Hollywood's Last Golden Age: Politics, Society, and the Seventies Film in America
Between 1967 and 1976 a number of extraordinary factors converged to produce an uncommonly adventurous era in the history of American film. The end of censorship, the decline of the studio system, economic changes in the industry, and demographic shifts among audiences, filmmakers, and critics creat...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Ithaca, NY
Cornell University Press
[2012]
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| Schlagworte: | |
| Online-Zugang: | FHA01 FKE01 FLA01 UPA01 UBG01 FAW01 FAB01 FCO01 Volltext |
| Zusammenfassung: | Between 1967 and 1976 a number of extraordinary factors converged to produce an uncommonly adventurous era in the history of American film. The end of censorship, the decline of the studio system, economic changes in the industry, and demographic shifts among audiences, filmmakers, and critics created an unprecedented opportunity for a new type of Hollywood movie, one that Jonathan Kirshner identifies as the "seventies film." In Hollywood's Last Golden Age, Kirshner shows the ways in which key films from this period-including Chinatown, Five Easy Pieces, The Graduate, and Nashville, as well as underappreciated films such as The Friends of Eddie Coyle, Klute, and Night Moves-were important works of art in continuous dialogue with the political, social, personal, and philosophical issues of their times.These "seventies films" reflected the era's social and political upheavals: the civil rights movement, the domestic consequences of the Vietnam war, the sexual revolution, women's liberation, the end of the long postwar economic boom, the Shakespearean saga of the Nixon Administration and Watergate. Hollywood films, in this brief, exceptional moment, embraced a new aesthetic and a new approach to storytelling, creating self-consciously gritty, character-driven explorations of moral and narrative ambiguity. Although the rise of the blockbuster in the second half of the 1970s largely ended Hollywood's embrace of more challenging films, Kirshner argues that seventies filmmakers showed that it was possible to combine commercial entertainment with serious explorations of politics, society, and characters' interior lives |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jan 2019) |
| Beschreibung: | 1 online resource |
| ISBN: | 9780801465840 |
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| indexdate | 2024-07-10T08:30:15Z |
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| spelling | Kirshner, Jonathan Verfasser aut Hollywood's Last Golden Age Politics, Society, and the Seventies Film in America Jonathan Kirshner Ithaca, NY Cornell University Press [2012] © 2013 1 online resource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jan 2019) Between 1967 and 1976 a number of extraordinary factors converged to produce an uncommonly adventurous era in the history of American film. The end of censorship, the decline of the studio system, economic changes in the industry, and demographic shifts among audiences, filmmakers, and critics created an unprecedented opportunity for a new type of Hollywood movie, one that Jonathan Kirshner identifies as the "seventies film." In Hollywood's Last Golden Age, Kirshner shows the ways in which key films from this period-including Chinatown, Five Easy Pieces, The Graduate, and Nashville, as well as underappreciated films such as The Friends of Eddie Coyle, Klute, and Night Moves-were important works of art in continuous dialogue with the political, social, personal, and philosophical issues of their times.These "seventies films" reflected the era's social and political upheavals: the civil rights movement, the domestic consequences of the Vietnam war, the sexual revolution, women's liberation, the end of the long postwar economic boom, the Shakespearean saga of the Nixon Administration and Watergate. Hollywood films, in this brief, exceptional moment, embraced a new aesthetic and a new approach to storytelling, creating self-consciously gritty, character-driven explorations of moral and narrative ambiguity. Although the rise of the blockbuster in the second half of the 1970s largely ended Hollywood's embrace of more challenging films, Kirshner argues that seventies filmmakers showed that it was possible to combine commercial entertainment with serious explorations of politics, society, and characters' interior lives In English Geschichte 1967-1976 gnd rswk-swf Motion pictures Social aspects United States Motion pictures United States History 20th century Film (DE-588)4017102-4 gnd rswk-swf Los Angeles- Hollywood (DE-588)4099817-4 gnd rswk-swf Los Angeles- Hollywood (DE-588)4099817-4 g Film (DE-588)4017102-4 s Geschichte 1967-1976 z 1\p DE-604 https://www.degruyter.com/doi/book/10.7591/9780801465840 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Kirshner, Jonathan Hollywood's Last Golden Age Politics, Society, and the Seventies Film in America Motion pictures Social aspects United States Motion pictures United States History 20th century Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4099817-4 |
| title | Hollywood's Last Golden Age Politics, Society, and the Seventies Film in America |
| title_auth | Hollywood's Last Golden Age Politics, Society, and the Seventies Film in America |
| title_exact_search | Hollywood's Last Golden Age Politics, Society, and the Seventies Film in America |
| title_full | Hollywood's Last Golden Age Politics, Society, and the Seventies Film in America Jonathan Kirshner |
| title_fullStr | Hollywood's Last Golden Age Politics, Society, and the Seventies Film in America Jonathan Kirshner |
| title_full_unstemmed | Hollywood's Last Golden Age Politics, Society, and the Seventies Film in America Jonathan Kirshner |
| title_short | Hollywood's Last Golden Age |
| title_sort | hollywood s last golden age politics society and the seventies film in america |
| title_sub | Politics, Society, and the Seventies Film in America |
| topic | Motion pictures Social aspects United States Motion pictures United States History 20th century Film (DE-588)4017102-4 gnd |
| topic_facet | Motion pictures Social aspects United States Motion pictures United States History 20th century Film Los Angeles- Hollywood |
| url | https://www.degruyter.com/doi/book/10.7591/9780801465840 |
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