Hungarian Film, 1929-1947:
What does it mean for someone or something to be Hungarian? That was the far-reaching question that people grappled with in Hungary in the wake of the losses and transformation brought by World War I. Because the period also saw the rise of cinema, audiences, filmmakers, critics, and officials often...
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1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Amsterdam
Amsterdam University Press
[2017]
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Schriftenreihe: | Eastern European screen cultures
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Schlagworte: | |
Online-Zugang: | FHA01 FKE01 FLA01 UPA01 UBG01 FAW01 FAB01 FCO01 URL des Erstveröffentlichers |
Zusammenfassung: | What does it mean for someone or something to be Hungarian? That was the far-reaching question that people grappled with in Hungary in the wake of the losses and transformation brought by World War I. Because the period also saw the rise of cinema, audiences, filmmakers, critics, and officials often looked at films with an eye to that question, too: Did the Hungary seen on screen represent the Hungary they knew from everyday life? And—crucially—did the major role played by Jewish Hungarians in the film industry make the sector and its creations somehow Jewish rather than Hungarian? Jews, it was soon decided, could not really be Hungarian, and acts of Parliament soon barred them from taking major roles in cinema production. This book tells the troubled story of that period in Hungarian cinematic history, taking it up through World War II. |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 19. Feb 2019) |
Beschreibung: | 1 online resource 30 halftones |
ISBN: | 9789048530243 |
DOI: | 10.1515/9789048530243 |
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520 | |a What does it mean for someone or something to be Hungarian? That was the far-reaching question that people grappled with in Hungary in the wake of the losses and transformation brought by World War I. Because the period also saw the rise of cinema, audiences, filmmakers, critics, and officials often looked at films with an eye to that question, too: Did the Hungary seen on screen represent the Hungary they knew from everyday life? And—crucially—did the major role played by Jewish Hungarians in the film industry make the sector and its creations somehow Jewish rather than Hungarian? Jews, it was soon decided, could not really be Hungarian, and acts of Parliament soon barred them from taking major roles in cinema production. This book tells the troubled story of that period in Hungarian cinematic history, taking it up through World War II. | ||
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Datensatz im Suchindex
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any_adam_object | |
author | Gergely, Gábor |
author_facet | Gergely, Gábor |
author_role | aut |
author_sort | Gergely, Gábor |
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era | Geschichte 1929-1947 gnd |
era_facet | Geschichte 1929-1947 |
format | Electronic eBook |
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indexdate | 2024-07-10T08:30:21Z |
institution | BVB |
isbn | 9789048530243 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031302792 |
oclc_num | 1104918435 |
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publishDate | 2017 |
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series2 | Eastern European screen cultures |
spelling | Gergely, Gábor Verfasser aut Hungarian Film, 1929-1947 Gábor Gergely Amsterdam Amsterdam University Press [2017] © 2017 1 online resource 30 halftones txt rdacontent c rdamedia cr rdacarrier Eastern European screen cultures Description based on online resource; title from PDF title page (publisher's Web site, viewed 19. Feb 2019) What does it mean for someone or something to be Hungarian? That was the far-reaching question that people grappled with in Hungary in the wake of the losses and transformation brought by World War I. Because the period also saw the rise of cinema, audiences, filmmakers, critics, and officials often looked at films with an eye to that question, too: Did the Hungary seen on screen represent the Hungary they knew from everyday life? And—crucially—did the major role played by Jewish Hungarians in the film industry make the sector and its creations somehow Jewish rather than Hungarian? Jews, it was soon decided, could not really be Hungarian, and acts of Parliament soon barred them from taking major roles in cinema production. This book tells the troubled story of that period in Hungarian cinematic history, taking it up through World War II. In English Geschichte 1929-1947 gnd rswk-swf Juden (DE-588)4028808-0 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Filmwirtschaft (DE-588)4154384-1 gnd rswk-swf Ungarn (DE-588)4078541-5 gnd rswk-swf Ungarn (DE-588)4078541-5 g Film (DE-588)4017102-4 s Filmwirtschaft (DE-588)4154384-1 s Juden (DE-588)4028808-0 s Geschichte 1929-1947 z 1\p DE-604 https://doi.org/10.1515/9789048530243 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Gergely, Gábor Hungarian Film, 1929-1947 Juden (DE-588)4028808-0 gnd Film (DE-588)4017102-4 gnd Filmwirtschaft (DE-588)4154384-1 gnd |
subject_GND | (DE-588)4028808-0 (DE-588)4017102-4 (DE-588)4154384-1 (DE-588)4078541-5 |
title | Hungarian Film, 1929-1947 |
title_auth | Hungarian Film, 1929-1947 |
title_exact_search | Hungarian Film, 1929-1947 |
title_full | Hungarian Film, 1929-1947 Gábor Gergely |
title_fullStr | Hungarian Film, 1929-1947 Gábor Gergely |
title_full_unstemmed | Hungarian Film, 1929-1947 Gábor Gergely |
title_short | Hungarian Film, 1929-1947 |
title_sort | hungarian film 1929 1947 |
topic | Juden (DE-588)4028808-0 gnd Film (DE-588)4017102-4 gnd Filmwirtschaft (DE-588)4154384-1 gnd |
topic_facet | Juden Film Filmwirtschaft Ungarn |
url | https://doi.org/10.1515/9789048530243 |
work_keys_str_mv | AT gergelygabor hungarianfilm19291947 |