Photographic Literacy: Cameras in the Hands of Russian Authors
Photography, introduced to Russia in 1839, was nothing short of a sensation. Its rapid proliferation challenged the other arts, including painting and literature, as well as the very integrity of the self. If Leo Tolstoy and Fyodor Dostoevsky greeted the camera with skepticism in the nineteenth cent...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Ithaca, NY
Cornell University Press
[2018]
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| Schlagworte: | |
| Online-Zugang: | DE-355 DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-473 DE-739 URL des Erstveröffentlichers |
| Zusammenfassung: | Photography, introduced to Russia in 1839, was nothing short of a sensation. Its rapid proliferation challenged the other arts, including painting and literature, as well as the very integrity of the self. If Leo Tolstoy and Fyodor Dostoevsky greeted the camera with skepticism in the nineteenth century, numerous twentieth-century authors welcomed it with a warm embrace. As Katherine M. H. Reischl shows in Photographic Literacy, authors as varied as Leonid Andreev, Ilya Ehrenburg, and Alexander Solzhenitsyn picked up the camera and reshaped not only their writing practices but also the sphere of literacy itself.For these authors, a single photograph or a photograph as illustration is never an endpoint; their authorial practices continually transform and animate the frozen moment. But just as authors used images to shape the reception of their work and selves, Russian photographers — including Sergei Prokudin-Gorsky and Alexander Rodchenko — used text to shape the reception of their visual work. From the diary to print, the literary word imbues that photographic moment with a personal life story, and frames and reframes it in the writing of history. In this primer on photographic literacy, Reischl argues for the central place that photography has played in the formation of the Russian literary imagination over the course of roughly seventy years. From image to text and back again, she traces the visual consciousness of modern Russian literature as captured through the lens of the Russian author-photographer |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Dez 2018) |
| Beschreibung: | 1 online resource 20 color photos, 78 b&w halftones |
| ISBN: | 9781501730481 |
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| 520 | |a Photography, introduced to Russia in 1839, was nothing short of a sensation. Its rapid proliferation challenged the other arts, including painting and literature, as well as the very integrity of the self. If Leo Tolstoy and Fyodor Dostoevsky greeted the camera with skepticism in the nineteenth century, numerous twentieth-century authors welcomed it with a warm embrace. As Katherine M. H. Reischl shows in Photographic Literacy, authors as varied as Leonid Andreev, Ilya Ehrenburg, and Alexander Solzhenitsyn picked up the camera and reshaped not only their writing practices but also the sphere of literacy itself.For these authors, a single photograph or a photograph as illustration is never an endpoint; their authorial practices continually transform and animate the frozen moment. But just as authors used images to shape the reception of their work and selves, Russian photographers — including Sergei Prokudin-Gorsky and Alexander Rodchenko — used text to shape the reception of their visual work. From the diary to print, the literary word imbues that photographic moment with a personal life story, and frames and reframes it in the writing of history. In this primer on photographic literacy, Reischl argues for the central place that photography has played in the formation of the Russian literary imagination over the course of roughly seventy years. From image to text and back again, she traces the visual consciousness of modern Russian literature as captured through the lens of the Russian author-photographer | ||
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| 650 | 4 | |a Literature and photography |z Soviet Union |x History | |
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Datensatz im Suchindex
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| author | Reischl, Katherine M. H. |
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| author_sort | Reischl, Katherine M. H. |
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| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 891 - East Indo-European and Celtic literatures |
| dewey-raw | 891.709/357 |
| dewey-search | 891.709/357 |
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| discipline | Slavistik |
| format | Electronic eBook |
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| geographic_facet | Sowjetunion Russland |
| id | DE-604.BV045916611 |
| illustrated | Illustrated |
| indexdate | 2025-02-19T17:25:04Z |
| institution | BVB |
| isbn | 9781501730481 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031299117 |
| oclc_num | 1165520355 |
| open_access_boolean | |
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| publisher | Cornell University Press |
| record_format | marc |
