Cinema in the Digital Age:
Have digital technologies transformed cinema into a new art, or do they simply replicate and mimic analogue, film-based cinema? Newly revised and expanded to take the latest developments into account, Cinema in the Digital Age examines the fate of cinema in the wake of the digital revolution. Nichol...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Columbia University Press
[2019]
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| Schlagworte: | |
| Online-Zugang: | FHA01 FKE01 FLA01 UPA01 UBG01 FAW01 FAB01 FCO01 Volltext |
| Zusammenfassung: | Have digital technologies transformed cinema into a new art, or do they simply replicate and mimic analogue, film-based cinema? Newly revised and expanded to take the latest developments into account, Cinema in the Digital Age examines the fate of cinema in the wake of the digital revolution. Nicholas Rombes considers Festen (1998), The Blair Witch Project (1999), Timecode (2000), Russian Ark (2002), and The Ring (2002), among others. Haunted by their analogue pasts, these films are interested not in digital purity but rather in imperfection and mistakes-blurry or pixilated images, shaky camera work, and other elements that remind viewers of the human behind the camera.With a new introduction and new material, this updated edition takes a fresh look at the historical and contemporary state of digital cinema. It pays special attention to the ways in which nostalgia for the look and feel of analogue disrupts the aesthetics of the digital image, as well as how recent films such as The Social Network (2010) and The Girl with the Dragon Tattoo (2011)-both shot digitally-have disguised and erased their digital foundations. The book also explores new possibilities for writing about and theorizing film, such as randomization |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jan 2019) |
| Beschreibung: | 1 online resource 22 b&w illustrations |
| ISBN: | 9780231851183 |
| DOI: | 10.7312/romb16754 |
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| spelling | Rombes, Nicholas Verfasser aut Cinema in the Digital Age Nicholas Rombes New York, NY Columbia University Press [2019] © 2017 1 online resource 22 b&w illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jan 2019) Have digital technologies transformed cinema into a new art, or do they simply replicate and mimic analogue, film-based cinema? Newly revised and expanded to take the latest developments into account, Cinema in the Digital Age examines the fate of cinema in the wake of the digital revolution. Nicholas Rombes considers Festen (1998), The Blair Witch Project (1999), Timecode (2000), Russian Ark (2002), and The Ring (2002), among others. Haunted by their analogue pasts, these films are interested not in digital purity but rather in imperfection and mistakes-blurry or pixilated images, shaky camera work, and other elements that remind viewers of the human behind the camera.With a new introduction and new material, this updated edition takes a fresh look at the historical and contemporary state of digital cinema. It pays special attention to the ways in which nostalgia for the look and feel of analogue disrupts the aesthetics of the digital image, as well as how recent films such as The Social Network (2010) and The Girl with the Dragon Tattoo (2011)-both shot digitally-have disguised and erased their digital foundations. The book also explores new possibilities for writing about and theorizing film, such as randomization In English Digitalisierung (DE-588)4123065-6 gnd rswk-swf Neue Technologie (DE-588)4194462-8 gnd rswk-swf Neue Medien (DE-588)4196910-8 gnd rswk-swf Philosophie (DE-588)4045791-6 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Film (DE-588)4017102-4 s Philosophie (DE-588)4045791-6 s 1\p DE-604 Digitalisierung (DE-588)4123065-6 s 2\p DE-604 Neue Technologie (DE-588)4194462-8 s 3\p DE-604 Neue Medien (DE-588)4196910-8 s 4\p DE-604 https://doi.org/10.7312/romb16754 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 4\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Rombes, Nicholas Cinema in the Digital Age Digitalisierung (DE-588)4123065-6 gnd Neue Technologie (DE-588)4194462-8 gnd Neue Medien (DE-588)4196910-8 gnd Philosophie (DE-588)4045791-6 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4123065-6 (DE-588)4194462-8 (DE-588)4196910-8 (DE-588)4045791-6 (DE-588)4017102-4 |
| title | Cinema in the Digital Age |
| title_auth | Cinema in the Digital Age |
| title_exact_search | Cinema in the Digital Age |
| title_full | Cinema in the Digital Age Nicholas Rombes |
| title_fullStr | Cinema in the Digital Age Nicholas Rombes |
| title_full_unstemmed | Cinema in the Digital Age Nicholas Rombes |
| title_short | Cinema in the Digital Age |
| title_sort | cinema in the digital age |
| topic | Digitalisierung (DE-588)4123065-6 gnd Neue Technologie (DE-588)4194462-8 gnd Neue Medien (DE-588)4196910-8 gnd Philosophie (DE-588)4045791-6 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Digitalisierung Neue Technologie Neue Medien Philosophie Film |
| url | https://doi.org/10.7312/romb16754 |
| work_keys_str_mv | AT rombesnicholas cinemainthedigitalage |