Art, race, and fantastic color change in the Victorian novel:
Purple: Charlotte Brontë's Jane Eyre -- Blue: Wilkie Collins's Poor Miss Finch -- Red: Thomas Hardy's The return of the native -- Yellow: Arthur Conan Doyle's "The yellow face" and Frances Hodgson Burnett's The secret garden
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York ; London
Routledge, Taylor & Francis Group
2019
|
| Schriftenreihe: | Among the Victorians and modernists
12 |
| Schlagworte: | |
| Online-Zugang: | UBG01 Volltext |
| Zusammenfassung: | Purple: Charlotte Brontë's Jane Eyre -- Blue: Wilkie Collins's Poor Miss Finch -- Red: Thomas Hardy's The return of the native -- Yellow: Arthur Conan Doyle's "The yellow face" and Frances Hodgson Burnett's The secret garden "As a study of color in the Victorian novel, this volume notices and analyzes a peculiar literary phenomenon in which Victorian authors who were also trained as artists dream up fantastically colored characters for their fiction. These strange and eccentric characters include the purple madwoman Bertha Mason in Charlotte Brontë's Jane Eyre (1847), the blue gentleman Oscar Dubourg from Wilkie Collins's Poor Miss Finch (1872), the red peddler Diggory Venn in Thomas Hardy's The Return of the Native (1878), and the little yellow girls of Arthur Conan Doyle's "The Yellow Face" (1893) and Frances Hodgson Burnett's The Secret Garden (1911). While color has been historically viewed as suspicious and seductive in Western culture, the Victorian period constitutes a significant moment in the history of color: the rapid development of new color technologies and the upheavals of the first avant-garde art movements result in an increase in coloring's prestige in the art academies. At the same time, race science appropriates color, using it as a criterion for classification in the establishment of global racial hierarchies. These artist-authors draw on color's traditional association with constructions of otherness to consider questions of identity and difference through the imaginative possibilities of color"-- |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | 1 Online-Ressource (148 Seiten) Illustration |
| ISBN: | 9780429029073 |
| DOI: | 10.4324/9780429029073 |
Internformat
MARC
| LEADER | 00000nmm a2200000 cb4500 | ||
|---|---|---|---|
| 001 | BV045937346 | ||
| 003 | DE-604 | ||
| 005 | 20200309 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 190614s2019 xxu|||| o||u| ||||||eng d | ||
| 020 | |a 9780429029073 |c ebk. |9 978-0-429-02907-3 | ||
| 024 | 7 | |a 10.4324/9780429029073 |2 doi | |
| 035 | |a (OCoLC)1112144149 | ||
| 035 | |a (DE-599)BVBBV045937346 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 044 | |a xxu |c XD-US |a xxk |c XA-GB | ||
| 049 | |a DE-11 |a DE-473 | ||
| 050 | 0 | |a PR878.R34 | |
| 082 | 0 | |a 823/.809 | |
| 084 | |a AAC |q DE-7 |2 fid | ||
| 084 | |a HL 1331 |0 (DE-625)50430: |2 rvk | ||
| 084 | |a 18.05 |2 bkl | ||
| 084 | |a 17.81 |2 bkl | ||
| 100 | 1 | |a Durgan, Jessica |e Verfasser |0 (DE-588)1201208548 |4 aut | |
| 245 | 1 | 0 | |a Art, race, and fantastic color change in the Victorian novel |c Jessica Durgan |
| 264 | 1 | |a New York ; London |b Routledge, Taylor & Francis Group |c 2019 | |
| 300 | |a 1 Online-Ressource (148 Seiten) |b Illustration | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 1 | |a Among the Victorians and modernists |v 12 | |
| 500 | |a Includes bibliographical references and index | ||
| 520 | 3 | |a Purple: Charlotte Brontë's Jane Eyre -- Blue: Wilkie Collins's Poor Miss Finch -- Red: Thomas Hardy's The return of the native -- Yellow: Arthur Conan Doyle's "The yellow face" and Frances Hodgson Burnett's The secret garden | |
| 520 | 3 | |a "As a study of color in the Victorian novel, this volume notices and analyzes a peculiar literary phenomenon in which Victorian authors who were also trained as artists dream up fantastically colored characters for their fiction. These strange and eccentric characters include the purple madwoman Bertha Mason in Charlotte Brontë's Jane Eyre (1847), the blue gentleman Oscar Dubourg from Wilkie Collins's Poor Miss Finch (1872), the red peddler Diggory Venn in Thomas Hardy's The Return of the Native (1878), and the little yellow girls of Arthur Conan Doyle's "The Yellow Face" (1893) and Frances Hodgson Burnett's The Secret Garden (1911). While color has been historically viewed as suspicious and seductive in Western culture, the Victorian period constitutes a significant moment in the history of color: the rapid development of new color technologies and the upheavals of the first avant-garde art movements result in an increase in coloring's prestige in the art academies. At the same time, race science appropriates color, using it as a criterion for classification in the establishment of global racial hierarchies. These artist-authors draw on color's traditional association with constructions of otherness to consider questions of identity and difference through the imaginative possibilities of color"-- | |
