Raman spectroscopy in archaeology and art history: volume 2
Ten years after the first volume, this book highlights the important contribution Raman spectroscopy makes as a non-destructive method for characterising the chemical composition of objects with archaeological and historical importance. The original book was ground-breaking in its concept, but the p...
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| Format: | Buch |
| Sprache: | English |
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London
Royal Society of Chemistry
[2019]
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| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Zusammenfassung: | Ten years after the first volume, this book highlights the important contribution Raman spectroscopy makes as a non-destructive method for characterising the chemical composition of objects with archaeological and historical importance. The original book was ground-breaking in its concept, but the past ten years have seen some advancement into new areas, consolidation of some of the older ones and novel applications involving portable instrumentation, on site in museums and in the field. This new volume maintains the topic at the cutting edge, the Editors have approached prominent contributors to provide case-studies sorted into themes. Starting with a Foreword from the British Museum Director of Scientific Research and an Introduction from the Editors, which offer general background information and theoretical context, the contributions then provide global perspectives on this powerful analytical tool. |
| Beschreibung: | Enthält Literaturangaben Neuauflage als Volume 2 bezeichnet |
| Beschreibung: | xviii, 349 Seiten Illustrationen, Diagramme |
| ISBN: | 9781788011389 |
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| 520 | 3 | |a Ten years after the first volume, this book highlights the important contribution Raman spectroscopy makes as a non-destructive method for characterising the chemical composition of objects with archaeological and historical importance. The original book was ground-breaking in its concept, but the past ten years have seen some advancement into new areas, consolidation of some of the older ones and novel applications involving portable instrumentation, on site in museums and in the field. This new volume maintains the topic at the cutting edge, the Editors have approached prominent contributors to provide case-studies sorted into themes. Starting with a Foreword from the British Museum Director of Scientific Research and an Introduction from the Editors, which offer general background information and theoretical context, the contributions then provide global perspectives on this powerful analytical tool. | |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents Chapter 1 Analytical Raman Spectroscopy of Inks Howell G. M. Edwards 1.1 Introduction 1.2 The Detection of Ancient Inks 1.2.1 Raman Spectroscopy 1.3 Casestudies 1.3.1 The Vinland Map 1.3.2 The Voynich Manuscript 1.3.3 The Beato de Valcavado Manuscript 1.4 Conclusion References Chapter 2 Raman Spectroscopic Analysis of Romano-British Wall Paintings: A Comparison Between Geographically Different Sites at the Northern Fringe of the Roman Empire Howell G. M. Edwards, Rebecca Widdowson and Jennifer Proctor 2.1 Introduction 2.2 Experimental 2.2.1 Villa Sites and Samples 2.2.2 Raman Spectroscopy 2.3 Results and Discussion 2.4 Conclusions References Raman Spectroscopy in Archaeology and Art History Volume 2 Edited by Peter Vandenabeele and Howell Edwards © The Royal Society of Chemistry 2019 Published by the Royal Society of Chemistry, www.rsc.org ХІ 1 1 5 6 8 8 10 11 12 13 16 16 20 20 21 24 27 28
