The moving eye: film, television, architecture, visual art, and the modern
"Once the province of film and media scholars, today the moving image is of broad concern to historians of art and architecture and designers of everything from websites to cities. As museums and galleries devote increasing space to video installations which no longer presuppose a fixed viewer,...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Oxford University Press
[2019]
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | "Once the province of film and media scholars, today the moving image is of broad concern to historians of art and architecture and designers of everything from websites to cities. As museums and galleries devote increasing space to video installations which no longer presuppose a fixed viewer, urban space becomes envisioned and planned through "fly throughs," and technologies such as GPS add data to the experience of travel, moving images have captured the attention of geographers and scholars across the humanities and social sciences. Their practice of "mobility studies" is remaking how we understand a contemporary world in relentless motion. Media theorist and historian Anne Friedberg (1952-2009) was among the first practitioners of visual studies to theorize the experience of vision in motion. Although widely influential beyond her own discipline, Friedberg's work has never been the subject of an extended study. The Moving Eye: Film, Television, Architecture, Visual Art and the Modern gathers together essays by renowned thinkers in media studies, art history, architecture, and museum studies to consider the rich implications of her work for understanding film and video, new media, visual art, architecture, exhibition design, urban space, and virtual reality. Ranging from early cinema, to works by Le Corbusier, Sergei Eisenstein, Gordon Matta-Clark, and Pierre Huyghe, to theories of the image in motion informed by psychoanalysis, theories of the public sphere, and animal studies, each of the nine essays in the book advances the lines of inquiry commenced by Friedberg"-- |
| Beschreibung: | viii, 170 Seiten Illustrationen 26 cm |
| ISBN: | 9780190218430 9780190218447 |
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| 505 | 8 | |a Moving through Friedberg's properly adjusted virtual window / Tom Gunning -- Psychoanalysis discovers film theory: Anne Friedberg and close up / Christa Blümlinger -- Nicholas Ray's we can't go home again: multiple windows in a delirious time machine / Patricia Pisters -- The Eisenstein effect: architecture and narrative montage in Eisenstein and Le Corbusier / Anthony Vidler -- Max Ophuls and instant messaging: reframing cinema and publicness / Miriam Hansen -- The open box: Umberto Eco, Achille Castiglioni and the architecture of television / Sylvia Lavin -- Windows on a broken world: Gordon Matta-Clark's photographs of public housing in New York / Gwendolyn Owens -- Sites of screening: cinema, museum, and the art of projection / Giuliana Bruno -- Humans becoming animals: on sensorimotor affection / Gertrud Koch | |
| 520 | 3 | |a "Once the province of film and media scholars, today the moving image is of broad concern to historians of art and architecture and designers of everything from websites to cities. As museums and galleries devote increasing space to video installations which no longer presuppose a fixed viewer, urban space becomes envisioned and planned through "fly throughs," and technologies such as GPS add data to the experience of travel, moving images have captured the attention of geographers and scholars across the humanities and social sciences. Their practice of "mobility studies" is remaking how we understand a contemporary world in relentless motion. Media theorist and historian Anne Friedberg (1952-2009) was among the first practitioners of visual studies to theorize the experience of vision in motion. Although widely influential beyond her own discipline, Friedberg's work has never been the subject of an extended study. The Moving Eye: Film, Television, Architecture, Visual Art and the Modern gathers together essays by renowned thinkers in media studies, art history, architecture, and museum studies to consider the rich implications of her work for understanding film and video, new media, visual art, architecture, exhibition design, urban space, and virtual reality. Ranging from early cinema, to works by Le Corbusier, Sergei Eisenstein, Gordon Matta-Clark, and Pierre Huyghe, to theories of the image in motion informed by psychoanalysis, theories of the public sphere, and animal studies, each of the nine essays in the book advances the lines of inquiry commenced by Friedberg"-- | |
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Datensatz im Suchindex
| _version_ | 1804180123218345984 |
|---|---|