| 648 | 7 | |a Geschichte 1837-1901 |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Farbe |g Motiv |0 (DE-588)4194385-5 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Roman |0 (DE-588)4050479-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Englisch |0 (DE-588)4014777-0 |2 gnd |9 rswk-swf |
| 653 | 0 | |a English fiction / 19th century / History and criticism | |
| 653 | 0 | |a Symbolism of colors in literature | |
| 653 | 0 | |a Literature and society / Great Britain / History / 19th century | |
| 653 | 0 | |a Other (Philosophy) in literature | |
| 689 | 0 | 0 | |a Englisch |0 (DE-588)4014777-0 |D s |
| 689 | 0 | 1 | |a Roman |0 (DE-588)4050479-7 |D s |
| 689 | 0 | 2 | |a Farbe |g Motiv |0 (DE-588)4194385-5 |D s |
| 689 | 0 | 3 | |a Geschichte 1837-1901 |A z |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Hardcover |z 978-0-367-13894-3 |
| 830 | 0 | |a Among the Victorians and modernists |v 12 |w (DE-604)BV045569855 |9 12 | |
| 856 | 4 | 0 | |u https://doi.org/10.4324/9780429029073 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-7-TLL |a ZDB-7-TFC | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-031319662 | ||
| 966 | e | |u https://doi.org/10.4324/9780429029073 |l UBG01 |p ZDB-7-TFC |q UBG_Einzelkauf |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804180129696448512 |
|---|---|
| any_adam_object | |
| author | Durgan, Jessica |
| author_GND | (DE-588)1201208548 |
| author_facet | Durgan, Jessica |
| author_role | aut |
| author_sort | Durgan, Jessica |
| author_variant | j d jd |
| building | Verbundindex |
| bvnumber | BV045937346 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PR878 |
| callnumber-raw | PR878.R34 |
| callnumber-search | PR878.R34 |
| callnumber-sort | PR 3878 R34 |
| callnumber-subject | PR - English Literature |
| classification_rvk | HL 1331 |
| collection | ZDB-7-TLL ZDB-7-TFC |
| ctrlnum | (OCoLC)1112144149 (DE-599)BVBBV045937346 |
| dewey-full | 823/.809 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 823 - English fiction |
| dewey-raw | 823/.809 |
| dewey-search | 823/.809 |
| dewey-sort | 3823 3809 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| doi_str_mv | 10.4324/9780429029073 |
| era | Geschichte 1837-1901 gnd |
| era_facet | Geschichte 1837-1901 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03882nmm a2200613 cb4500</leader><controlfield tag="001">BV045937346</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20200309 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">190614s2019 xxu|||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780429029073</subfield><subfield code="c">ebk.</subfield><subfield code="9">978-0-429-02907-3</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.4324/9780429029073</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1112144149</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV045937346</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">xxu</subfield><subfield code="c">XD-US</subfield><subfield code="a">xxk</subfield><subfield code="c">XA-GB</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-11</subfield><subfield code="a">DE-473</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">PR878.R34</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">823/.809</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AAC</subfield><subfield code="q">DE-7</subfield><subfield code="2">fid</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HL 1331</subfield><subfield code="0">(DE-625)50430:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">18.05</subfield><subfield code="2">bkl</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">17.81</subfield><subfield