Definitions of Art:
In the last thirty years, work in analytic philosophy of art has flourished, and it has given rise to considerably controversy. Stephen Davies describes and analyzes the definition of art as it has been discussed in Anglo-American philosophy during this period and, in the process, introduces his own...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Ithaca, NY
Cornell University Press
[2018]
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| Online-Zugang: | FHA01 FKE01 FLA01 UPA01 UBG01 FAW01 FAB01 FCO01 Volltext |
| Zusammenfassung: | In the last thirty years, work in analytic philosophy of art has flourished, and it has given rise to considerably controversy. Stephen Davies describes and analyzes the definition of art as it has been discussed in Anglo-American philosophy during this period and, in the process, introduces his own perspective on ways in which we should reorient our thinking.Davies conceives of the debate as revealing two basic, conflicting approaches—the functional and the procedural—to the questions of whether art can be defined, and if so, how. As the author sees it, the functionalist believes that an object is a work of art only if it performs a particular function (usually, that of providing a rewarding aesthetic experience). By contrast the proceduralist believes that something is an artwork only if it has been created according to certain rules and procedures. Davies attempts to demonstrate the fruitfulness of viewing the debate in terms of this framework, and he develops new arguments against both points of view—although he is more critical of functional than of procedural definitions.Because it has generated so much of the recent literature, Davies starts his analysis with a discussion of Morris Weitz's germinal paper, "The Role of Theory in Aesthetics." He goes on to examine other important works by Arthur Danto, George Dickie, and Ben Tilghman and develops in his critiques original arguments on such matters of the artificiality of artworks and the relevance of artists' intentions |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 19. Feb 2019) |
| Beschreibung: | 1 online resource |
| ISBN: | 9781501721182 |
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| 520 | |a In the last thirty years, work in analytic philosophy of art has flourished, and it has given rise to considerably controversy. Stephen Davies describes and analyzes the definition of art as it has been discussed in Anglo-American philosophy during this period and, in the process, introduces his own perspective on ways in which we should reorient our thinking.Davies conceives of the debate as revealing two basic, conflicting approaches—the functional and the procedural—to the questions of whether art can be defined, and if so, how. As the author sees it, the functionalist believes that an object is a work of art only if it performs a particular function (usually, that of providing a rewarding aesthetic experience). By contrast the proceduralist believes that something is an artwork only if it has been created according to certain rules and procedures. Davies attempts to demonstrate the fruitfulness of viewing the debate in terms of this framework, and he develops new arguments against both points of view—although he is more critical of functional than of procedural definitions.Because it has generated so much of the recent literature, Davies starts his analysis with a discussion of Morris Weitz's germinal paper, "The Role of Theory in Aesthetics." He goes on to examine other important works by Arthur Danto, George Dickie, and Ben Tilghman and develops in his critiques original arguments on such matters of the artificiality of artworks and the relevance of artists' intentions | ||
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Datensatz im Suchindex
| _version_ | 1804180097080492032 |
|---|---|
| any_adam_object | |
| author | Davies, Stephen |
| author_facet | Davies, Stephen |
| author_role | aut |
| author_sort | Davies, Stephen |
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| building | Verbundindex |
| bvnumber | BV045919909 |
| collection | ZDB-23-DGG |
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| dewey-ones | 701 - Philosophy of fine & decorative arts |
| dewey-raw | 701 |
| dewey-search | 701 |
| dewey-sort | 3701 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| era | Geschichte 1900-2000 gnd Geschichte 1960-1990 gnd |
| era_facet | Geschichte 1900-2000 Geschichte 1960-1990 |
| format | Electronic eBook |
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| indexdate | 2024-07-10T08:30:20Z |
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| language | English |
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| publisher | Cornell University Press |
| record_format | marc |
| spelling | Davies, Stephen Verfasser aut Definitions of Art Stephen Davies Ithaca, NY Cornell University Press [2018] © 1991 1 online resource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 19. Feb 2019) In the last thirty years, work in analytic philosophy of art has flourished, and it has given rise to considerably controversy. Stephen Davies describes and analyzes the definition of art as it has been discussed in Anglo-American philosophy during this period and, in the process, introduces his own perspective on ways in which we should reorient our thinking.Davies conceives of the debate as revealing two basic, conflicting approaches—the functional and the procedural—to the questions of whether art can be defined, and if so, how. As the author sees it, the functionalist believes that an object is a work of art only if it performs a particular function (usually, that of providing a rewarding aesthetic experience). By contrast the proceduralist believes that something is an artwork only if it has been created according to certain rules and procedures. Davies attempts to demonstrate the fruitfulness of viewing the debate in terms of this framework, and he develops new arguments against both points of view—although he is more critical of functional than of procedural definitions.Because it has generated so much of the recent literature, Davies starts his analysis with a discussion of Morris Weitz's germinal paper, "The Role of Theory in Aesthetics." He goes on to examine other important works by Arthur Danto, George Dickie, and Ben Tilghman and develops in his critiques original arguments on such matters of the artificiality of artworks and the relevance of artists' intentions In English Geschichte 1900-2000 gnd rswk-swf Geschichte 1960-1990 gnd rswk-swf Art Philosophy Ästhetik (DE-588)4000626-8 gnd rswk-swf Kunstbetrachtung (DE-588)4125321-8 gnd rswk-swf Großbritannien (DE-588)4022153-2 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Großbritannien (DE-588)4022153-2 g Ästhetik (DE-588)4000626-8 s Geschichte 1960-1990 z 1\p DE-604 USA (DE-588)4078704-7 g 2\p DE-604 Kunstbetrachtung (DE-588)4125321-8 s Geschichte 1900-2000 z 3\p DE-604 4\p DE-604 https://www.degruyter.com/doi/book/10.7591/9781501721182 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 4\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Davies, Stephen Definitions of Art Art Philosophy Ästhetik (DE-588)4000626-8 gnd Kunstbetrachtung (DE-588)4125321-8 gnd |
| subject_GND | (DE-588)4000626-8 (DE-588)4125321-8 (DE-588)4022153-2 (DE-588)4078704-7 |
| title | Definitions of Art |
| title_auth | Definitions of Art |
| title_exact_search | Definitions of Art |
| title_full | Definitions of Art Stephen Davies |
| title_fullStr | Definitions of Art Stephen Davies |
| title_full_unstemmed | Definitions of Art Stephen Davies |
| title_short | Definitions of Art |
| title_sort | definitions of art |
| topic | Art Philosophy Ästhetik (DE-588)4000626-8 gnd Kunstbetrachtung (DE-588)4125321-8 gnd |
| topic_facet | Art Philosophy Ästhetik Kunstbetrachtung Großbritannien USA |
| url | https://www.degruyter.com/doi/book/10.7591/9781501721182 |
| work_keys_str_mv | AT daviesstephen definitionsofart |