| adam_text | Contents Introduction Edward Dimendberg 1 1. Moving Through Friedbergs Properly Adjusted Virtual Window Tom Gunning 13 2. Psychoanalysis Discovers Film Theory: Anne Friedberg and Close Up Christa Blümlinger 33 3. Nicholas Ray s We Cant Go Home Again: Multiple Windows in a Delirious Time Machine Patricia Pisters 43 The Eisenstein Effect: Architecture and Narrative Montage in Sergei Eisenstein and Le Corbusier Anthony Vidler 57 4. 5. Max Ophuls and Instant Messaging: Reframing Cinema and Publicness Miriam Bratu Hansen 77 6. The Open Box: Achille Castiglioni and the Architecture of Television 85 Sylvia Lavin 7. Windows on a Broken World: Gordon Matta-Clarks Photographs of Public Housing in New York Gwendolyn Owens 107
viii I Contents 8. Sites of Screening: Cinema, Museum, and the Art of Projection 121 Giuliana Bruno 9. Humans Becoming Animals: On Sensorimotor Affection 141 Gertrud Koch Bibliography of Writings by Anne Friedberg Contributor Biographies Index 153 157 161
nee the province of film and media scholars, today the moving image is of broad concern to historians of art and architecture and designers of everything from websites to cities. As museums and galleries devote increasing space to video installations, urban space becomes envisioned and planned through fly throughs, and technologies such as GPS add data to the experience of travel, moving images have captured the attention across the humanities and social sciences. Mobility studies is remaking how we understand a contemporary world in relentless motion. Media theorist and historian Anne Friedberg (1952-2009) was among the first practitioners of visual studies to theorize the experience of vision in motion. The Moving Eye: Film, Television, Architecture, Visual Art, and the Modern gathers together writing by renowned thinkers in media studies, art history, architecture, and museum studies to consider the rich implications of Friedberg s work for understanding film and video, new media, visual art, architecture, exhibition design, urban space, and virtual reality. Ranging from early cinema, to works by Le Corbusier, Sergei Eisenstein, Gordon Matta-Clark, and Pierre Huyghe, to theories of the image in motion informed by psychoanalysis, theories of the public sphere, and animal studies, each of the nine chapters in the book advances the lines of inquiry commenced by Friedberg
|
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| building | Verbundindex |
| bvnumber | BV045933090 |
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| contents | Moving through Friedberg's properly adjusted virtual window / Tom Gunning -- Psychoanalysis discovers film theory: Anne Friedberg and close up / Christa Blümlinger -- Nicholas Ray's we can't go home again: multiple windows in a delirious time machine / Patricia Pisters -- The Eisenstein effect: architecture and narrative montage in Eisenstein and Le Corbusier / Anthony Vidler -- Max Ophuls and instant messaging: reframing cinema and publicness / Miriam Hansen -- The open box: Umberto Eco, Achille Castiglioni and the architecture of television / Sylvia Lavin -- Windows on a broken world: Gordon Matta-Clark's photographs of public housing in New York / Gwendolyn Owens -- Sites of screening: cinema, museum, and the art of projection / Giuliana Bruno -- Humans becoming animals: on sensorimotor affection / Gertrud Koch |
| ctrlnum | (OCoLC)1107328201 (DE-599)BVBBV045933090 |
| dewey-full | 302.226 |
| dewey-hundreds | 300 - Social sciences |
| dewey-ones | 302 - Social interaction |
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| dewey-search | 302.226 |
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| discipline | Allgemeines Soziologie |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
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| indexdate | 2024-07-10T08:30:45Z |
| institution | BVB |
| isbn | 9780190218430 9780190218447 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031315485 |
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| publisher | Oxford University Press |
| record_format | marc |
| spelling | The moving eye film, television, architecture, visual art, and the modern edited by Edward Dimendberg New York, NY Oxford University Press [2019] © 2019 viii, 170 Seiten Illustrationen 26 cm txt rdacontent n rdamedia nc rdacarrier Moving through Friedberg's properly adjusted virtual window / Tom Gunning -- Psychoanalysis discovers film theory: Anne Friedberg and close up / Christa Blümlinger -- Nicholas Ray's we can't go home again: multiple windows in a delirious time machine / Patricia Pisters -- The Eisenstein effect: architecture and narrative montage in Eisenstein and Le Corbusier / Anthony Vidler -- Max Ophuls and instant messaging: reframing cinema and publicness / Miriam Hansen -- The open box: Umberto Eco, Achille Castiglioni and the architecture of television / Sylvia Lavin -- Windows on a broken world: Gordon Matta-Clark's photographs of public housing in New York / Gwendolyn Owens -- Sites of screening: cinema, museum, and the art of projection / Giuliana Bruno -- Humans becoming animals: on sensorimotor affection / Gertrud Koch "Once the province of film and media