Efficacious Underworld: The Evolution of Ten Kings Paintings in Medieval China and Korea
The Ten Kings hanging scrolls at Tokyo’s Seikadō Bunko Art Museum are among the most resplendent renderings of the Buddhist purgatory extant, but their origin and significance have yet to be fully explored. Cheeyun Kwon unfurls this exquisite set of scrolls within the existing Ten Kings painting tra...
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Sprache: | English |
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[2019]
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Zusammenfassung: | The Ten Kings hanging scrolls at Tokyo’s Seikadō Bunko Art Museum are among the most resplendent renderings of the Buddhist purgatory extant, but their origin and significance have yet to be fully explored. Cheeyun Kwon unfurls this exquisite set of scrolls within the existing Ten Kings painting tradition while investigating textual, scriptural, archaeological, and visual materials from East Asia to shed light on its possible provenance. She constructs a model scheme of the paintings’ evolution based on more than five hundred works and reveals channels of popularization, mass production, and agglomeration.The earliest images of the Ten Kings are found in the tenth-century sūtra The Scripture of the Ten Kings, known to be the work of the monk Zangchuan. By the mid-twelfth century, typological conventions associated with the Ten Kings were widely established, and paintings depicting them, primarily large-scale and stand-alone, became popular export commodities, spreading via land and sea routes to the Korean peninsula and the Japanese archipelago. An examination of materials in Korea suggests a unique development path for Ten Kings subject matter, and this—in conjunction with a close analysis of the Seikadō paintings—forms the core of Kwon’s book. Among the Korean works discussed is a woodblock edition of The Scripture of the Ten Kings from 1246. It is markedly different from its Chinese counterparts and provides strong evidence of the subject’s permutations during the Koryŏ period (918–1392), when Northern Song (960–1127) visual art and culture were avidly imported. In the Seikadō paintings, Northern Song figural, architectural, landscape, and decorative elements were acculturated to the Koryŏ milieu, situating them in the twelfth to early thirteenth centuries and among the oldest and most significant surviving examples of Koryŏ Buddhist painting.Efficacious Underworld fills major lacunae in Korean, East Asian, and Ten Kings painting traditions while illuminating Korea’s contribution to the evolution of a Buddhist theme on its trajectory across East Asia. With its rich set of color reproductions and detailed analysis of textual and visual materials, this volume will invite significant revision to previously held notions on Koryŏ painting |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Apr 2019) |
Beschreibung: | 1 online resource 120 color, 80 b&w illustrations |
ISBN: | 9780824856052 |
DOI: | 10.1515/9780824856052 |
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520 | |a The Ten Kings hanging scrolls at Tokyo’s Seikadō Bunko Art Museum are among the most resplendent renderings of the Buddhist purgatory extant, but their origin and significance have yet to be fully explored. Cheeyun Kwon unfurls this exquisite set of scrolls within the existing Ten Kings painting tradition while investigating textual, scriptural, archaeological, and visual materials from East Asia to shed light on its possible provenance. She constructs a model scheme of the paintings’ evolution based on more than five hundred works and reveals channels of popularization, mass production, and agglomeration.The earliest images of the Ten Kings are found in the tenth-century sūtra The Scripture of the Ten Kings, known to be the work of the monk Zangchuan. | ||
520 | |a By the mid-twelfth century, typological conventions associated with the Ten Kings were widely established, and paintings depicting them, primarily large-scale and stand-alone, became popular export commodities, spreading via land and sea routes to the Korean peninsula and the Japanese archipelago. An examination of materials in Korea suggests a unique development path for Ten Kings subject matter, and this—in conjunction with a close analysis of the Seikadō paintings—forms the core of Kwon’s book. Among the Korean works discussed is a woodblock edition of The Scripture of the Ten Kings from 1246. It is markedly different from its Chinese counterparts and provides strong evidence of the subject’s permutations during the Koryŏ period (918–1392), when Northern Song (960–1127) visual art and culture were avidly imported. | ||
