Was Kino gewesen sein wird: zur Rekonfiguration des Zuschauens in Max Ophül's Lola Montes
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Artikel |
| Sprache: | German |
| Veröffentlicht: |
[2019]
|
| Beschreibung: | Illustrationen |
| ISBN: | 3-7705-5634-8 |
Internformat
MARC
| LEADER | 00000naa a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV045940589 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | t | ||
| 008 | 190618s2019 a||| |||| 00||| ger d | ||
| 035 | |a (OCoLC)1105594724 | ||
| 035 | |a (DE-599)BVBBV045940589 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a ger | |
| 049 | |a DE-255 | ||
| 100 | 1 | |a Liptay, Fabienne |d 1974- |e Verfasser |0 (DE-588)128939990 |4 aut | |
| 245 | 1 | 0 | |a Was Kino gewesen sein wird |b zur Rekonfiguration des Zuschauens in Max Ophül's Lola Montes |c Fabienne Liptay |
| 264 | 1 | |c [2019] | |
| 300 | |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 773 | 1 | 8 | |g pages:651-666 |
| 773 | 0 | 8 | |t Display - Dispositiv / Ursula Frohne/Lilian Haberer/Annette Urban (Hg.) |d Paderborn, [2019] |g Seite 651-666 |w (DE-604)BV041641260 |z 3-7705-5634-8 |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-031322847 | ||
| 941 | |s 651-666 | ||
Datensatz im Suchindex
| _version_ | 1804180142619099137 |
|---|---|
| any_adam_object | |
| article_link | (DE-604)BV041641260 |
| author | Liptay, Fabienne 1974- |
| author_GND | (DE-588)128939990 |
| author_facet | Liptay, Fabienne 1974- |
| author_role | aut |
| author_sort | Liptay, Fabienne 1974- |
| author_variant | f l fl |
| building | Verbundindex |
| bvnumber | BV045940589 |
| ctrlnum | (OCoLC)1105594724 (DE-599)BVBBV045940589 |
| format | Article |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00923naa a2200277 c 4500</leader><controlfield tag="001">BV045940589</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">190618s2019 a||| |||| 00||| ger d</controlfield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1105594724</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV045940589</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">ger</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-255</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Liptay, Fabienne</subfield><subfield code="d">1974-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)128939990</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Was Kino gewesen sein wird</subfield><subfield code="b">zur Rekonfiguration des Zuschauens in Max Ophül's Lola Montes</subfield><subfield code="c">Fabienne Liptay</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">[2019]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">pages:651-666</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="t">Display - Dispositiv / Ursula Frohne/Lilian Haberer/Annette Urban (Hg.)</subfield><subfield code="d">Paderborn, [2019]</subfield><subfield code="g">Seite 651-666</subfield><subfield code="w">(DE-604)BV041641260</subfield><subfield code="z">3-7705-5634-8</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-031322847</subfield></datafield><datafield tag="941" ind1=" " ind2=" "><subfield code="s">651-666</subfield></datafield></record></collection> |
| id | DE-604.BV045940589 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T08:30:57Z |
| institution | BVB |
| isbn | 3-7705-5634-8 |
| language | German |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031322847 |
| oclc_num | 1105594724 |
| open_access_boolean | |
| owner | DE-255 |
| owner_facet | DE-255 |
| physical | Illustrationen |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| record_format | marc |
| spelling | Liptay, Fabienne 1974- Verfasser (DE-588)128939990 aut Was Kino gewesen sein wird zur Rekonfiguration des Zuschauens in Max Ophül's Lola Montes Fabienne Liptay [2019] Illustrationen txt rdacontent n rdamedia nc rdacarrier pages:651-666 Display - Dispositiv / Ursula Frohne/Lilian Haberer/Annette Urban (Hg.) Paderborn, [2019] Seite 651-666 (DE-604)BV041641260 3-7705-5634-8 |
| spellingShingle | Liptay, Fabienne 1974- Was Kino gewesen sein wird zur Rekonfiguration des Zuschauens in Max Ophül's Lola Montes |
| title | Was Kino gewesen sein wird zur Rekonfiguration des Zuschauens in Max Ophül's Lola Montes |
| title_auth | Was Kino gewesen sein wird zur Rekonfiguration des Zuschauens in Max Ophül's Lola Montes |
| title_exact_search | Was Kino gewesen sein wird zur Rekonfiguration des Zuschauens in Max Ophül's Lola Montes |
| title_full | Was Kino gewesen sein wird zur Rekonfiguration des Zuschauens in Max Ophül's Lola Montes Fabienne Liptay |
| title_fullStr | Was Kino gewesen sein wird zur Rekonfiguration des Zuschauens in Max Ophül's Lola Montes Fabienne Liptay |
| title_full_unstemmed | Was Kino gewesen sein wird zur Rekonfiguration des Zuschauens in Max Ophül's Lola Montes Fabienne Liptay |
| title_short | Was Kino gewesen sein wird |
| title_sort | was kino gewesen sein wird zur rekonfiguration des zuschauens in max ophul s lola montes |
| title_sub | zur Rekonfiguration des Zuschauens in Max Ophül's Lola Montes |
| work_keys_str_mv | AT liptayfabienne waskinogewesenseinwirdzurrekonfigurationdeszuschauensinmaxophulslolamontes |