scholars, today the moving image is of broad concern to historians of art and architecture and designers of everything from websites to cities. As museums and galleries devote increasing space to video installations which no longer presuppose a fixed viewer, urban space becomes envisioned and planned through "fly throughs," and technologies such as GPS add data to the experience of travel, moving images have captured the attention of geographers and scholars across the humanities and social sciences. Their practice of "mobility studies" is remaking how we understand a contemporary world in relentless motion. Media theorist and historian Anne Friedberg (1952-2009) was among the first practitioners of visual studies to theorize the experience of vision in motion. Although widely influential beyond her own discipline, Friedberg's work has never been the subject of an extended study. The Moving Eye: Film, Television, Architecture, Visual Art and the Modern gathers together essays by renowned thinkers in media studies, art history, architecture, and museum studies to consider the rich implications of her work for understanding film and video, new media, visual art, architecture, exhibition design, urban space, and virtual reality. Ranging from early cinema, to works by Le Corbusier, Sergei Eisenstein, Gordon Matta-Clark, and Pierre Huyghe, to theories of the image in motion informed by psychoanalysis, theories of the public sphere, and animal studies, each of the nine essays in the book advances the lines of inquiry commenced by Friedberg"-- Friedberg, Anne Friedberg, Anne 1952-2009 (DE-588)132577313 gnd rswk-swf Geschichte gnd rswk-swf Image (Philosophy) Visualization Movement, Aesthetics of Film (DE-588)4017102-4 gnd rswk-swf Bewegtes Bild (DE-588)4145128-4 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Bewegtes Bild (DE-588)4145128-4 s Film (DE-588)4017102-4 s Geschichte z DE-604 Friedberg, Anne 1952-2009 (DE-588)132577313 p Dimendberg, Edward 1960- (DE-588)135898757 edt Erscheint auch als Online-Ausgabe, PDF Moving eye New York : Oxford University Press, [2019] 978-0-19-021845-4 Erscheint auch als Online-Ausgabe, EPUB Moving eye New York : Oxford University Press, [2019] 978-0-19-065668-3 Erscheint auch als Online-Ausgabe, oso 978-0-19-021846-1 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031315485&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031315485&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | The moving eye film, television, architecture, visual art, and the modern Moving through Friedberg's properly adjusted virtual window / Tom Gunning -- Psychoanalysis discovers film theory: Anne Friedberg and close up / Christa Blümlinger -- Nicholas Ray's we can't go home again: multiple windows in a delirious time machine / Patricia Pisters -- The Eisenstein effect: architecture and narrative montage in Eisenstein and Le Corbusier / Anthony Vidler -- Max Ophuls and instant messaging: reframing cinema and publicness / Miriam Hansen -- The open box: Umberto Eco, Achille Castiglioni and the architecture of television / Sylvia Lavin -- Windows on a broken world: Gordon Matta-Clark's photographs of public housing in New York / Gwendolyn Owens -- Sites of screening: cinema, museum, and the art of projection / Giuliana Bruno -- Humans becoming animals: on sensorimotor affection / Gertrud Koch Friedberg, Anne Friedberg, Anne 1952-2009 (DE-588)132577313 gnd Image (Philosophy) Visualization Movement, Aesthetics of Film (DE-588)4017102-4 gnd Bewegtes Bild (DE-588)4145128-4 gnd |
| subject_GND | (DE-588)132577313 (DE-588)4017102-4 (DE-588)4145128-4 (DE-588)4143413-4 |
| title | The moving eye film, television, architecture, visual art, and the modern |
| title_auth | The moving eye film, television, architecture, visual art, and the modern |
| title_exact_search | The moving eye film, television, architecture, visual art, and the modern |
| title_full | The moving eye film, television, architecture, visual art, and the modern edited by Edward Dimendberg |
| title_fullStr | The moving eye film, television, architecture, visual art, and the modern edited by Edward Dimendberg |
| title_full_unstemmed | The moving eye film, television, architecture, visual art, and the modern edited by Edward Dimendberg |
| title_short | The moving eye |
| title_sort | the moving eye film television architecture visual art and the modern |
| title_sub | film, television, architecture, visual art, and the modern |
| topic | Friedberg, Anne Friedberg, Anne 1952-2009 (DE-588)132577313 gnd Image (Philosophy) Visualization Movement, Aesthetics of Film (DE-588)4017102-4 gnd Bewegtes Bild (DE-588)4145128-4 gnd |
| topic_facet | Friedberg, Anne Friedberg, Anne 1952-2009 Image (Philosophy) Visualization Movement, Aesthetics of Film Bewegtes Bild Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031315485&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031315485&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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