Cinematic Overtures: How to Read Opening Scenes
A great movie’s first few minutes provide the key to the rest of the film. Like the opening paragraphs of a novel, they draw the viewer in, setting up the thematic concerns and stylistic approach that will be developed over the course of the narrative. A strong opening sequence leads the viewer to t...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Columbia University Press
[2018]
|
| Schriftenreihe: | Leonard Hastings Schoff Lectures
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FHA01 FKE01 FLA01 UPA01 FAB01 FCO01 Volltext |
| Zusammenfassung: | A great movie’s first few minutes provide the key to the rest of the film. Like the opening paragraphs of a novel, they draw the viewer in, setting up the thematic concerns and stylistic approach that will be developed over the course of the narrative. A strong opening sequence leads the viewer to trust the filmmakers. Other times, opening shots are intentionally misleading as they invite alert, active participation with the film. In Cinematic Overtures, Annette Insdorf discusses the opening sequence so that viewers turn first impressions into deeper understanding of cinematic technique.From Joe Gillis’s voice-over in Sunset Boulevard as he lies dead in a swimming pool to the hallucinatory opening of Apocalypse Now, from the stream-of-consciousness montage as found in Hiroshima, mon amour to the slowly unfolding beginning of Schindler’s List, Cinematic Overtures analyzes opening shots from a range of Hollywood as well as international films. Insdorf pays close attention to how the viewer makes sense of these scenes and the cinematic world they are about to enter. Including dozens of frame enlargements that illustrate the strategies of opening scenes, Insdorf also examines how films explore and sometimes critique the power of the camera’s gaze. Along with analyses of opening scenes, the book offers a series of revelatory and surprising readings of individual films by some of the leading directors of the past seventy-five years. Erudite but accessible, Cinematic Overtures will lead film scholars and ardent movie fans alike to greater attentiveness to those fleeting opening moments |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jul 2018) |
| Beschreibung: | 1 online resource 42 b&w photographs |
| ISBN: | 9780231544061 |
| DOI: | 10.7312/insd18224 |
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| 520 | |a A great movie’s first few minutes provide the key to the rest of the film. Like the opening paragraphs of a novel, they draw the viewer in, setting up the thematic concerns and stylistic approach that will be developed over the course of the narrative. A strong opening sequence leads the viewer to trust the filmmakers. Other times, opening shots are intentionally misleading as they invite alert, active participation with the film. In Cinematic Overtures, Annette Insdorf discusses the opening sequence so that viewers turn first impressions into deeper understanding of cinematic technique.From Joe Gillis’s voice-over in Sunset Boulevard as he lies dead in a swimming pool to the hallucinatory opening of Apocalypse Now, from the stream-of-consciousness montage as found in Hiroshima, mon amour to the slowly unfolding beginning of Schindler’s List, Cinematic Overtures analyzes opening shots from a range of Hollywood as well as international films. Insdorf pays close attention to how the viewer makes sense of these scenes and the cinematic world they are about to enter. Including dozens of frame enlargements that illustrate the strategies of opening scenes, Insdorf also examines how films explore and sometimes critique the power of the camera’s gaze. Along with analyses of opening scenes, the book offers a series of revelatory and surprising readings of individual films by some of the leading directors of the past seventy-five years. Erudite but accessible, Cinematic Overtures will lead film scholars and ardent movie fans alike to greater attentiveness to those fleeting opening moments | ||
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Datensatz im Suchindex
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| any_adam_object | |
| author | Insdorf, Annette |
| author_facet | Insdorf, Annette |
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| isbn | 9780231544061 |
| language | English |
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| spelling | Insdorf, Annette Verfasser aut Cinematic Overtures How to Read Opening Scenes Annette Insdorf New York, NY Columbia University Press [2018] © 2017 1 online resource 42 b&w photographs txt rdacontent c rdamedia cr rdacarrier Leonard Hastings Schoff Lectures Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jul 2018) A great movie’s first few minutes provide the key to the rest of the film. Like the opening paragraphs of a novel, they draw the viewer in, setting up the thematic concerns and stylistic approach that will be developed over the course of the narrative. A strong opening sequence leads the viewer to trust the filmmakers. Other times, opening shots are intentionally misleading as they invite alert, active participation with the film. In Cinematic Overtures, Annette Insdorf discusses the opening sequence so that viewers turn first impressions into deeper understanding of cinematic technique.From Joe Gillis’s voice-over in Sunset Boulevard as he lies dead in a swimming pool to the hallucinatory opening of Apocalypse Now, from the stream-of-consciousness montage as found in Hiroshima, mon amour to the slowly unfolding beginning of Schindler’s List, Cinematic Overtures analyzes opening shots from a range of Hollywood as well as international films. Insdorf pays close attention to how the viewer makes sense of these scenes and the cinematic world they are about to enter. Including dozens of frame enlargements that illustrate the strategies of opening scenes, Insdorf also examines how films explore and sometimes critique the power of the camera’s gaze. Along with analyses of opening scenes, the book offers a series of revelatory and surprising readings of individual films by some of the leading directors of the past seventy-five years. Erudite but accessible, Cinematic Overtures will lead film scholars and ardent movie fans alike to greater attentiveness to those fleeting opening moments In English Film criticism Motion pictures Film (DE-588)4017102-4 gnd rswk-swf Anfang (DE-588)4001988-3 gnd rswk-swf Film (DE-588)4017102-4 s Anfang (DE-588)4001988-3 s 1\p DE-604 https://doi.org/10.7312/insd18224 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Insdorf, Annette Cinematic Overtures How to Read Opening Scenes Film criticism Motion pictures Film (DE-588)4017102-4 gnd Anfang (DE-588)4001988-3 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4001988-3 |
| title | Cinematic Overtures How to Read Opening Scenes |
| title_auth | Cinematic Overtures How to Read Opening Scenes |
| title_exact_search | Cinematic Overtures How to Read Opening Scenes |
| title_full | Cinematic Overtures How to Read Opening Scenes Annette Insdorf |
| title_fullStr | Cinematic Overtures How to Read Opening Scenes Annette Insdorf |
| title_full_unstemmed | Cinematic Overtures How to Read Opening Scenes Annette Insdorf |
| title_short | Cinematic Overtures |
| title_sort | cinematic overtures how to read opening scenes |
| title_sub | How to Read Opening Scenes |
| topic | Film criticism Motion pictures Film (DE-588)4017102-4 gnd Anfang (DE-588)4001988-3 gnd |
| topic_facet | Film criticism Motion pictures Film Anfang |
| url | https://doi.org/10.7312/insd18224 |
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