Anonymity Performance in Electronic Pop Music: A Performance Ethnography of Critical Practices

In electronic music culture, anonymity practices have long been established as a method of critique of pop star cult and identification regimes. How can scholars research an anti-representational music culture and what can they learn from it? Recently, electronic pop music has resorted to a performa...

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Bibliographische Detailangaben
1. Verfasser: Menrath, Stefanie Kiwi (VerfasserIn)
Format: Elektronisch E-Book
Sprache:English
Veröffentlicht: Bielefeld transcript-Verlag [2019]
Schriftenreihe:Studien zur Popularmusik
Schlagworte:
Online-Zugang:DE-B1533
DE-1043
DE-1046
DE-858
DE-Aug4
DE-859
DE-860
DE-473
DE-355
DE-739
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Zusammenfassung:In electronic music culture, anonymity practices have long been established as a method of critique of pop star cult and identification regimes. How can scholars research an anti-representational music culture and what can they learn from it? Recently, electronic pop music has resorted to a performative play with identity involving fake or parafictive identities or collaborative persona imaginations.This study sketches two musico-artistic projects of anonymity performance as forms of immanent and particulate 'critical practice' in the sense of Judith Butler and Michel Foucault. Adopting performance in a reflexive and performative writing style, this 'performance ethnography' calls for a radical performative turn in the cultural studies of music
Beschreibung:Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jan 2019)
Beschreibung:1 online resource
ISBN:9783839442562
DOI:10.14361/9783839442562

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