myths, genealogies and inventors : defining the nature of music in early modern England / Katherine Butler -- How to sing like angles : Isaiah, Ignatius of Antioch and Protestant worship in England / Jamie Apgar -- In pursuit of echo : sound, space and the history of the self / Ljubica Ilic -- Ophelia's mad songs and performing story in early modern England / Samantha Bassler -- Dangerous beauty : stories of singing women in early modern Italy / Sigrid Harris -- "Fantastic spirits" : myth and satire in the ayres of Thomas Weelkes / Katie Bank -- Feeling fallen : a re-telling of the biblical myth of the fall in a musical adaptation of Marvell's "A dialogue between Thyrsis and Dorinda" / Aurora Faye Martinez -- "Armida's picture we from Tasso drew"? : the Rinaldo and Armida story in late seventeenth- and early eighteenth-century English operatic entertainments / Amanda Eubanks Winkler -- Translating myth through tunes : Ebenezer Forrest's ballad opera adaptation of Louis Fuzelier's Momus Fabuliste (1719-29) / Erica Levenson Musik (DE-588)4040802-4 gnd Mythos (DE-588)4075159-4 gnd |
| subject_GND | (DE-588)4040802-4 (DE-588)4075159-4 (DE-588)4143413-4 |
| title | Music, myth and story in medieval and early modern culture |
| title_auth | Music, myth and story in medieval and early modern culture |
| title_exact_search | Music, myth and story in medieval and early modern culture |
| title_full | Music, myth and story in medieval and early modern culture edited by Katherine Butler and Samantha Bassler |
| title_fullStr | Music, myth and story in medieval and early modern culture edited by Katherine Butler and Samantha Bassler |
| title_full_unstemmed | Music, myth and story in medieval and early modern culture edited by Katherine Butler and Samantha Bassler |
| title_short | Music, myth and story in medieval and early modern culture |
| title_sort | music myth and story in medieval and early modern culture |
| topic | Musik (DE-588)4040802-4 gnd Mythos (DE-588)4075159-4 gnd |
| topic_facet | Musik Mythos Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031324341&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV019268424 |
| work_keys_str_mv | AT butlerkatherine musicmythandstoryinmedievalandearlymodernculture AT basslersamantha musicmythandstoryinmedievalandearlymodernculture |