520 | |a In the Seikadō paintings, Northern Song figural, architectural, landscape, and decorative elements were acculturated to the Koryŏ milieu, situating them in the twelfth to early thirteenth centuries and among the oldest and most significant surviving examples of Koryŏ Buddhist painting.Efficacious Underworld fills major lacunae in Korean, East Asian, and Ten Kings painting traditions while illuminating Korea’s contribution to the evolution of a Buddhist theme on its trajectory across East Asia. With its rich set of color reproductions and detailed analysis of textual and visual materials, this volume will invite significant revision to previously held notions on Koryŏ painting | ||
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Datensatz im Suchindex
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institution | BVB |
isbn | 9780824856052 |
language | English |
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spelling | Kwon, Cheeyun Lilian 1965- Verfasser (DE-588)1186747579 aut Efficacious Underworld The Evolution of Ten Kings Paintings in Medieval China and Korea Cheeyun Lilian Kwon Honolulu University of Hawaii Press [2019] © 2019 1 online resource 120 color, 80 b&w illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Apr 2019) The Ten Kings hanging scrolls at Tokyo’s Seikadō Bunko Art Museum are among the most resplendent renderings of the Buddhist purgatory extant, but their origin and significance have yet to be fully explored. Cheeyun Kwon unfurls this exquisite set of scrolls within the existing Ten Kings painting tradition while investigating textual, scriptural, archaeological, and visual materials from East Asia to shed light on its possible provenance. She constructs a model scheme of the paintings’ evolution based on more than five hundred works and reveals channels of popularization, mass production, and agglomeration.The earliest images of the Ten Kings are found in the tenth-century sūtra The Scripture of the Ten Kings, known to be the work of the monk Zangchuan. By the mid-twelfth century, typological conventions associated with the Ten Kings were widely established, and paintings depicting them, primarily large-scale and stand-alone, became popular export commodities, spreading via land and sea routes to the Korean peninsula and the Japanese archipelago. An examination of materials in Korea suggests a unique development path for Ten Kings subject matter, and this—in conjunction with a close analysis of the Seikadō paintings—forms the core of Kwon’s book. Among the Korean works discussed is a woodblock edition of The Scripture of the Ten Kings from 1246. It is markedly different from its Chinese counterparts and provides strong evidence of the subject’s permutations during the Koryŏ period (918–1392), when Northern Song (960–1127) visual art and culture were avidly imported. In the Seikadō paintings, Northern Song figural, architectural, landscape, and decorative elements were acculturated to the Koryŏ milieu, situating them in the twelfth to early thirteenth centuries and among the oldest and most significant surviving examples of Koryŏ Buddhist painting.Efficacious Underworld fills major lacunae in Korean, East Asian, and Ten Kings painting traditions while illuminating Korea’s contribution to the evolution of a Buddhist theme on its trajectory across East Asia. With its rich set of color reproductions and detailed analysis of textual and visual materials, this volume will invite significant revision to previously held notions on Koryŏ painting In English ART / Asian / General bisacsh https://doi.org/10.1515/9780824856052 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Kwon, Cheeyun Lilian 1965- Efficacious Underworld The Evolution of Ten Kings Paintings in Medieval China and Korea ART / Asian / General bisacsh |
title | Efficacious Underworld The Evolution of Ten Kings Paintings in Medieval China and Korea |
title_auth | Efficacious Underworld The Evolution of Ten Kings Paintings in Medieval China and Korea |
title_exact_search | Efficacious Underworld The Evolution of Ten Kings Paintings in Medieval China and Korea |
title_full | Efficacious Underworld The Evolution of Ten Kings Paintings in Medieval China and Korea Cheeyun Lilian Kwon |
title_fullStr | Efficacious Underworld The Evolution of Ten Kings Paintings in Medieval China and Korea Cheeyun Lilian Kwon |
title_full_unstemmed | Efficacious Underworld The Evolution of Ten Kings Paintings in Medieval China and Korea Cheeyun Lilian Kwon |
title_short | Efficacious Underworld |
title_sort | efficacious underworld the evolution of ten kings paintings in medieval china and korea |
title_sub | The Evolution of Ten Kings Paintings in Medieval China and Korea |
topic | ART / Asian / General bisacsh |
topic_facet | ART / Asian / General |
url | https://doi.org/10.1515/9780824856052 |
work_keys_str_mv | AT kwoncheeyunlilian efficaciousunderworldtheevolutionoftenkingspaintingsinmedievalchinaandkorea |