The Sounds of Social Space: Branding, Built Environment, and Leisure in Urban China
A giant statue of a six-pipe musical instrument stands in the heart of Kaili city. Yet despite its prominent placement, intended to convey the essence of the city, residents hold extremely low opinions of music-making in Kaili, particularly when compared to the "authentic" music found in s...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Honolulu
University of Hawaii Press
[2019]
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Schlagworte: | |
Online-Zugang: | DE-1046 DE-859 DE-860 DE-739 DE-473 DE-1043 DE-858 Volltext |
Zusammenfassung: | A giant statue of a six-pipe musical instrument stands in the heart of Kaili city. Yet despite its prominent placement, intended to convey the essence of the city, residents hold extremely low opinions of music-making in Kaili, particularly when compared to the "authentic" music found in surrounding ethnic minority villages. In this engaging, accessible work, author Paul Kendall investigates this conundrum and comes to terms with conflicting representations of a small southwestern Chinese city branded "the homeland of one hundred festivals."Drawing on Henri Lefebvre’s triad of social space, the book explores the relationship between Kaili’s branding, built environment, and everyday life: how China’s post-Mao built environment hinders and hides everyday music-making, even in a tourist destination for ethnic music; how residents themselves deny or downplay the existence of ethnic music in the city, despite the government’s efforts to promote it; how amateur musicians have constructed generational hierarchies of musical practice within a shifting cityscape. Kendall argues that increased focus on the small city helps counter a tendency to conceive China as either timeless village or futuristic metropolis and enables a more comprehensive understanding of the urban experience, both in China and beyond. He shows that many Kaili inhabitants recognize not only a rural-urban divide—long a dominant geographical notion of China—but also a more complex conceptualization of village, small city, and big city.By interweaving theories of authenticity with an innovative interpretation of space, Kendall shows how the category of "fake" minority emerged from this small city as a surprisingly positive form of self-identification, suggesting that there are ways of not being ethnic, even in often-exoticized southwest China. The Sounds of Social Space makes a distinctive contribution across a range of disciplinary interests, including Chinese studies, urban studies, anthropology, and ethnomusicology |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Apr 2019) |
Beschreibung: | 1 online resource 10 b&w illustrations, 1 map |
ISBN: | 9780824877804 |
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520 | |a In this engaging, accessible work, author Paul Kendall investigates this conundrum and comes to terms with conflicting representations of a small southwestern Chinese city branded "the homeland of one hundred festivals."Drawing on Henri Lefebvre’s triad of social space, the book explores the relationship between Kaili’s branding, built environment, and everyday life: how China’s post-Mao built environment hinders and hides everyday music-making, even in a tourist destination for ethnic music; how residents themselves deny or downplay the existence of ethnic music in the city, despite the government’s efforts to promote it; how amateur musicians have constructed generational hierarchies of musical practice within a shifting cityscape. | ||
520 | |a Kendall argues that increased focus on the small city helps counter a tendency to conceive China as either timeless village or futuristic metropolis and enables a more comprehensive understanding of the urban experience, both in China and beyond. He shows that many Kaili inhabitants recognize not only a rural-urban divide—long a dominant geographical notion of China—but also a more complex conceptualization of village, small city, and big city.By interweaving theories of authenticity with an innovative interpretation of space, Kendall shows how the category of "fake" minority emerged from this small city as a surprisingly positive form of self-identification, suggesting that there are ways of not being ethnic, even in often-exoticized southwest China. The Sounds of Social Space makes a distinctive contribution across a range of disciplinary interests, including Chinese studies, urban studies, anthropology, and ethnomusicology | ||
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Datensatz im Suchindex
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author | Kendall, Paul |
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discipline | Soziologie |
format | Electronic eBook |
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geographic | Kaili (DE-588)6143564-8 gnd |
geographic_facet | Kaili |
id | DE-604.BV045928491 |
illustrated | Illustrated |
indexdate | 2025-02-19T17:25:55Z |
institution | BVB |
