Art of memories: curating at the Hermitage
Once the home of Catherine the Great's private art collection, Russia's State Hermitage Museum became the largest museum in the Soviet Union and, since the collapse of the USSR, one of the most active museums in the world. The Hermitage is a global model for the collection and preservation...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
New York
Columbia University Press
[2019]
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Schlagworte: | |
Zusammenfassung: | Once the home of Catherine the Great's private art collection, Russia's State Hermitage Museum became the largest museum in the Soviet Union and, since the collapse of the USSR, one of the most active museums in the world. The Hermitage is a global model for the collection and preservation of fine art, deeply shaped by its need to protect itself and its holdings from the world beyond its gates. In Art of Memories, Vincent Antonin Lépinay documents the Hermitage's curatorial practices in an innovative consideration of the museum as a cultural laboratory. Lépinay analyzes the tensions between the museum as a space of exploration of the collections and as a culture heavily invested in self-protection from the outside world. During a time when traveling abroad was rare, a generation of art historians produced a culture of confined scholarship premised on their proximity to the holdings of a museum enclave. As the Hermitage has become increasingly present on the world museum scene, its culture of secrecy and orality has endured. Lépinay analyzes the ethos of Hermitage curators and scholars over the transition from Soviet to post-Soviet museum cultures, considering the mobility of art, documentation of the collection, and the transformation of expertise. Based on L pinay's extraordinary access to the Hermitage and the scholars who work there, Art of Memories opens the door of one of the world's great museums to reveal how art history is made. It is an essential study for readers interested in the role that outside forces play in culture, organizations, and the production of knowledge |
Beschreibung: | xi, 273 Seiten Illustrationen |
ISBN: | 9780231191890 9780231191883 |
Internformat
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505 | 8 | |a Introduction : Hermitage, a cultural laboratory -- Moving objects -- Interlude 1 : art history and Hermitage before World War II -- Documenting the museum -- Art history from the collections up -- Interlude 2: mobility at Hermitage -- The nostalgic modesty of Hermitage restorers -- Guides : taking science down the galleries -- Spaces and surprises: technologies of vision for a long winter -- Conclusion : secreting documents | |
520 | 3 | |a Once the home of Catherine the Great's private art collection, Russia's State Hermitage Museum became the largest museum in the Soviet Union and, since the collapse of the USSR, one of the most active museums in the world. The Hermitage is a global model for the collection and preservation of fine art, deeply shaped by its need to protect itself and its holdings from the world beyond its gates. In Art of Memories, Vincent Antonin Lépinay documents the Hermitage's curatorial practices in an innovative consideration of the museum as a cultural laboratory. Lépinay analyzes the tensions between the museum as a space of exploration of the collections and as a culture heavily invested in self-protection from the outside world. During a time when traveling abroad was rare, a generation of art historians produced a culture of confined scholarship premised on their proximity to the holdings of a museum enclave. As the Hermitage has become increasingly present on the world museum scene, its culture of secrecy and orality has endured. Lépinay analyzes the ethos of Hermitage curators and scholars over the transition from Soviet to post-Soviet museum cultures, considering the mobility of art, documentation of the collection, and the transformation of expertise. Based on L pinay's extraordinary access to the Hermitage and the scholars who work there, Art of Memories opens the door of one of the world's great museums to reveal how art history is made. It is an essential study for readers interested in the role that outside forces play in culture, organizations, and the production of knowledge | |
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Datensatz im Suchindex
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any_adam_object | |
author | Lépinay, Vincent Antonin 1973- |
author_GND | (DE-588)1013848594 |
author_facet | Lépinay, Vincent Antonin 1973- |
author_role | aut |
author_sort | Lépinay, Vincent Antonin 1973- |
author_variant | v a l va val |
building | Verbundindex |
bvnumber | BV045940840 |
classification_rvk | LH 38200 |
contents | Introduction : Hermitage, a cultural laboratory -- Moving objects -- Interlude 1 : art history and Hermitage before World War II -- Documenting the museum -- Art history from the collections up -- Interlude 2: mobility at Hermitage -- The nostalgic modesty of Hermitage restorers -- Guides : taking science down the galleries -- Spaces and surprises: technologies of vision for a long winter -- Conclusion : secreting documents |
