Italian Neorealist Cinema: An Aesthetic Approach
The end of the Second World War saw the emergence of neorealist film in Italy. In Italian Neorealist Cinema, Christopher Wagstaff analyses three neorealist films that have had significant influence on filmmakers around the world. Wagstaff treats these films as assemblies of sounds and images rather...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Toronto
University of Toronto Press
[2018]
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| Schlagworte: | |
| Online-Zugang: | DE-Aug4 DE-859 DE-860 DE-739 DE-473 DE-1046 DE-1043 DE-858 Volltext |
| Zusammenfassung: | The end of the Second World War saw the emergence of neorealist film in Italy. In Italian Neorealist Cinema, Christopher Wagstaff analyses three neorealist films that have had significant influence on filmmakers around the world. Wagstaff treats these films as assemblies of sounds and images rather than as representations of historical reality. If Roberto Rossellini's Roma città aperta and Paisà, and Vittorio De Sica's Ladri di biciclette are still, half a century after they were made, among the most highly valued artefacts in the history of cinema, Wagstaff suggests that this could be due to the aesthetic and rhetorical qualities of their assembled narratives, performances, locations, lighting, sound, mise en scène, and montage.This volume begins by situating neorealist cinema in its historical, industrial, commercial and cultural context, and makes available for the first time a large amount of data on post-war Italian cinema. Wagstaff offers a theoretical discussion of what it means to treat realist films as aesthetic artefacts before moving on to the core of the book, which consists of three studies of the films under discussion. Italian Neorealist Cinema not only offers readers in Film Studies and Italian Studies a radically new perspective on neorealist cinema and the Italian art cinema that followed it, but theorises and applies a method of close analysis of film texts for those interested in aesthetics and rhetoric, as well as cinema in general |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Dez 2018) |
| Beschreibung: | 1 online resource |
| ISBN: | 9781442685673 |
| DOI: | 10.3138/9781442685673 |
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| 520 | |a The end of the Second World War saw the emergence of neorealist film in Italy. In Italian Neorealist Cinema, Christopher Wagstaff analyses three neorealist films that have had significant influence on filmmakers around the world. Wagstaff treats these films as assemblies of sounds and images rather than as representations of historical reality. If Roberto Rossellini's Roma città aperta and Paisà, and Vittorio De Sica's Ladri di biciclette are still, half a century after they were made, among the most highly valued artefacts in the history of cinema, Wagstaff suggests that this could be due to the aesthetic and rhetorical qualities of their assembled narratives, performances, locations, lighting, sound, mise en scène, and montage.This volume begins by situating neorealist cinema in its historical, industrial, commercial and cultural context, and makes available for the first time a large amount of data on post-war Italian cinema. Wagstaff offers a theoretical discussion of what it means to treat realist films as aesthetic artefacts before moving on to the core of the book, which consists of three studies of the films under discussion. Italian Neorealist Cinema not only offers readers in Film Studies and Italian Studies a radically new perspective on neorealist cinema and the Italian art cinema that followed it, but theorises and applies a method of close analysis of film texts for those interested in aesthetics and rhetoric, as well as cinema in general | ||
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| adam_text | |
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| author | Wagstaff, Christopher |
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| dewey-ones | 791 - Public performances |
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| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| doi_str_mv | 10.3138/9781442685673 |
| format | Electronic eBook |
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| spelling | Wagstaff, Christopher Verfasser aut Italian Neorealist Cinema An Aesthetic Approach Christopher Wagstaff Toronto University of Toronto Press [2018] © 2008 1 online resource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Dez 2018) The end of the Second World War saw the emergence of neorealist film in Italy. In Italian Neorealist Cinema, Christopher Wagstaff analyses three neorealist films that have had significant influence on filmmakers around the world. Wagstaff treats these films as assemblies of sounds and images rather than as representations of historical reality. If Roberto Rossellini's Roma città aperta and Paisà, and Vittorio De Sica's Ladri di biciclette are still, half a century after they were made, among the most highly valued artefacts in the history of cinema, Wagstaff suggests that this could be due to the aesthetic and rhetorical qualities of their assembled narratives, performances, locations, lighting, sound, mise en scène, and montage.This volume begins by situating neorealist cinema in its historical, industrial, commercial and cultural context, and makes available for the first time a large amount of data on post-war Italian cinema. Wagstaff offers a theoretical discussion of what it means to treat realist films as aesthetic artefacts before moving on to the core of the book, which consists of three studies of the films under discussion. Italian Neorealist Cinema not only offers readers in Film Studies and Italian Studies a radically new perspective on neorealist cinema and the Italian art cinema that followed it, but theorises and applies a method of close analysis of film texts for those interested in aesthetics and rhetoric, as well as cinema in general In English De Sica, Vittorio 1901-1974 Criticism and interpretation Motion pictures Italy Aesthetics Motion pictures Italy History Realism in motion pictures Neorealismus (DE-588)4171455-6 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Italien (DE-588)4027833-5 gnd rswk-swf Italien (DE-588)4027833-5 g Film (DE-588)4017102-4 s Neorealismus (DE-588)4171455-6 s 1\p DE-604 https://doi.org/10.3138/9781442685673 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Wagstaff, Christopher Italian Neorealist Cinema An Aesthetic Approach De Sica, Vittorio 1901-1974 Criticism and interpretation Motion pictures Italy Aesthetics Motion pictures Italy History Realism in motion pictures Neorealismus (DE-588)4171455-6 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4171455-6 (DE-588)4017102-4 (DE-588)4027833-5 |
| title | Italian Neorealist Cinema An Aesthetic Approach |
| title_auth | Italian Neorealist Cinema An Aesthetic Approach |
| title_exact_search | Italian Neorealist Cinema An Aesthetic Approach |
| title_full | Italian Neorealist Cinema An Aesthetic Approach Christopher Wagstaff |
| title_fullStr | Italian Neorealist Cinema An Aesthetic Approach Christopher Wagstaff |
| title_full_unstemmed | Italian Neorealist Cinema An Aesthetic Approach Christopher Wagstaff |
| title_short | Italian Neorealist Cinema |
| title_sort | italian neorealist cinema an aesthetic approach |
| title_sub | An Aesthetic Approach |
| topic | De Sica, Vittorio 1901-1974 Criticism and interpretation Motion pictures Italy Aesthetics Motion pictures Italy History Realism in motion pictures Neorealismus (DE-588)4171455-6 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | De Sica, Vittorio 1901-1974 Criticism and interpretation Motion pictures Italy Aesthetics Motion pictures Italy History Realism in motion pictures Neorealismus Film Italien |
| url | https://doi.org/10.3138/9781442685673 |
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