| spelling | Reischl, Katherine M. H. Verfasser aut Photographic Literacy Cameras in the Hands of Russian Authors Katherine M. H. Reischl Ithaca, NY Cornell University Press [2018] © 2018 1 online resource 20 color photos, 78 b&w halftones txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Dez 2018) Photography, introduced to Russia in 1839, was nothing short of a sensation. Its rapid proliferation challenged the other arts, including painting and literature, as well as the very integrity of the self. If Leo Tolstoy and Fyodor Dostoevsky greeted the camera with skepticism in the nineteenth century, numerous twentieth-century authors welcomed it with a warm embrace. As Katherine M. H. Reischl shows in Photographic Literacy, authors as varied as Leonid Andreev, Ilya Ehrenburg, and Alexander Solzhenitsyn picked up the camera and reshaped not only their writing practices but also the sphere of literacy itself.For these authors, a single photograph or a photograph as illustration is never an endpoint; their authorial practices continually transform and animate the frozen moment. But just as authors used images to shape the reception of their work and selves, Russian photographers — including Sergei Prokudin-Gorsky and Alexander Rodchenko — used text to shape the reception of their visual work. From the diary to print, the literary word imbues that photographic moment with a personal life story, and frames and reframes it in the writing of history. In this primer on photographic literacy, Reischl argues for the central place that photography has played in the formation of the Russian literary imagination over the course of roughly seventy years. From image to text and back again, she traces the visual consciousness of modern Russian literature as captured through the lens of the Russian author-photographer In English Andreev, Leonid Nikolaevič 1871-1919 (DE-588)118637703 gnd rswk-swf Alexander Rodchenko Alexander Solzhenitsyn Ilya Ehrenburg Leonid Andreev literature photography Russia Sergie Prokudin-Gorsky Soviet Union USSR. visual consciousness Literature and photography Russia History 20th century Literature and photography Soviet Union History Photography in literature Russian literature 20th century History and criticism Fotografie (DE-588)4045895-7 gnd rswk-swf Schriftsteller (DE-588)4053309-8 gnd rswk-swf Sowjetunion (DE-588)4077548-3 gnd rswk-swf Russland (DE-588)4076899-5 gnd rswk-swf Russland (DE-588)4076899-5 g Sowjetunion (DE-588)4077548-3 g Schriftsteller (DE-588)4053309-8 s Fotografie (DE-588)4045895-7 s 1\p DE-604 Andreev, Leonid Nikolaevič 1871-1919 (DE-588)118637703 p 2\p DE-604 https://www.degruyter.com/doi/book/10.7591/9781501730481 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Reischl, Katherine M. H. Photographic Literacy Cameras in the Hands of Russian Authors Andreev, Leonid Nikolaevič 1871-1919 (DE-588)118637703 gnd Alexander Rodchenko Alexander Solzhenitsyn Ilya Ehrenburg Leonid Andreev literature photography Russia Sergie Prokudin-Gorsky Soviet Union USSR. visual consciousness Literature and photography Russia History 20th century Literature and photography Soviet Union History Photography in literature Russian literature 20th century History and criticism Fotografie (DE-588)4045895-7 gnd Schriftsteller (DE-588)4053309-8 gnd |
| subject_GND | (DE-588)118637703 (DE-588)4045895-7 (DE-588)4053309-8 (DE-588)4077548-3 (DE-588)4076899-5 |
| title | Photographic Literacy Cameras in the Hands of Russian Authors |
| title_auth | Photographic Literacy Cameras in the Hands of Russian Authors |
| title_exact_search | Photographic Literacy Cameras in the Hands of Russian Authors |
| title_full | Photographic Literacy Cameras in the Hands of Russian Authors Katherine M. H. Reischl |
| title_fullStr | Photographic Literacy Cameras in the Hands of Russian Authors Katherine M. H. Reischl |
| title_full_unstemmed | Photographic Literacy Cameras in the Hands of Russian Authors Katherine M. H. Reischl |
| title_short | Photographic Literacy |
| title_sort | photographic literacy cameras in the hands of russian authors |
| title_sub | Cameras in the Hands of Russian Authors |
| topic | Andreev, Leonid Nikolaevič 1871-1919 (DE-588)118637703 gnd Alexander Rodchenko Alexander Solzhenitsyn Ilya Ehrenburg Leonid Andreev literature photography Russia Sergie Prokudin-Gorsky Soviet Union USSR. visual consciousness Literature and photography Russia History 20th century Literature and photography Soviet Union History Photography in literature Russian literature 20th century History and criticism Fotografie (DE-588)4045895-7 gnd Schriftsteller (DE-588)4053309-8 gnd |
| topic_facet | Andreev, Leonid Nikolaevič 1871-1919 Alexander Rodchenko Alexander Solzhenitsyn Ilya Ehrenburg Leonid Andreev literature photography Russia Sergie Prokudin-Gorsky Soviet Union USSR. visual consciousness Literature and photography Russia History 20th century Literature and photography Soviet Union History Photography in literature Russian literature 20th century History and criticism Fotografie Schriftsteller Sowjetunion Russland |
| url | https://www.degruyter.com/doi/book/10.7591/9781501730481 |
| work_keys_str_mv | AT reischlkatherinemh photographicliteracycamerasinthehandsofrussianauthors |