xii Contents Chapter 3 Evidence of Pentimenti for the Authentication of Paintings: A Challenge for Analytical Science at the Interface with Art History Timothy J. Benoy, William A. Edwards and Howell G. M. Edwards 31 3.1 Introduction 3.2 The de Brécy Tondo 3.3 Historical Provenancing 3.4 Scientific Analysis 3.5 Conclusions References 31 35 38 40 42 43 Chapter 4 Dancing on Eggshells: A Holistic Analytical Study of a Ballet Dancer on Regency Porcelain Howell G. M. Edwards, Alexander P. H. Surtees and Richard Telford 4.1 Introduction 4.1.1 Ballet History 4.2 The Porcelain Connection 4.3 Raman Spectroscopic Analysis of the Spill Vase 4.3.1 Raman Spectroscopic Data and Discussion 4.4 Conclusions References Chapter 5 Pigments and Colourants Peter Vandenabeele, Anastasia Rousaki, Mafalda Costa, Luc Moens and Howell G. M. Edwards Acknowledgements References Chapter 6 Micro Raman Spectroscopy of Epipalaeolithic Decorated Pebbles from Arroyo Moreras 2 (Parque Darwin, Madrid) A. Hemanz, J. M. Gavira-Vallejo, P. Bueno-Ramirez, R. de Balbin-Behrmann, J. Morin de Pablos and C. de Juana Ortin 6.1 Introduction 6.1.1 Initial Remarks 6.1.2 Archaeological Background 6.2 Experimental 6.3 Results and Discussion 6.3.1 Pebble C-AM-86 46 46 48 50 52 53 57 59 61 66 66 68 68 68 69 69 73 73
Contents Chapter 7 xiii 6.3.2 Pebble C-AM-245 6.3.3 Pebble C-AM-246 6.4 Conclusion Acknowledgements References 74 75 78 78 79 Raman Microscopy as a Primary Technique for Identifying Micro-residues Related to Tool-use on Prehistoric Stone Artefacts 81 Linda C. Prinsloo and Luc Bordes Chapter 8 7.1 Introduction 7.2 Archaeological Background 7.3 Experimental Methods 7.3.1 Sample Preparation 7.3.2 Raman Analysis 7.3.3 Cleaning and Analysis Procedures 7.3.4 Reference Material 7.4 Results and Discussion 7.4.1 Sediment 7.4.2 Experimental Tools 7.4.3 Archaeological Artefacts 7.5 Conclusions Acknowledgements References 81 82 82 82 84 84 84 85 85 85 90 95 95 95 Biological Materials of Significance to Cultural Heritage 97 Elizabeth A. Carter 8.1 Introduction 8.2 Human Tissue 8.2.1 Keratin Proteins 8.2.2 Morphological Structure 8.2.3 Characteristic Raman Spectra of Keratin Proteins 8.2.4 Mummified Remains 8.2.5 Hair 8.3 Skeletal Remains 8.3.1 A Comparison of Ancient and Modern Teeth 8.4 Brain Matter 8.4.1 The Heslington Brain 8.4.2 St John the Evangelist Church 8.5 Calculi 8.5.1 Gristhorpe Man 8.5.2 Oluz Höyük 97 98 98 98 100 101 106 108 109 115 115 116 117 117 118
xiv Contents 8.6 Conclusion Acknowledgements References Chapter 9 Discrimination of Contraband Ivories Using Long Wavelength Portable Raman Instrumentation 118 119 119 123 Sarah Kelloway, Howell G. M. Edwards, Brad Swarbrick and Elizabeth A. Carter 9.1 Introduction 9.1.1 Previous Raman Spectroscopy Studies of Ivories 9.2 Experimental 9.2.1 Materials 9.2.2 Raman Portable Spectrometer 9.2.3 Spectral Analysis 9.3 Results 9.3.1 Spectral Analysis 9.3.2 Partial Least Squares Discriminant Analysis (PLS-DA) 9.4 Discussion and Conclusions Acknowledgements References Chapter 10 Micro-Raman and Provenance Studies: The Case of Levantine Ceramics 123 127 130 130 132 132 133 133 133 137 138 138 141 Laura Medeghini, Danilo Bersani, Silvano Mignardi, Caterina de Vito and Pier Paolo Lottici Chapter 11 10.1 Introduction 10.2 Experimental 10.3 Results and Discussion 10.3.1 Technological Level 10.3.2 Provenance of the Raw Material 10.3.3 Burial Conditions 10.4 Concluding Remarks References 141 142 143 143 152 152 153 154 Raman Spectroscopy for the Identification of Materials in Contemporary Painting 157 Silvia Bruni and Vittoria Guglielmi 11.1 Introduction 11.2 Surface-enhanced Raman Spectroscopy (SERS) Applied to Coloured Inks and Fluorescent Pigments 157 158
Contents XV 11.3 Portable Raman, Reflection FTIR and FT-Raman Non-invasive Study of 20th Century Household and Automotive Paints 11.4 Raman Analysis of Pigments in Contemporary Paintings by Portable Instrumentation 11.5 Conclusions References Chapter 12 Application of Micro-spatially Offset Raman Spectroscopy to Street Art Paintings 162 167 172 172 174 C. Conti, A. Botteon, C. Colombo, M. Realini and P. Matoušek 12.1 12.2 12.3 12.4 Chapter 13 Introduction Micro-spatially Offset Raman Spectroscopy Materials Methods 12.4.1 Full Micro-SORS 12.4.2 Defocusing Micro-SORS 12.5 Results and Discussion 12.6 Conclusions References 174 175 176 176 177 177 178 182 183 Raman Spectroscopy as a Cultural Heritage Forensic Tool 184 Catarina Miguel and Antonio Candeias 13.1 Unveiling the Authenticity of an Artwork Destroyed by a Fire 13.2 Authenticity Evaluation of an Artwork Intercepted in the Trade Markets 13.3 Unveiling the Placement’s Authenticity of Early Brazilian Printed Stamps Through Raman Microscopy 13.4 Final Remarks References Chapter 14 184 187 189 194 194 Outdoor Bronze and Its Protection P. Ropret and T. Kosec 196 14.1 Introduction 14.2 Experimental 14.2.1 Sampling 14.2.2 Materials 14.2.3 Instrumentation 196 198 198 200 200