code="2">bkl</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Durgan, Jessica</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1201208548</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Art, race, and fantastic color change in the Victorian novel</subfield><subfield code="c">Jessica Durgan</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York ; London</subfield><subfield code="b">Routledge, Taylor & Francis Group</subfield><subfield code="c">2019</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (148 Seiten)</subfield><subfield code="b">Illustration</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Among the Victorians and modernists</subfield><subfield code="v">12</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Purple: Charlotte Brontë's Jane Eyre -- Blue: Wilkie Collins's Poor Miss Finch -- Red: Thomas Hardy's The return of the native -- Yellow: Arthur Conan Doyle's "The yellow face" and Frances Hodgson Burnett's The secret garden</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"As a study of color in the Victorian novel, this volume notices and analyzes a peculiar literary phenomenon in which Victorian authors who were also trained as artists dream up fantastically colored characters for their fiction. These strange and eccentric characters include the purple madwoman Bertha Mason in Charlotte Brontë's Jane Eyre (1847), the blue gentleman Oscar Dubourg from Wilkie Collins's Poor Miss Finch (1872), the red peddler Diggory Venn in Thomas Hardy's The Return of the Native (1878), and the little yellow girls of Arthur Conan Doyle's "The Yellow Face" (1893) and Frances Hodgson Burnett's The Secret Garden (1911). While color has been historically viewed as suspicious and seductive in Western culture, the Victorian period constitutes a significant moment in the history of color: the rapid development of new color technologies and the upheavals of the first avant-garde art movements result in an increase in coloring's prestige in the art academies. At the same time, race science appropriates color, using it as a criterion for classification in the establishment of global racial hierarchies. These artist-authors draw on color's traditional association with constructions of otherness to consider questions of identity and difference through the imaginative possibilities of color"--</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1837-1901</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Farbe</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4194385-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Roman</subfield><subfield code="0">(DE-588)4050479-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Englisch</subfield><subfield code="0">(DE-588)4014777-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">English fiction / 19th century / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Symbolism of colors in literature</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Literature and society / Great Britain / History / 19th century</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Other (Philosophy) in literature</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Englisch</subfield><subfield code="0">(DE-588)4014777-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Roman</subfield><subfield code="0">(DE-588)4050479-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Farbe</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4194385-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Geschichte 1837-1901</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Hardcover</subfield><subfield code="z">978-0-367-13894-3</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Among the Victorians and modernists</subfield><subfield code="v">12</subfield><subfield code="w">(DE-604)BV045569855</subfield><subfield code="9">12</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.4324/9780429029073</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-7-TLL</subfield><subfield code="a">ZDB-7-TFC</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-031319662</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.4324/9780429029073</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-7-TFC</subfield><subfield code="q">UBG_Einzelkauf</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV045937346 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T08:30:51Z |
| institution | BVB |
