Audiences:
Moving away from the recent prevalence of text-based analysis in the field of film studies, Audience tackles one of the most important issues in cinema-how the audience engages with film. Ian Christie has assembled contributions from many of the major figures in media studies, including Gregory Wall...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam
Amsterdam University Press
[2013]
|
| Schriftenreihe: | European Film Studies - Key Debates
|
| Schlagworte: | |
| Online-Zugang: | DE-859 DE-860 DE-739 DE-473 DE-1046 DE-1043 DE-858 Volltext |
| Zusammenfassung: | Moving away from the recent prevalence of text-based analysis in the field of film studies, Audience tackles one of the most important issues in cinema-how the audience engages with film. Ian Christie has assembled contributions from many of the major figures in media studies, including Gregory Waller, John Sedgwick, and Martin Baker, in order to provide a wide-ranging survey of viewers' relationships with the screen. Audiences utilizes psychoanalysis and psychology, which dominated early academic examinations of film, to parse and explain modern film-viewing habits. This wide-ranging volume also takes advantage of new technology to gain access to important data on audiences, from traditional box office studies to information on digital access to movies in the home. With a particular interest in individual consumers and their motivations, this timely collection spans the spectrum of contemporary audience studies. As the film experience fragments across multiple formats, Audiences studies a broad range of viewers, andis essential reading for scholars and lovers of cinema |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jan 2019) |
| Beschreibung: | 1 online resource 20 halftones |
| ISBN: | 9789048515059 |
| DOI: | 10.1515/9789048515059 |
Internformat
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Datensatz im Suchindex
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| adam_text | |
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| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43 |
| dewey-search | 791.43 |
| dewey-sort | 3791.43 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| doi_str_mv | 10.1515/9789048515059 |
| format | Electronic eBook |
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| id | DE-604.BV045918077 |
| illustrated | Not Illustrated |
| indexdate | 2025-02-19T17:25:15Z |
| institution | BVB |
| isbn | 9789048515059 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031300583 |
| oclc_num | 1104935924 |
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| physical | 1 online resource 20 halftones |
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| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | Amsterdam University Press |
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| series2 | European Film Studies - Key Debates |
| spelling | Audiences Ian Christie Amsterdam Amsterdam University Press [2013] © 2012 1 online resource 20 halftones txt rdacontent c rdamedia cr rdacarrier European Film Studies - Key Debates Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jan 2019) Moving away from the recent prevalence of text-based analysis in the field of film studies, Audience tackles one of the most important issues in cinema-how the audience engages with film. Ian Christie has assembled contributions from many of the major figures in media studies, including Gregory Waller, John Sedgwick, and Martin Baker, in order to provide a wide-ranging survey of viewers' relationships with the screen. Audiences utilizes psychoanalysis and psychology, which dominated early academic examinations of film, to parse and explain modern film-viewing habits. This wide-ranging volume also takes advantage of new technology to gain access to important data on audiences, from traditional box office studies to information on digital access to movies in the home. With a particular interest in individual consumers and their motivations, this timely collection spans the spectrum of contemporary audience studies. As the film experience fragments across multiple formats, Audiences studies a broad range of viewers, andis essential reading for scholars and lovers of cinema In English Publikum (DE-588)4047764-2 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Filmwissenschaft (DE-588)4154385-3 gnd rswk-swf Publikumsforschung (DE-588)4310038-7 gnd rswk-swf Filmwissenschaft (DE-588)4154385-3 s Publikumsforschung (DE-588)4310038-7 s 1\p DE-604 Film (DE-588)4017102-4 s Publikum (DE-588)4047764-2 s 2\p DE-604 Christie, Ian edt https://doi.org/10.1515/9789048515059 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Audiences Publikum (DE-588)4047764-2 gnd Film (DE-588)4017102-4 gnd Filmwissenschaft (DE-588)4154385-3 gnd Publikumsforschung (DE-588)4310038-7 gnd |
| subject_GND | (DE-588)4047764-2 (DE-588)4017102-4 (DE-588)4154385-3 (DE-588)4310038-7 |
| title | Audiences |
| title_auth | Audiences |
| title_exact_search | Audiences |
| title_full | Audiences Ian Christie |
| title_fullStr | Audiences Ian Christie |
| title_full_unstemmed | Audiences Ian Christie |
| title_short | Audiences |
| title_sort | audiences |
| topic | Publikum (DE-588)4047764-2 gnd Film (DE-588)4017102-4 gnd Filmwissenschaft (DE-588)4154385-3 gnd Publikumsforschung (DE-588)4310038-7 gnd |
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| url | https://doi.org/10.1515/9789048515059 |
| work_keys_str_mv | AT christieian audiences |