xvi Chapter 15 Contents 14.3 Results and Discussion 14.3.1 Case Studies 14.3.2 Protection Systems 14.4 Conclusion References 201 201 205 209 210 Analysis of the Degradation of Medieval Mural Paintings in the Open Air Abandoned Church of Ribera, North of Spain 213 Juan Manuel Madariaga, Ilaria Costantini and Kepa Castro Chapter 16 15.1 Introduction 15.2 Experimental 15.2.1 Instrumentation 15.2.2 In Situ Analysis 15.2.3 Micro-sampling and Laboratory Instrumental Setup 15.3 Results 15.3.1 Pigments and Paintings 15.3.2 Soluble and Insoluble Efflorescence Salts 15.3.3 Biopatinas 15.4 Discussion and Conclusions Acknowledgements References 213 217 217 218 222 226 228 230 230 Miniaturized Raman Spectrometers Applied to Gemstone Analyses on Works of Art 234 218 220 220 Jan Jehlička and Adam Culka 16.1 Introduction 16.2 Specifics of Portable Instrumentation 16.3 Loose Gemstones and Minerals and Their Spectroscopic Investigation Using Portable Instruments 16.4 Using a Miniaturized Raman Spectrometer for Fast Detection of Gemstones from an 18th Century Monstrance While Working in a Monastic Treasury Environment 16.5 Using a Miniaturized Raman Spectrometer to Learn About Mounted Stones from a 19th Century Torah Shield: A Museum Repository Study 16.6 Summary References 234 237 239 241 247 250 251
Contents XVII Chapter 17 New Case Studies: Diamonds, Jades, Corundum and Spinel 254 Lore Kiefert, Pierre Hardy, Klaus Schollenbruch and WenxingXu 17.1 Introduction 17.2 Case Studies 17.2.1 Diamonds 17.2.2 Jades 17.2.3 Application of Raman Spectroscopy on Corundum Inclusions 17.2.4 Heat Treatment of Spinel 17.3 Summary References Chapter 18 The Cultural Meanings of Color: Raman Spectroscopic Studies of Red, Pink, and Purple Dyes in Late Edo and Early Meiji Period Prints 254 255 255 259 262 266 268 268 271 Anna Cesaratto, Marco Leona and Federica Pozzi 18.1 Introduction 18.2 Experimental 18.2.1 Materials 18.2.2 Methods 18.3 Results and Discussion 18.3.1 Natural Red Dyes: From Safflower Red to Cochineal 18.3.2 The Introduction of Eosin and Detection of Binary Mixtures with Cochineal 18.3.3 From Natural to Synthetic Reds: Cochineal is Superseded by Acid Red Dyes 18.3.4 The Evolution of Purple: From Safflower Red to Aniline Dyes 18.4 Conclusion Acknowledgements References Chapter 19 Raman Spectroscopy Applied to the Analysis of Ţypomorphic Minerals in Various Provenance Investigations of Cultural Heritage Objects 271 273 273 274 276 276 279 281 283 285 286 286 289 B. Łydżba-Kopczyńska 19.1 Introduction 19.2 Ţypomorphic Minerals 289 291
xviii Chapter 20 Contents 19.3 Case Studies 19.3.1 Experimental 19.3.2 Ceramic. Provenance Investigation of Archaeological Ceramic from Giles (Poland) 19.3.3 Archaeological Minerals 19.3.4 Painting Materials Acknowledgements References 293 293 294 298 305 310 310 Pitfalls in Raman Spectroscopy Applied to Art and Archaeology: A Practical Survival Guide for Non-specialists 314 D. L. A. de Faria and H. G. Aí. Edwards 20.1 Introduction 20.2 The Pitfalls 20.2.1 Instrumentation 20.2.2 Samples and Sampling 20.2.3 Data Interpretation 20.3 Conclusions Acknowledgements References Subject Index 314 316 316 330 336 340 341 341 344
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| title | Raman spectroscopy in archaeology and art history volume 2 |
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| title_fullStr | Raman spectroscopy in archaeology and art history volume 2 edited by Peter Vandenabeele and Howell Edwards |
| title_full_unstemmed | Raman spectroscopy in archaeology and art history volume 2 edited by Peter Vandenabeele and Howell Edwards |
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