Unspeakable Histories: Film and the Experience of Catastrophe
In Unspeakable Histories, William Guynn focuses on the sensation of encountering past events through film. Film is capable, he argues, of triggering moments of heightened awareness in which the barrier between the past and the present can fall and the reality of the past we thought lost can be momen...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Columbia University Press
[2017]
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| Schlagworte: | |
| Online-Zugang: | FAW01 FHA01 FKE01 FLA01 UPA01 FAB01 FCO01 Volltext |
| Zusammenfassung: | In Unspeakable Histories, William Guynn focuses on the sensation of encountering past events through film. Film is capable, he argues, of triggering moments of heightened awareness in which the barrier between the past and the present can fall and the reality of the past we thought lost can be momentarily rediscovered in its material being. In his readings of seven exceptional works depicting twentieth century atrocities, Guynn explores the emotional resonance that still adheres to traumatic historical events. Guynn considers dimensions of experience that historiography leaves untouched. Yaël Hersonski's A Film Unfinished (2010) deconstructs scenes from the Nazi propaganda film Das Ghetto through the testimony of ghetto survivors. Andrzej Wajda's Katyn (2007) revivifies the murder of the Polish officer corps (in which Wajda's father perished) by Stalin's security forces during the Second World War. Andrei Konchalovsky's Siberiade (1979) reimagines the turbulent history of the Soviet Union from the perspective of an isolated Siberian village. Larissa Shepitko's The Ascent (1977) evokes the existential drama Soviet partisans faced during the Nazi occupation. Patricio Guzmán's Nostalgia for the Light (2011) examines the vestiges of human experience, including the scattered remains of Pinochet's victims, alive in the aridity of the Atacama Desert. Rithy Panh's S-21 (2003) reawakens events of the Cambodian genocide through dramatic confrontation with some of its executioners, and Joshua Oppenheimer's The Act of Killing (2012) films the perpetrators of the Indonesian genocide as they restage scenes of killings and torture. Inspired by the work of Walter Benjamin, Frank Ankersmit, Joseph Mali, and Simon Schama, Guynn argues that the film medium, more immediate than language, is capable of restoring the affective dimension of historical experience, rooted in the deepest reaches of our minds |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed Feb. 24, 2017) |
| Beschreibung: | 1 online resource |
| ISBN: | 9780231541961 |
| DOI: | 10.7312/guyn17796 |
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| isbn | 9780231541961 |
| language | English |
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| spelling | Guynn, William. Verfasser aut Unspeakable Histories Film and the Experience of Catastrophe William Guynn New York, NY Columbia University Press [2017] © 2016 1 online resource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed Feb. 24, 2017) In Unspeakable Histories, William Guynn focuses on the sensation of encountering past events through film. Film is capable, he argues, of triggering moments of heightened awareness in which the barrier between the past and the present can fall and the reality of the past we thought lost can be momentarily rediscovered in its material being. In his readings of seven exceptional works depicting twentieth century atrocities, Guynn explores the emotional resonance that still adheres to traumatic historical events. Guynn considers dimensions of experience that historiography leaves untouched. Yaël Hersonski's A Film Unfinished (2010) deconstructs scenes from the Nazi propaganda film Das Ghetto through the testimony of ghetto survivors. Andrzej Wajda's Katyn (2007) revivifies the murder of the Polish officer corps (in which Wajda's father perished) by Stalin's security forces during the Second World War. Andrei Konchalovsky's Siberiade (1979) reimagines the turbulent history of the Soviet Union from the perspective of an isolated Siberian village. Larissa Shepitko's The Ascent (1977) evokes the existential drama Soviet partisans faced during the Nazi occupation. Patricio Guzmán's Nostalgia for the Light (2011) examines the vestiges of human experience, including the scattered remains of Pinochet's victims, alive in the aridity of the Atacama Desert. Rithy Panh's S-21 (2003) reawakens events of the Cambodian genocide through dramatic confrontation with some of its executioners, and Joshua Oppenheimer's The Act of Killing (2012) films the perpetrators of the Indonesian genocide as they restage scenes of killings and torture. Inspired by the work of Walter Benjamin, Frank Ankersmit, Joseph Mali, and Simon Schama, Guynn argues that the film medium, more immediate than language, is capable of restoring the affective dimension of historical experience, rooted in the deepest reaches of our minds In English Catastrophical, The, in motion pictures Historical films History and criticism Psychic trauma in motion pictures Massenmord Motiv (DE-588)4341308-0 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Film (DE-588)4017102-4 s Massenmord Motiv (DE-588)4341308-0 s 1\p DE-604 https://doi.org/10.7312/guyn17796 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Guynn, William Unspeakable Histories Film and the Experience of Catastrophe Catastrophical, The, in motion pictures Historical films History and criticism Psychic trauma in motion pictures Massenmord Motiv (DE-588)4341308-0 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4341308-0 (DE-588)4017102-4 |
| title | Unspeakable Histories Film and the Experience of Catastrophe |
| title_auth | Unspeakable Histories Film and the Experience of Catastrophe |
| title_exact_search | Unspeakable Histories Film and the Experience of Catastrophe |
| title_full | Unspeakable Histories Film and the Experience of Catastrophe William Guynn |
| title_fullStr | Unspeakable Histories Film and the Experience of Catastrophe William Guynn |
| title_full_unstemmed | Unspeakable Histories Film and the Experience of Catastrophe William Guynn |
| title_short | Unspeakable Histories |
| title_sort | unspeakable histories film and the experience of catastrophe |
| title_sub | Film and the Experience of Catastrophe |
| topic | Catastrophical, The, in motion pictures Historical films History and criticism Psychic trauma in motion pictures Massenmord Motiv (DE-588)4341308-0 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Catastrophical, The, in motion pictures Historical films History and criticism Psychic trauma in motion pictures Massenmord Motiv Film |
| url | https://doi.org/10.7312/guyn17796 |
| work_keys_str_mv | AT guynnwilliam unspeakablehistoriesfilmandtheexperienceofcatastrophe |