ctrlnum | (OCoLC)1110072129 (DE-599)BVBBV045940840 |
discipline | Kunstgeschichte |
era | Geschichte gnd |
era_facet | Geschichte |
format | Book |
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id | DE-604.BV045940840 |
illustrated | Illustrated |
indexdate | 2024-07-10T08:30:57Z |
institution | BVB |
isbn | 9780231191890 9780231191883 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031323091 |
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physical | xi, 273 Seiten Illustrationen |
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publisher | Columbia University Press |
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spelling | Lépinay, Vincent Antonin 1973- Verfasser (DE-588)1013848594 aut Art of memories curating at the Hermitage Vincent Lépinay New York Columbia University Press [2019] © 2019 xi, 273 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Introduction : Hermitage, a cultural laboratory -- Moving objects -- Interlude 1 : art history and Hermitage before World War II -- Documenting the museum -- Art history from the collections up -- Interlude 2: mobility at Hermitage -- The nostalgic modesty of Hermitage restorers -- Guides : taking science down the galleries -- Spaces and surprises: technologies of vision for a long winter -- Conclusion : secreting documents Once the home of Catherine the Great's private art collection, Russia's State Hermitage Museum became the largest museum in the Soviet Union and, since the collapse of the USSR, one of the most active museums in the world. The Hermitage is a global model for the collection and preservation of fine art, deeply shaped by its need to protect itself and its holdings from the world beyond its gates. In Art of Memories, Vincent Antonin Lépinay documents the Hermitage's curatorial practices in an innovative consideration of the museum as a cultural laboratory. Lépinay analyzes the tensions between the museum as a space of exploration of the collections and as a culture heavily invested in self-protection from the outside world. During a time when traveling abroad was rare, a generation of art historians produced a culture of confined scholarship premised on their proximity to the holdings of a museum enclave. As the Hermitage has become increasingly present on the world museum scene, its culture of secrecy and orality has endured. Lépinay analyzes the ethos of Hermitage curators and scholars over the transition from Soviet to post-Soviet museum cultures, considering the mobility of art, documentation of the collection, and the transformation of expertise. Based on L pinay's extraordinary access to the Hermitage and the scholars who work there, Art of Memories opens the door of one of the world's great museums to reveal how art history is made. It is an essential study for readers interested in the role that outside forces play in culture, organizations, and the production of knowledge Gosudarstvennyj Ėrmitaž (DE-588)2124053-X gnd rswk-swf Geschichte gnd rswk-swf Museumskunde (DE-588)4170787-4 gnd rswk-swf Kunstgeschichte Fach (DE-588)4138803-3 gnd rswk-swf Gosudarstvennyĭ Ėrmitazh (Russia) / Officials and employees Gosudarstvennyĭ Ėrmitazh (Russia) Art museums / Social aspects / Russia (Federation) / Saint Petersburg Corporate culture / Russia (Federation) / Saint Petersburg Art museums / Social aspects Corporate culture Employees Russia (Federation) / Saint Petersburg Gosudarstvennyj Ėrmitaž (DE-588)2124053-X b Museumskunde (DE-588)4170787-4 s Kunstgeschichte Fach (DE-588)4138803-3 s Geschichte z DE-604 Erscheint auch als Online-Ausgabe Lépinay, Vincent Antonin, author Art of memories 978-0-231-54956-1 |
spellingShingle | Lépinay, Vincent Antonin 1973- Art of memories curating at the Hermitage Introduction : Hermitage, a cultural laboratory -- Moving objects -- Interlude 1 : art history and Hermitage before World War II -- Documenting the museum -- Art history from the collections up -- Interlude 2: mobility at Hermitage -- The nostalgic modesty of Hermitage restorers -- Guides : taking science down the galleries -- Spaces and surprises: technologies of vision for a long winter -- Conclusion : secreting documents Gosudarstvennyj Ėrmitaž (DE-588)2124053-X gnd Museumskunde (DE-588)4170787-4 gnd Kunstgeschichte Fach (DE-588)4138803-3 gnd |
subject_GND | (DE-588)2124053-X (DE-588)4170787-4 (DE-588)4138803-3 |
title | Art of memories curating at the Hermitage |
title_auth | Art of memories curating at the Hermitage |
title_exact_search | Art of memories curating at the Hermitage |
title_full | Art of memories curating at the Hermitage Vincent Lépinay |
title_fullStr | Art of memories curating at the Hermitage Vincent Lépinay |
title_full_unstemmed | Art of memories curating at the Hermitage Vincent Lépinay |
title_short | Art of memories |
title_sort | art of memories curating at the hermitage |
title_sub | curating at the Hermitage |
topic | Gosudarstvennyj Ėrmitaž (DE-588)2124053-X gnd Museumskunde (DE-588)4170787-4 gnd Kunstgeschichte Fach (DE-588)4138803-3 gnd |
topic_facet | Gosudarstvennyj Ėrmitaž Museumskunde Kunstgeschichte Fach |
work_keys_str_mv | AT lepinayvincentantonin artofmemoriescuratingatthehermitage |