isbn | 9780824877804 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031310928 |
oclc_num | 1104944231 |
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publishDate | 2019 |
publishDateSearch | 2019 |
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publisher | University of Hawaii Press |
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spelling | Kendall, Paul Verfasser aut The Sounds of Social Space Branding, Built Environment, and Leisure in Urban China Paul Kendall Honolulu University of Hawaii Press [2019] © 2019 1 online resource 10 b&w illustrations, 1 map txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Apr 2019) A giant statue of a six-pipe musical instrument stands in the heart of Kaili city. Yet despite its prominent placement, intended to convey the essence of the city, residents hold extremely low opinions of music-making in Kaili, particularly when compared to the "authentic" music found in surrounding ethnic minority villages. In this engaging, accessible work, author Paul Kendall investigates this conundrum and comes to terms with conflicting representations of a small southwestern Chinese city branded "the homeland of one hundred festivals."Drawing on Henri Lefebvre’s triad of social space, the book explores the relationship between Kaili’s branding, built environment, and everyday life: how China’s post-Mao built environment hinders and hides everyday music-making, even in a tourist destination for ethnic music; how residents themselves deny or downplay the existence of ethnic music in the city, despite the government’s efforts to promote it; how amateur musicians have constructed generational hierarchies of musical practice within a shifting cityscape. Kendall argues that increased focus on the small city helps counter a tendency to conceive China as either timeless village or futuristic metropolis and enables a more comprehensive understanding of the urban experience, both in China and beyond. He shows that many Kaili inhabitants recognize not only a rural-urban divide—long a dominant geographical notion of China—but also a more complex conceptualization of village, small city, and big city.By interweaving theories of authenticity with an innovative interpretation of space, Kendall shows how the category of "fake" minority emerged from this small city as a surprisingly positive form of self-identification, suggesting that there are ways of not being ethnic, even in often-exoticized southwest China. The Sounds of Social Space makes a distinctive contribution across a range of disciplinary interests, including Chinese studies, urban studies, anthropology, and ethnomusicology In English SOCIAL SCIENCE / Anthropology / Cultural & Social bisacsh Music Social aspects China Kaili Public spaces Social aspects China Kaili Street music China Kaili Tourismus (DE-588)4018406-7 gnd rswk-swf Soziologie (DE-588)4077624-4 gnd rswk-swf Alltag (DE-588)4001307-8 gnd rswk-swf Kaili (DE-588)6143564-8 gnd rswk-swf Kaili (DE-588)6143564-8 g Tourismus (DE-588)4018406-7 s Alltag (DE-588)4001307-8 s Soziologie (DE-588)4077624-4 s 1\p DE-604 https://www.degruyter.com/doi/book/10.21313/9780824877804 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Kendall, Paul The Sounds of Social Space Branding, Built Environment, and Leisure in Urban China SOCIAL SCIENCE / Anthropology / Cultural & Social bisacsh Music Social aspects China Kaili Public spaces Social aspects China Kaili Street music China Kaili Tourismus (DE-588)4018406-7 gnd Soziologie (DE-588)4077624-4 gnd Alltag (DE-588)4001307-8 gnd |
subject_GND | (DE-588)4018406-7 (DE-588)4077624-4 (DE-588)4001307-8 (DE-588)6143564-8 |
title | The Sounds of Social Space Branding, Built Environment, and Leisure in Urban China |
title_auth | The Sounds of Social Space Branding, Built Environment, and Leisure in Urban China |
title_exact_search | The Sounds of Social Space Branding, Built Environment, and Leisure in Urban China |
title_full | The Sounds of Social Space Branding, Built Environment, and Leisure in Urban China Paul Kendall |
title_fullStr | The Sounds of Social Space Branding, Built Environment, and Leisure in Urban China Paul Kendall |
title_full_unstemmed | The Sounds of Social Space Branding, Built Environment, and Leisure in Urban China Paul Kendall |
title_short | The Sounds of Social Space |
title_sort | the sounds of social space branding built environment and leisure in urban china |
title_sub | Branding, Built Environment, and Leisure in Urban China |
topic | SOCIAL SCIENCE / Anthropology / Cultural & Social bisacsh Music Social aspects China Kaili Public spaces Social aspects China Kaili Street music China Kaili Tourismus (DE-588)4018406-7 gnd Soziologie (DE-588)4077624-4 gnd Alltag (DE-588)4001307-8 gnd |
topic_facet | SOCIAL SCIENCE / Anthropology / Cultural & Social Music Social aspects China Kaili Public spaces Social aspects China Kaili Street music China Kaili Tourismus Soziologie Alltag Kaili |
url | https://www.degruyter.com/doi/book/10.21313/9780824877804 |
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