Color Monitors: The Black Face of Technology in America
"Color Monitors looks at a particular subset of imagined computer use, focusing on scenarios that demand from the person at the keyboard an intimate technical knowledge. My research has uncovered a peculiar pattern: race comes into sharp relief when computer use is depicted as difficult labor r...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Ithaca, NY
Cornell University Press
[2018]
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| Online-Zugang: | FHA01 FKE01 FLA01 UPA01 UBG01 FAW01 FAB01 FCO01 URL des Erstveröffentlichers |
| Zusammenfassung: | "Color Monitors looks at a particular subset of imagined computer use, focusing on scenarios that demand from the person at the keyboard an intimate technical knowledge. My research has uncovered a peculiar pattern: race comes into sharp relief when computer use is depicted as difficult labor requiring special expertise. Time and again, in such scenarios, the helpful person of color is there to take the call-to provide technical support, to deal with the machines. In interpreting such images, Color Monitors analyzes the computer-fearing strain in American whiteness, an aspect of white identity that defines itself against information technology and the racial other imagined to love it and excel at it."-Martin KevorkianFollowing up on Ralph Ellison's intimation that blacks serve as "the machines inside the machine," Color Monitors examines the designation of black bodies as natural machines for the information age. Martin Kevorkian shows how African Americans are consistently depicted as highly skilled, intelligent, and technologically savvy as they work to solve complex computer problems in popular movies, corporate advertising, and contemporary fiction. But is this progress? Or do such seemingly positive depictions have more disturbing implications? Kevorkian provocatively asserts that whites' historical "fear of a black planet" has in the age of microprocessing converged with a new fear of computers and the possibility that digital imperatives will engulf human creativity.Analyzing escapist fantasies from Mission: Impossible to Minority Report, Kevorkian argues that the placement of a black man in front of a computer screen doubly reassures audiences: he is nonthreatening, safely occupied-even imprisoned-by the very machine he attempts to control, an occupation that simultaneously frees the action heroes from any electronic headaches. The study concludes with some alternatives to this scheme, looking to a network of recent authors, with shared affinities for Ellison and Pynchon, willing to think inside the black box of technology.Connecting race, technology, and American empire, Color Monitors will attract attention from scholars working in emerging areas of race theory, African American studies, film studies, cultural studies, and technology and communication studies |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jan 2019) |
| Beschreibung: | 1 online resource 2 line figures, 11 halftones |
| ISBN: | 9781501727382 |
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| 520 | |a Martin Kevorkian shows how African Americans are consistently depicted as highly skilled, intelligent, and technologically savvy as they work to solve complex computer problems in popular movies, corporate advertising, and contemporary fiction. But is this progress? Or do such seemingly positive depictions have more disturbing implications? Kevorkian provocatively asserts that whites' historical "fear of a black planet" has in the age of microprocessing converged with a new fear of computers and the possibility that digital imperatives will engulf human creativity.Analyzing escapist fantasies from Mission: Impossible to Minority Report, Kevorkian argues that the placement of a black man in front of a computer screen doubly reassures audiences: he is nonthreatening, safely occupied-even imprisoned-by the very machine he attempts to control, an occupation that simultaneously frees the action heroes from any electronic headaches. | ||
| 520 | |a The study concludes with some alternatives to this scheme, looking to a network of recent authors, with shared affinities for Ellison and Pynchon, willing to think inside the black box of technology.Connecting race, technology, and American empire, Color Monitors will attract attention from scholars working in emerging areas of race theory, African American studies, film studies, cultural studies, and technology and communication studies | ||
