The Essay Film After Fact and Fiction:
Nora M. Alter reveals the essay film to be a hybrid genre that fuses the categories of feature, art, and documentary film. Like its literary predecessor, the essay film draws on a variety of forms and approaches; in the process, it fundamentally alters the shape of cinema. The Essay Film After Fact...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Columbia University Press
[2019]
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| Schriftenreihe: | Film and Culture Series
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| Schlagworte: | |
| Online-Zugang: | FHA01 FKE01 FLA01 UPA01 UBG01 FAW01 FAB01 FCO01 URL des Erstveröffentlichers |
| Zusammenfassung: | Nora M. Alter reveals the essay film to be a hybrid genre that fuses the categories of feature, art, and documentary film. Like its literary predecessor, the essay film draws on a variety of forms and approaches; in the process, it fundamentally alters the shape of cinema. The Essay Film After Fact and Fiction locates the genre's origins in early silent cinema and follows its transformation with the advent of sound, its legitimation in the postwar period, and its multifaceted development at the turn of the millennium. In addition to exploring the broader history of the essay film, Alter addresses the innovative ways contemporary artists such as Martha Rosler, Isaac Julien, Harun Farocki, John Akomfrah, and Hito Steyerl have taken up the essay film in their work |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jan 2019) |
| Beschreibung: | 1 online resource |
| ISBN: | 9780231545983 |
| DOI: | 10.7312/alte17820 |
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| spelling | Alter, Nora M. Verfasser aut The Essay Film After Fact and Fiction Nora M. Alter New York, NY Columbia University Press [2019] © 2018 1 online resource txt rdacontent c rdamedia cr rdacarrier Film and Culture Series Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jan 2019) Nora M. Alter reveals the essay film to be a hybrid genre that fuses the categories of feature, art, and documentary film. Like its literary predecessor, the essay film draws on a variety of forms and approaches; in the process, it fundamentally alters the shape of cinema. The Essay Film After Fact and Fiction locates the genre's origins in early silent cinema and follows its transformation with the advent of sound, its legitimation in the postwar period, and its multifaceted development at the turn of the millennium. In addition to exploring the broader history of the essay film, Alter addresses the innovative ways contemporary artists such as Martha Rosler, Isaac Julien, Harun Farocki, John Akomfrah, and Hito Steyerl have taken up the essay film in their work In English Essayfilm (DE-588)4279316-6 gnd rswk-swf Essayfilm (DE-588)4279316-6 s 1\p DE-604 https://doi.org/10.7312/alte17820 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Alter, Nora M. The Essay Film After Fact and Fiction Essayfilm (DE-588)4279316-6 gnd |
| subject_GND | (DE-588)4279316-6 |
| title | The Essay Film After Fact and Fiction |
| title_auth | The Essay Film After Fact and Fiction |
| title_exact_search | The Essay Film After Fact and Fiction |
| title_full | The Essay Film After Fact and Fiction Nora M. Alter |
| title_fullStr | The Essay Film After Fact and Fiction Nora M. Alter |
| title_full_unstemmed | The Essay Film After Fact and Fiction Nora M. Alter |
| title_short | The Essay Film After Fact and Fiction |
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