National Performance: Representing Quebec from Expo 67 to Celine Dion
In National Performance, Erin Hurley examines the complex relationship between performance and national identity. How do theatrical performances represent the nation in which they were created? How is Quebecois performance used to define Quebec as a nation and to cultivate a sense of 'Quebec-ne...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Toronto
University of Toronto Press
[2018]
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| Schriftenreihe: | Cultural Spaces
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| Schlagworte: | |
| Online-Zugang: | FHA01 FKE01 FLA01 UPA01 UBG01 FAW01 FAB01 FCO01 URL des Erstveröffentlichers |
| Zusammenfassung: | In National Performance, Erin Hurley examines the complex relationship between performance and national identity. How do theatrical performances represent the nation in which they were created? How is Quebecois performance used to define Quebec as a nation and to cultivate a sense of 'Quebec-ness' for audiences both within and outside the province? In exploring Expo 67, the critical response to Michel Tremblay's Les Belles Soeurs, Carbone 14's image-theatre, Marco Micone's writing practices, Celine Dion's popular music, and feminist performance of the 1970s and 80s, Hurley reveals the ways in which certain performances come to be understood as 'national' while others are relegated to sub-national or outsider status. Each chapter focuses on a particular historical moment in Quebec's modern history and a genre of performance emblematic of the moment, and uses these to elaborate the nature of the national performances.Winner of the Northeast Modern Language Association's Book Prize, National Performance is sophisticated yet accessible, seeking to enlarge the parameters of what counts as 'Quebecois' performance, while providing a thorough introduction to changing discourses of nation-ness in Quebec |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Dez 2018) |
| Beschreibung: | 1 online resource |
| ISBN: | 9781442686342 |
| DOI: | 10.3138/9781442686342 |
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| 520 | |a In National Performance, Erin Hurley examines the complex relationship between performance and national identity. How do theatrical performances represent the nation in which they were created? How is Quebecois performance used to define Quebec as a nation and to cultivate a sense of 'Quebec-ness' for audiences both within and outside the province? In exploring Expo 67, the critical response to Michel Tremblay's Les Belles Soeurs, Carbone 14's image-theatre, Marco Micone's writing practices, Celine Dion's popular music, and feminist performance of the 1970s and 80s, Hurley reveals the ways in which certain performances come to be understood as 'national' while others are relegated to sub-national or outsider status. Each chapter focuses on a particular historical moment in Quebec's modern history and a genre of performance emblematic of the moment, and uses these to elaborate the nature of the national performances.Winner of the Northeast Modern Language Association's Book Prize, National Performance is sophisticated yet accessible, seeking to enlarge the parameters of what counts as 'Quebecois' performance, while providing a thorough introduction to changing discourses of nation-ness in Quebec | ||
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Datensatz im Suchindex
| _version_ | 1804180092312616960 |
|---|---|
| any_adam_object | |
| author | Hurley, Erin |
| author_facet | Hurley, Erin |
| author_role | aut |
| author_sort | Hurley, Erin |
| author_variant | e h eh |
| building | Verbundindex |
| bvnumber | BV045916063 |
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| dewey-full | 792.09714 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792.09714 |
| dewey-search | 792.09714 |
| dewey-sort | 3792.09714 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| doi_str_mv | 10.3138/9781442686342 |
| era | Geschichte 1967-2010 gnd |
| era_facet | Geschichte 1967-2010 |
| format | Electronic eBook |
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| geographic_facet | Québec Provinz |
| id | DE-604.BV045916063 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T08:30:16Z |
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| isbn | 9781442686342 |
| language | English |
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| publishDate | 2018 |
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| series2 | Cultural Spaces |
| spelling | Hurley, Erin Verfasser aut National Performance Representing Quebec from Expo 67 to Celine Dion Erin Hurley Toronto University of Toronto Press [2018] © 2010 1 online resource txt rdacontent c rdamedia cr rdacarrier Cultural Spaces Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Dez 2018) In National Performance, Erin Hurley examines the complex relationship between performance and national identity. How do theatrical performances represent the nation in which they were created? How is Quebecois performance used to define Quebec as a nation and to cultivate a sense of 'Quebec-ness' for audiences both within and outside the province? In exploring Expo 67, the critical response to Michel Tremblay's Les Belles Soeurs, Carbone 14's image-theatre, Marco Micone's writing practices, Celine Dion's popular music, and feminist performance of the 1970s and 80s, Hurley reveals the ways in which certain performances come to be understood as 'national' while others are relegated to sub-national or outsider status. Each chapter focuses on a particular historical moment in Quebec's modern history and a genre of performance emblematic of the moment, and uses these to elaborate the nature of the national performances.Winner of the Northeast Modern Language Association's Book Prize, National Performance is sophisticated yet accessible, seeking to enlarge the parameters of what counts as 'Quebecois' performance, while providing a thorough introduction to changing discourses of nation-ness in Quebec In English Geschichte 1967-2010 gnd rswk-swf DISCOUNT-B. Kulturelle Identität (DE-588)4033542-2 gnd rswk-swf Nationalbewusstsein (DE-588)4041282-9 gnd rswk-swf Darstellende Kunst (DE-588)4129566-3 gnd rswk-swf Québec Provinz (DE-588)4048030-6 gnd rswk-swf Québec Provinz (DE-588)4048030-6 g Darstellende Kunst (DE-588)4129566-3 s Kulturelle Identität (DE-588)4033542-2 s Nationalbewusstsein (DE-588)4041282-9 s Geschichte 1967-2010 z 1\p DE-604 https://doi.org/10.3138/9781442686342 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Hurley, Erin National Performance Representing Quebec from Expo 67 to Celine Dion DISCOUNT-B. Kulturelle Identität (DE-588)4033542-2 gnd Nationalbewusstsein (DE-588)4041282-9 gnd Darstellende Kunst (DE-588)4129566-3 gnd |
| subject_GND | (DE-588)4033542-2 (DE-588)4041282-9 (DE-588)4129566-3 (DE-588)4048030-6 |
| title | National Performance Representing Quebec from Expo 67 to Celine Dion |
| title_auth | National Performance Representing Quebec from Expo 67 to Celine Dion |
| title_exact_search | National Performance Representing Quebec from Expo 67 to Celine Dion |
| title_full | National Performance Representing Quebec from Expo 67 to Celine Dion Erin Hurley |
| title_fullStr | National Performance Representing Quebec from Expo 67 to Celine Dion Erin Hurley |
| title_full_unstemmed | National Performance Representing Quebec from Expo 67 to Celine Dion Erin Hurley |
| title_short | National Performance |
| title_sort | national performance representing quebec from expo 67 to celine dion |
| title_sub | Representing Quebec from Expo 67 to Celine Dion |
| topic | DISCOUNT-B. Kulturelle Identität (DE-588)4033542-2 gnd Nationalbewusstsein (DE-588)4041282-9 gnd Darstellende Kunst (DE-588)4129566-3 gnd |
| topic_facet | DISCOUNT-B. Kulturelle Identität Nationalbewusstsein Darstellende Kunst Québec Provinz |
| url | https://doi.org/10.3138/9781442686342 |
| work_keys_str_mv | AT hurleyerin nationalperformancerepresentingquebecfromexpo67tocelinedion |