| isbn | 9780429029073 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031319662 |
| oclc_num | 1112144149 |
| open_access_boolean | |
| owner | DE-11 DE-473 DE-BY-UBG |
| owner_facet | DE-11 DE-473 DE-BY-UBG |
| physical | 1 Online-Ressource (148 Seiten) Illustration |
| psigel | ZDB-7-TLL ZDB-7-TFC ZDB-7-TFC UBG_Einzelkauf |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Routledge, Taylor & Francis Group |
| record_format | marc |
| series | Among the Victorians and modernists |
| series2 | Among the Victorians and modernists |
| spelling | Durgan, Jessica Verfasser (DE-588)1201208548 aut Art, race, and fantastic color change in the Victorian novel Jessica Durgan New York ; London Routledge, Taylor & Francis Group 2019 1 Online-Ressource (148 Seiten) Illustration txt rdacontent c rdamedia cr rdacarrier Among the Victorians and modernists 12 Includes bibliographical references and index Purple: Charlotte Brontë's Jane Eyre -- Blue: Wilkie Collins's Poor Miss Finch -- Red: Thomas Hardy's The return of the native -- Yellow: Arthur Conan Doyle's "The yellow face" and Frances Hodgson Burnett's The secret garden "As a study of color in the Victorian novel, this volume notices and analyzes a peculiar literary phenomenon in which Victorian authors who were also trained as artists dream up fantastically colored characters for their fiction. These strange and eccentric characters include the purple madwoman Bertha Mason in Charlotte Brontë's Jane Eyre (1847), the blue gentleman Oscar Dubourg from Wilkie Collins's Poor Miss Finch (1872), the red peddler Diggory Venn in Thomas Hardy's The Return of the Native (1878), and the little yellow girls of Arthur Conan Doyle's "The Yellow Face" (1893) and Frances Hodgson Burnett's The Secret Garden (1911). While color has been historically viewed as suspicious and seductive in Western culture, the Victorian period constitutes a significant moment in the history of color: the rapid development of new color technologies and the upheavals of the first avant-garde art movements result in an increase in coloring's prestige in the art academies. At the same time, race science appropriates color, using it as a criterion for classification in the establishment of global racial hierarchies. These artist-authors draw on color's traditional association with constructions of otherness to consider questions of identity and difference through the imaginative possibilities of color"-- Geschichte 1837-1901 gnd rswk-swf Farbe Motiv (DE-588)4194385-5 gnd rswk-swf Roman (DE-588)4050479-7 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf English fiction / 19th century / History and criticism Symbolism of colors in literature Literature and society / Great Britain / History / 19th century Other (Philosophy) in literature Englisch (DE-588)4014777-0 s Roman (DE-588)4050479-7 s Farbe Motiv (DE-588)4194385-5 s Geschichte 1837-1901 z DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 978-0-367-13894-3 Among the Victorians and modernists 12 (DE-604)BV045569855 12 https://doi.org/10.4324/9780429029073 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Durgan, Jessica Art, race, and fantastic color change in the Victorian novel Among the Victorians and modernists Farbe Motiv (DE-588)4194385-5 gnd Roman (DE-588)4050479-7 gnd Englisch (DE-588)4014777-0 gnd |
| subject_GND | (DE-588)4194385-5 (DE-588)4050479-7 (DE-588)4014777-0 |
| title | Art, race, and fantastic color change in the Victorian novel |
| title_auth | Art, race, and fantastic color change in the Victorian novel |
| title_exact_search | Art, race, and fantastic color change in the Victorian novel |
| title_full | Art, race, and fantastic color change in the Victorian novel Jessica Durgan |
| title_fullStr | Art, race, and fantastic color change in the Victorian novel Jessica Durgan |
| title_full_unstemmed | Art, race, and fantastic color change in the Victorian novel Jessica Durgan |
| title_short | Art, race, and fantastic color change in the Victorian novel |
| title_sort | art race and fantastic color change in the victorian novel |
| topic | Farbe Motiv (DE-588)4194385-5 gnd Roman (DE-588)4050479-7 gnd Englisch (DE-588)4014777-0 gnd |
| topic_facet | Farbe Motiv Roman Englisch |
| url | https://doi.org/10.4324/9780429029073 |
| volume_link | (DE-604)BV045569855 |
| work_keys_str_mv | AT durganjessica artraceandfantasticcolorchangeinthevictoriannovel |