Verfügbarkeit: Il terzo libro dei "Mottetti a sei voci" (Milano, 1598) di Orfeo Vecchi

Il terzo libro dei "Mottetti a sei voci" (Milano, 1598) di Orfeo Vecchi: introduzione storico-analitica ed edizione critica

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Bibliographische Detailangaben
1. Verfasser:	De Cicco, Dario (VerfasserIn)
Format:	Abschlussarbeit Buch
Sprache:	Italian
Veröffentlicht:	Bern ; Berlin ; Bruxelles ; New York ; Oxford Peter Lang [2019]
Schlagworte:	Vecchi, Orfeo > 1551-1603 Geschichte 1598 Liturgischer Gesang Sechsstimmigkeit Musikdruck Motette Musikalische Analyse analitica Cicco critica Dario edizione Introduzione libro Milano Mottetti Orfeo storico terzo Vecchi voci Hochschulschrift Kommentar Quelle
Online-Zugang:	Inhaltstext https://www.peterlang.com/view/product/78735?format=PBK Inhaltsverzeichnis
Beschreibung:	389 Seiten Notenbeispiele 29.7 cm x 21 cm, 1144 g
ISBN:	9783034330930 3034330936

Internformat

MARC


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Datensatz im Suchindex

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adam_text	TABLE OF CONTENTS CAPITOLO PRIMO - ORFEO VECCHI (1551CA.-1603) ................................... 23 1. 1 -INTRODUZIONE ............................................................................ 23 1.2- PROFILO BIOGRAFICO .................................................................... 24 CAPITOLO SECONDO - IL DEDICATARIO E LE CARATTERISTICHE TECNICHE DEI MOTTETTI A SEI VOCI DI ORFEO VECCHI .................................. 33 IL 1 -IL DEDICATARIO .......................................................................... 33 11.2- CARATTERISTICHE TECNICHE DELLE COMPOSIZIONI ......................... 37 11.3- MODALITA ................................................................................ 41 CAPITOLO TERZO - DESCRIZIONE DEI TESTIMONI E RECEZIONE ...................... 45 III. 1 -LA PRIMA EDIZIONE A STAMPA ................................................ 45 III. 2-LA RISTAMPA DEL 1603 ........................................................... 48 III. 3 -ANTOLOGIE .............................................................................. 49 111.4- L * INTAVOLATURA DI PELPLIN ...................................................... 53 111.5- I MOTTETTI A SEI VOCI DI ORFEO VECCHI PRESENTI NELL * INTAVOLATURA DI PELPLIN ................................................ 57 CAPITOLO QUARTO - TACTUS, MENSURA, TEMPO E CRITERI DI TRASCRIZIONE RITMICA ................................................................. 61 IVI-INQUADRAMENTO E INDICAZIONI DI TACTUS ................................. 61 IV2-CRITERI DI TRASCRIZIONE RITMICA ............................................... 67 CAPITOLO QUINTO - 1 TESTI ......................................................................... 69 V 1 -CATEGORIE TESTUALI ................................................................... 69 V2-CARATTERI GENERALI DEI TESTI ..................................................... 85 V 3 -CRITERI DI TRASCRIZIONE ............................................................. 85 V4-I TESTI ....................................................................................... 87 CAPITOLO SESTO - CRITERI EDITORIALI E APPARATO CRITICO ............................ 95 V 1 -CRITERI EDITORIALI ...................................................................... 95 VI.2-APPARATO CRITICO ................................................................... 96 BIBLIOGRAFIA ............................................................................................ 115 INDICI ..................................................................................................... 131 I - EDIZIONE CRITICA .............................................................................. 135 I - CONSOLAMINI, POPULE MEUS .................................................... 135 II - PRUDENTES VIRGINES ................................................................ 147 III - VIRGO PRUDENTISSIMA ........................................................... 155 IV - SURREXITPASTOR BONUS ......................................................... 165 V - DEUS IN NOMINE TUO .............................................................. 174 VI - VIDE DOMINE ........................................................................ 184 VII - QUEM VIDISTISPASTORES? .................................................... 192 VILI - QUEM QUAERIS MAGDALENA? ............................................ 203 IX - GLORIA IN EXCELSIS DEO ........................................................ 211 X - VENI, DILECTE MI .................................................................... 225 XI - HODIE LUCERNA ..................................................................... 234 XII - DEUS IN ADIUTORIUM ........................................................... 246 XIII - ERUCTAVIT COR MEUM ......................................................... 258 XIV - MARIA MAGDALENA ............................................................ 268 XV - ET VALDE MANE ................................................................... 277 XVI - COELORUM CANDOR SPLENDUIT ............................................ 