Political dramaturgies and theatre: spectatorship provocations for change
"Has political theatre lost its potency and ability to effect change? Are audiences less inclined to be moved and less able to imagine alternative political realities in our individualized age? What strategies should theatre makers employ to respond to our present climate in ways that are both...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York ; Oxford ; New delhi ; Sydney
Methuen drama
2019
|
| Schriftenreihe: | Methuen drama engage
|
| Schlagworte: | |
| Zusammenfassung: | "Has political theatre lost its potency and ability to effect change? Are audiences less inclined to be moved and less able to imagine alternative political realities in our individualized age? What strategies should theatre makers employ to respond to our present climate in ways that are both affective and effective? In this important study Liz Tomlin argues that the capacities of the contemporary and future spectator to be 'effected' or 'affected' by politically-motivated theatre needs to be urgently re-evaluated in light of the current political and philosophical climate. Drawing on a wide range of philosophical, psychological and sociological research Tomlin proposes that politically-motivated practice needs to take into account the spectator's decreasing capacity for empathy and ability to imagine the future, and an understanding of how individualism has replaced collectivism as the seemingly rational human response to danger to the self. She offers a re-evaluation of politically-motivated models of contemporary theatre such as Brechtian ideology critique, radical tragedy, documentary, verbatim and relational theatre practices in order to rigorously interrogate if and how theatre can best contribute to the emerging resistance to global neoliberal capitalism. Work analyzed ranges from dramatic texts including George Brant's Grounded, David Greig's The Events and Caryl Churchill's Advice to Iraqi Women and Far Away to contemporary performance by Stan's Cafe, Ontroerend Goed, Coney and Kaleider; to new performance writing by Chris Thorpe and Andy Smith"-- |
| Beschreibung: | 205 Seiten |
| ISBN: | 9781474295604 |
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| 520 | 3 | |a "Has political theatre lost its potency and ability to effect change? Are audiences less inclined to be moved and less able to imagine alternative political realities in our individualized age? What strategies should theatre makers employ to respond to our present climate in ways that are both affective and effective? In this important study Liz Tomlin argues that the capacities of the contemporary and future spectator to be 'effected' or 'affected' by politically-motivated theatre needs to be urgently re-evaluated in light of the current political and philosophical climate. Drawing on a wide range of philosophical, psychological and sociological research Tomlin proposes that politically-motivated practice needs to take into account the spectator's decreasing capacity for empathy and ability to imagine the future, and an understanding of how individualism has replaced collectivism as the seemingly rational human response to danger to the self. She offers a re-evaluation of politically-motivated models of contemporary theatre such as Brechtian ideology critique, radical tragedy, documentary, verbatim and relational theatre practices in order to rigorously interrogate if and how theatre can best contribute to the emerging resistance to global neoliberal capitalism. Work analyzed ranges from dramatic texts including George Brant's Grounded, David Greig's The Events and Caryl Churchill's Advice to Iraqi Women and Far Away to contemporary performance by Stan's Cafe, Ontroerend Goed, Coney and Kaleider; to new performance writing by Chris Thorpe and Andy Smith"-- | |
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Datensatz im Suchindex
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| discipline | Allgemeines Literaturwissenschaft |
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| id | DE-604.BV045907547 |
| illustrated | Not Illustrated |
| indexdate | 2024-09-17T14:05:00Z |
| institution | BVB |
| isbn | 9781474295604 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031290234 |
| oclc_num | 1107326558 |
| open_access_boolean | |
| owner | DE-384 DE-19 DE-BY-UBM DE-11 DE-12 DE-29 |
| owner_facet | DE-384 DE-19 DE-BY-UBM DE-11 DE-12 DE-29 |
| physical | 205 Seiten |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Methuen drama |
| record_format | marc |
| series2 | Methuen drama engage |
| spelling | Tomlin, Liz Verfasser (DE-588)1075225434 aut Political dramaturgies and theatre spectatorship provocations for change Liz Tomlin London ; New York ; Oxford ; New delhi ; Sydney Methuen drama 2019 205 Seiten txt rdacontent n rdamedia nc rdacarrier Methuen drama engage "Has political theatre lost its potency and ability to effect change? Are audiences less inclined to be moved and less able to imagine alternative political realities in our individualized age? What strategies should theatre makers employ to respond to our present climate in ways that are both affective and effective? In this important study Liz Tomlin argues that the capacities of the contemporary and future spectator to be 'effected' or 'affected' by politically-motivated theatre needs to be urgently re-evaluated in light of the current political and philosophical climate. Drawing on a wide range of philosophical, psychological and sociological research Tomlin proposes that politically-motivated practice needs to take into account the spectator's decreasing capacity for empathy and ability to imagine the future, and an understanding of how individualism has replaced collectivism as the seemingly rational human response to danger to the self. She offers a re-evaluation of politically-motivated models of contemporary theatre such as Brechtian ideology critique, radical tragedy, documentary, verbatim and relational theatre practices in order to rigorously interrogate if and how theatre can best contribute to the emerging resistance to global neoliberal capitalism. Work analyzed ranges from dramatic texts including George Brant's Grounded, David Greig's The Events and Caryl Churchill's Advice to Iraqi Women and Far Away to contemporary performance by Stan's Cafe, Ontroerend Goed, Coney and Kaleider; to new performance writing by Chris Thorpe and Andy Smith"-- Politisches Theater (DE-588)4046587-1 gnd rswk-swf Dramaturgie (DE-588)4124796-6 gnd rswk-swf Theater / Political aspects Political plays Theater and society Politisches Theater (DE-588)4046587-1 s Dramaturgie (DE-588)4124796-6 s DE-604 Erscheint auch als Online-Ausgabe, ePDF 978-1-4742-9562-8 Erscheint auch als Online-Ausgabe, eBook 978-1-4742-9561-1 |
| spellingShingle | Tomlin, Liz Political dramaturgies and theatre spectatorship provocations for change Politisches Theater (DE-588)4046587-1 gnd Dramaturgie (DE-588)4124796-6 gnd |
| subject_GND | (DE-588)4046587-1 (DE-588)4124796-6 |
| title | Political dramaturgies and theatre spectatorship provocations for change |
| title_auth | Political dramaturgies and theatre spectatorship provocations for change |
| title_exact_search | Political dramaturgies and theatre spectatorship provocations for change |
| title_full | Political dramaturgies and theatre spectatorship provocations for change Liz Tomlin |
| title_fullStr | Political dramaturgies and theatre spectatorship provocations for change Liz Tomlin |
| title_full_unstemmed | Political dramaturgies and theatre spectatorship provocations for change Liz Tomlin |
| title_short | Political dramaturgies and theatre |
| title_sort | political dramaturgies and theatre spectatorship provocations for change |
| title_sub | spectatorship provocations for change |
| topic | Politisches Theater (DE-588)4046587-1 gnd Dramaturgie (DE-588)4124796-6 gnd |
| topic_facet | Politisches Theater Dramaturgie |
| work_keys_str_mv | AT tomlinliz politicaldramaturgiesandtheatrespectatorshipprovocationsforchange |