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| spelling | Kevorkian, Martin Verfasser aut Color Monitors The Black Face of Technology in America Martin Kevorkian Ithaca, NY Cornell University Press [2018] © 2006 1 online resource 2 line figures, 11 halftones txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jan 2019) "Color Monitors looks at a particular subset of imagined computer use, focusing on scenarios that demand from the person at the keyboard an intimate technical knowledge. My research has uncovered a peculiar pattern: race comes into sharp relief when computer use is depicted as difficult labor requiring special expertise. Time and again, in such scenarios, the helpful person of color is there to take the call-to provide technical support, to deal with the machines. In interpreting such images, Color Monitors analyzes the computer-fearing strain in American whiteness, an aspect of white identity that defines itself against information technology and the racial other imagined to love it and excel at it."-Martin KevorkianFollowing up on Ralph Ellison's intimation that blacks serve as "the machines inside the machine," Color Monitors examines the designation of black bodies as natural machines for the information age. Martin Kevorkian shows how African Americans are consistently depicted as highly skilled, intelligent, and technologically savvy as they work to solve complex computer problems in popular movies, corporate advertising, and contemporary fiction. But is this progress? Or do such seemingly positive depictions have more disturbing implications? Kevorkian provocatively asserts that whites' historical "fear of a black planet" has in the age of microprocessing converged with a new fear of computers and the possibility that digital imperatives will engulf human creativity.Analyzing escapist fantasies from Mission: Impossible to Minority Report, Kevorkian argues that the placement of a black man in front of a computer screen doubly reassures audiences: he is nonthreatening, safely occupied-even imprisoned-by the very machine he attempts to control, an occupation that simultaneously frees the action heroes from any electronic headaches. The study concludes with some alternatives to this scheme, looking to a network of recent authors, with shared affinities for Ellison and Pynchon, willing to think inside the black box of technology.Connecting race, technology, and American empire, Color Monitors will attract attention from scholars working in emerging areas of race theory, African American studies, film studies, cultural studies, and technology and communication studies In English African Americans in mass media African Americans in popular culture Computers Social aspects United States Technology Social aspects United States Schwarze (DE-588)4116433-7 gnd rswk-swf Massenmedien (DE-588)4037877-9 gnd rswk-swf Neue Technologie (DE-588)4194462-8 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Schwarze (DE-588)4116433-7 s Neue Technologie (DE-588)4194462-8 s Massenmedien (DE-588)4037877-9 s 1\p DE-604 https://www.degruyter.com/doi/book/10.7591/9781501727382 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Kevorkian, Martin Color Monitors The Black Face of Technology in America African Americans in mass media African Americans in popular culture Computers Social aspects United States Technology Social aspects United States Schwarze (DE-588)4116433-7 gnd Massenmedien (DE-588)4037877-9 gnd Neue Technologie (DE-588)4194462-8 gnd |
| subject_GND | (DE-588)4116433-7 (DE-588)4037877-9 (DE-588)4194462-8 (DE-588)4078704-7 |
| title | Color Monitors The Black Face of Technology in America |
| title_auth | Color Monitors The Black Face of Technology in America |
| title_exact_search | Color Monitors The Black Face of Technology in America |
| title_full | Color Monitors The Black Face of Technology in America Martin Kevorkian |
| title_fullStr | Color Monitors The Black Face of Technology in America Martin Kevorkian |
| title_full_unstemmed | Color Monitors The Black Face of Technology in America Martin Kevorkian |
| title_short | Color Monitors |
| title_sort | color monitors the black face of technology in america |
| title_sub | The Black Face of Technology in America |
| topic | African Americans in mass media African Americans in popular culture Computers Social aspects United States Technology Social aspects United States Schwarze (DE-588)4116433-7 gnd Massenmedien (DE-588)4037877-9 gnd Neue Technologie (DE-588)4194462-8 gnd |
| topic_facet | African Americans in mass media African Americans in popular culture Computers Social aspects United States Technology Social aspects United States Schwarze Massenmedien Neue Technologie USA |
| url | https://www.degruyter.com/doi/book/10.7591/9781501727382 |
| work_keys_str_mv | AT kevorkianmartin colormonitorstheblackfaceoftechnologyinamerica |