Authors and Apparatus: A Media History of Copyright
Copyright is under siege. From file sharing to vast library scanning projects, new technologies, actors, and attitudes toward intellectual property threaten the value of creative work. However, while digital media and the Internet have made making and sharing perfect copies of original works almost...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Ithaca, NY
Cornell University Press
[2019]
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UBG01 UPA01 Volltext |
| Zusammenfassung: | Copyright is under siege. From file sharing to vast library scanning projects, new technologies, actors, and attitudes toward intellectual property threaten the value of creative work. However, while digital media and the Internet have made making and sharing perfect copies of original works almost effortless, debates about protecting authors' rights are nothing new. In this sweeping account of the evolution of copyright law since the mid-nineteenth century, Monika Dommann explores how radical media changes—from sheet music and phonographs to photocopiers and networked information systems—have challenged and transformed legal and cultural concept of authors' rights.Dommann provides a critical transatlantic perspective on developments in copyright law and mechanical reproduction of words and music, charting how artists, media companies, and lawmakers in the United States and western Europe approached the complex tangle of technological innovation, intellectual property, and consumer interests. From the seemingly innocuous music box, invented around 1800, to BASF's magnetic tapes and Xerox machines, she demonstrates how copyright has been continuously destabilized by emerging technologies, requiring new legal norms to regulate commercial and private copying practices. Without minimizing digital media's radical disruption to notions of intellectual property, Dommann uncovers the deep historical roots of the conflict between copyright and media—a story that can inform present-day debates over the legal protection of authorship |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Apr 2019) |
| Beschreibung: | 1 online resource 33 b&w halftones |
| ISBN: | 9781501734984 |
| DOI: | 10.7591/9781501734984 |
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| 520 | |a Copyright is under siege. From file sharing to vast library scanning projects, new technologies, actors, and attitudes toward intellectual property threaten the value of creative work. However, while digital media and the Internet have made making and sharing perfect copies of original works almost effortless, debates about protecting authors' rights are nothing new. In this sweeping account of the evolution of copyright law since the mid-nineteenth century, Monika Dommann explores how radical media changes—from sheet music and phonographs to photocopiers and networked information systems—have challenged and transformed legal and cultural concept of authors' rights.Dommann provides a critical transatlantic perspective on developments in copyright law and mechanical reproduction of words and music, charting how artists, media companies, and lawmakers in the United States and western Europe approached the complex tangle of technological innovation, intellectual property, and consumer interests. From the seemingly innocuous music box, invented around 1800, to BASF's magnetic tapes and Xerox machines, she demonstrates how copyright has been continuously destabilized by emerging technologies, requiring new legal norms to regulate commercial and private copying practices. Without minimizing digital media's radical disruption to notions of intellectual property, Dommann uncovers the deep historical roots of the conflict between copyright and media—a story that can inform present-day debates over the legal protection of authorship | ||
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Datensatz im Suchindex
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| spelling | Dommann, Monika 1966- Verfasser (DE-588)1049202570 aut Authors and Apparatus A Media History of Copyright Monika Dommann Ithaca, NY Cornell University Press [2019] © 2019 1 online resource 33 b&w halftones txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Apr 2019) Copyright is under siege. From file sharing to vast library scanning projects, new technologies, actors, and attitudes toward intellectual property threaten the value of creative work. However, while digital media and the Internet have made making and sharing perfect copies of original works almost effortless, debates about protecting authors' rights are nothing new. In this sweeping account of the evolution of copyright law since the mid-nineteenth century, Monika Dommann explores how radical media changes—from sheet music and phonographs to photocopiers and networked information systems—have challenged and transformed legal and cultural concept of authors' rights.Dommann provides a critical transatlantic perspective on developments in copyright law and mechanical reproduction of words and music, charting how artists, media companies, and lawmakers in the United States and western Europe approached the complex tangle of technological innovation, intellectual property, and consumer interests. From the seemingly innocuous music box, invented around 1800, to BASF's magnetic tapes and Xerox machines, she demonstrates how copyright has been continuously destabilized by emerging technologies, requiring new legal norms to regulate commercial and private copying practices. Without minimizing digital media's radical disruption to notions of intellectual property, Dommann uncovers the deep historical roots of the conflict between copyright and media—a story that can inform present-day debates over the legal protection of authorship In English copyright, mass media, media, library and information science, copyright law, digital media, intellectual property, intellectual work, law LAW / Intellectual Property / Copyright bisacsh Copyright History Copyright Germany History Mass media History Pybus, Sarah Sonstige (DE-588)1096241846 oth https://doi.org/10.7591/9781501734984 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Dommann, Monika 1966- Authors and Apparatus A Media History of Copyright copyright, mass media, media, library and information science, copyright law, digital media, intellectual property, intellectual work, law LAW / Intellectual Property / Copyright bisacsh Copyright History Copyright Germany History Mass media History |
| title | Authors and Apparatus A Media History of Copyright |
| title_auth | Authors and Apparatus A Media History of Copyright |
| title_exact_search | Authors and Apparatus A Media History of Copyright |
| title_full | Authors and Apparatus A Media History of Copyright Monika Dommann |
| title_fullStr | Authors and Apparatus A Media History of Copyright Monika Dommann |
| title_full_unstemmed | Authors and Apparatus A Media History of Copyright Monika Dommann |
| title_short | Authors and Apparatus |
| title_sort | authors and apparatus a media history of copyright |
| title_sub | A Media History of Copyright |
| topic | copyright, mass media, media, library and information science, copyright law, digital media, intellectual property, intellectual work, law LAW / Intellectual Property / Copyright bisacsh Copyright History Copyright Germany History Mass media History |
| topic_facet | copyright, mass media, media, library and information science, copyright law, digital media, intellectual property, intellectual work, law LAW / Intellectual Property / Copyright Copyright History Copyright Germany History Mass media History |
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