286 XVII - ALLELUIA. CHRISTUS RESURGENS .......................................... 295 XVIII - ASPICE DOMINE .............................................................. 305 XIX - ARDENS EST ....................................................................... 315 XX - MULIER QUIDPLORAS? .......................................................... 325 6 APPENDICE I - ALCUNE TRASCRIZIONI DALL * INTAVOLATURA DI PELPLIN ........ 335 14 - MARIA MAGDALENA ............................................................... 335 15 - ET VALDE MANE ..................................................................... 343 16 - ALLELUIA. CHRISTUS RESURGENS .............................................. 352 17 - ARDENS EST ........................................................................... 362 18 - MULIER QUID PLORAS .............................................................. 372 19 - ASPICE DOMINE ................................................................... 381 7
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spelling	De Cicco, Dario Verfasser (DE-588)1052292437 aut Orfeo Vecchi musicus et cantor ambrosianus Il terzo libro dei "Mottetti a sei voci" (Milano, 1598) di Orfeo Vecchi introduzione storico-analitica ed edizione critica Dario De Cicco Il 3. libro dei "Mottetti a sei voci" (Milano, 1598) di Orfeo Vecchi Il III. libro dei "Mottetti a sei voci" (Milano, 1598) di Orfeo Vecchi Bern ; Berlin ; Bruxelles ; New York ; Oxford Peter Lang [2019] © 2019 389 Seiten Notenbeispiele 29.7 cm x 21 cm, 1144 g txt rdacontent n rdamedia nc rdacarrier Dissertation Università di Ginevra 2016 Vecchi, Orfeo 1551-1603 (DE-588)102427895 gnd rswk-swf Geschichte 1598 gnd rswk-swf Liturgischer Gesang (DE-588)4036056-8 gnd rswk-swf Sechsstimmigkeit (DE-588)7855026-9 gnd rswk-swf Musikdruck (DE-588)4075121-1 gnd rswk-swf Motette (DE-588)4040357-9 gnd rswk-swf Musikalische Analyse (DE-588)4040814-0 gnd rswk-swf analitica Cicco critica Dario edizione Introduzione libro Milano Mottetti Orfeo storico terzo Vecchi voci (DE-588)4113937-9 Hochschulschrift gnd-content (DE-588)4136710-8 Kommentar gnd-content (DE-588)4135952-5 Quelle gnd-content Vecchi, Orfeo 1551-1603 (DE-588)102427895 p Motette (DE-588)4040357-9 s Musikdruck (DE-588)4075121-1 s Musikalische Analyse (DE-588)4040814-0 s Geschichte 1598 z DE-604 Sechsstimmigkeit (DE-588)7855026-9 s Liturgischer Gesang (DE-588)4036056-8 s Peter Lang AG (DE-588)1065221940 pbl Erscheint auch als Online-Ausgabe, PDF 978-3-0343-3743-4 Erscheint auch als Online-Ausgabe, EPUB 978-3-0343-3744-1 Erscheint auch als Online-Ausgabe, MOBI 978-3-0343-3745-8 X:MVB text/html http://deposit.dnb.de/cgi-bin/dokserv?id=6daacec24e7644af943f4fe2e47f6c49&prov=M&dok_var=1&dok_ext=htm Inhaltstext X:MVB https://www.peterlang.com/view/product/78735?format=PBK DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031268568&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis
spellingShingle	De Cicco, Dario Il terzo libro dei "Mottetti a sei voci" (Milano, 1598) di Orfeo Vecchi introduzione storico-analitica ed edizione critica Vecchi, Orfeo 1551-1603 (DE-588)102427895 gnd Liturgischer Gesang (DE-588)4036056-8 gnd Sechsstimmigkeit (DE-588)7855026-9 gnd Musikdruck (DE-588)4075121-1 gnd Motette (DE-588)4040357-9 gnd Musikalische Analyse (DE-588)4040814-0 gnd
subject_GND	(DE-588)102427895 (DE-588)4036056-8 (DE-588)7855026-9 (DE-588)4075121-1 (DE-588)4040357-9 (DE-588)4040814-0 (DE-588)4113937-9 (DE-588)4136710-8 (DE-588)4135952-5
title	Il terzo libro dei "Mottetti a sei voci" (Milano, 1598) di Orfeo Vecchi introduzione storico-analitica ed edizione critica
title_alt	Orfeo Vecchi musicus et cantor ambrosianus Il 3. libro dei "Mottetti a sei voci" (Milano, 1598) di Orfeo Vecchi Il III. libro dei "Mottetti a sei voci" (Milano, 1598) di Orfeo Vecchi
title_auth	Il terzo libro dei "Mottetti a sei voci" (Milano, 1598) di Orfeo Vecchi introduzione storico-analitica ed edizione critica
title_exact_search	Il terzo libro dei "Mottetti a sei voci" (Milano, 1598) di Orfeo Vecchi introduzione storico-analitica ed edizione critica
title_full	Il terzo libro dei "Mottetti a sei voci" (Milano, 1598) di Orfeo Vecchi introduzione storico-analitica ed edizione critica Dario De Cicco
title_fullStr	Il terzo libro dei "Mottetti a sei voci" (Milano, 1598) di Orfeo Vecchi introduzione storico-analitica ed edizione critica Dario De Cicco
title_full_unstemmed	Il terzo libro dei "Mottetti a sei voci" (Milano, 1598) di Orfeo Vecchi introduzione storico-analitica ed edizione critica Dario De Cicco
title_short	Il terzo libro dei "Mottetti a sei voci" (Milano, 1598) di Orfeo Vecchi
title_sort	il terzo libro dei mottetti a sei voci milano 1598 di orfeo vecchi introduzione storico analitica ed edizione critica
title_sub	introduzione storico-analitica ed edizione critica
topic	Vecchi, Orfeo 1551-1603 (DE-588)102427895 gnd Liturgischer Gesang (DE-588)4036056-8 gnd Sechsstimmigkeit (DE-588)7855026-9 gnd Musikdruck (DE-588)4075121-1 gnd Motette (DE-588)4040357-9 gnd Musikalische Analyse (DE-588)4040814-0 gnd
topic_facet	Vecchi, Orfeo 1551-1603 Liturgischer Gesang Sechsstimmigkeit Musikdruck Motette Musikalische Analyse Hochschulschrift Kommentar Quelle
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